℗ 2019 Parlophone Records Limited, a Warner Music Group Company
| Released | March 29, 2019 |
| Duration | 1h 04m 01s |
| Record Label | Warner Classics |
| Genre | Classical |
Bach: Sonatas for Violin & Keyboard Nos 3-6
Renaud Capuçon, David Fray
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Sonata for Violin & Keyboard No. 5 in F Minor, BWV 1018
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1.1
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I. Largo
Johann Sebastian Bach; Renaud Capuçon; David Fray |
4:52 | |||
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1.2
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II. Allegro
Johann Sebastian Bach; Renaud Capuçon; David Fray |
4:20 | |||
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1.3
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III. Adagio
Johann Sebastian Bach; Renaud Capuçon; David Fray |
4:48 | |||
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1.4
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IV. Vivace
Johann Sebastian Bach; Renaud Capuçon; David Fray |
2:10 | |||
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Sonata for Violin & Keyboard No. 3 in E Major, BWV 1016
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1.5
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I. Adagio
Johann Sebastian Bach; Renaud Capuçon; David Fray |
4:23 | |||
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1.6
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II. Allegro
Johann Sebastian Bach; Renaud Capuçon; David Fray |
2:51 | |||
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1.7
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III. Adagio ma non tanto
Johann Sebastian Bach; Renaud Capuçon; David Fray |
4:44 | |||
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1.8
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IV. Allegro
Johann Sebastian Bach; Renaud Capuçon; David Fray |
3:45 | |||
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Sonata for Violin & Keyboard No. 4 in C Minor, BWV 1017
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1.9
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I. Siciliano. Largo
Johann Sebastian Bach; Renaud Capuçon; David Fray |
3:54 | |||
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1.10
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II. Allegro
Johann Sebastian Bach; Renaud Capuçon; David Fray |
4:05 | |||
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1.11
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III. Adagio
Johann Sebastian Bach; Renaud Capuçon; David Fray |
3:41 | |||
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1.12
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IV. Allegro
Johann Sebastian Bach; Renaud Capuçon; David Fray |
4:23 | |||
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Sonata for Violin & Keyboard No. 6 in G Major, BWV 1019
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1.13
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I. Allegro
Johann Sebastian Bach; Renaud Capuçon; David Fray |
3:23 | |||
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1.14
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II. Largo
Johann Sebastian Bach; Renaud Capuçon; David Fray |
1:54 | |||
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1.15
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III. Allegro
Johann Sebastian Bach; Renaud Capuçon; David Fray |
4:37 | |||
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1.16
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IV. Adagio
Johann Sebastian Bach; Renaud Capuçon; David Fray |
3:01 | |||
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1.17
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V. Allegro
Johann Sebastian Bach; Renaud Capuçon; David Fray |
3:10 | |||
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Digital Booklet
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The violin was one of Bach’s favourite instruments and inspired his most lyrical outpourings. We know he was greatly influenced by the Italian masters whose work he discovered during his Weimar years – by the power of Frescobaldi, the melodic flexibility of Corelli, the sunny grace of Vivaldi – but he developed his own wonderful artistry in writing music of polyphonic density for the violin and “playing” with its sound palette. His deep understanding of the instrument clearly enabled him to exploit its full potential and to write as well as perform music of the utmost virtuosity.
96 kHz / 24-bit PCM – Warner Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.80 -11.95 to -0.50 | -24.96 -30.93 to -19.77 | -21.92 -28.20 to -16.80 | 12 10 to 14 | |
| 1 | I. Largo | -6.83 | -27.21 | -24.5 | 14 |
| 2 | II. Allegro | -4.14 | -23.18 | -20.2 | 12 |
| 3 | III. Adagio | -11.95 | -30.93 | -28.2 | 12 |
| 4 | IV. Vivace | -4.28 | -22.67 | -19.5 | 12 |
| 5 | I. Adagio | -8.66 | -28.86 | -25.5 | 12 |
| 6 | II. Allegro | -4.43 | -22.81 | -19.8 | 13 |
| 7 | III. Adagio ma non tanto | -4.73 | -26.81 | -23.2 | 12 |
| 8 | IV. Allegro | -4.25 | -22.77 | -19.5 | 13 |
| 9 | I. Siciliano. Largo | -7.69 | -26.78 | -23.8 | 12 |
| 10 | II. Allegro | -0.50 | -19.77 | -16.8 | 12 |
| 11 | III. Adagio | -7.05 | -26.60 | -23.6 | 12 |
| 12 | IV. Allegro | -1.84 | -20.53 | -17.6 | 13 |
| 13 | I. Allegro | -3.91 | -21.41 | -18.4 | 12 |
| 14 | II. Largo | -10.44 | -29.70 | -26.5 | 10 |
| 15 | III. Allegro | -6.99 | -24.93 | -22.3 | 11 |
| 16 | IV. Adagio | -8.16 | -27.90 | -24.7 | 12 |
| 17 | V. Allegro | -2.67 | -21.52 | -18.6 | 12 |