℗ 1974 Asylum Records
Released May 28, 2013
Duration 40m 18s
Record Label Rhino/Elektra
Genre Pop
 

On The Border

Eagles

Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • AIFF 192 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
    • FLAC 192 kHz | 24-bit
    • MQA 192 kHz | 24-bit (source)
Add to cart
discounted price

 
1.1
Already Gone (Remastered)
Eagles
4:15
1.2
You Never Cry Like a Lover (Remastered)
Eagles
4:01
1.3
Midnight Flyer (Remastered)
Eagles
3:58
1.4
My Man (Remastered)
Eagles
3:29
1.5
On the Border (Remastered)
Eagles
4:23
1.6
James Dean (Remastered)
Eagles
3:38
1.7
Ol' 55 (Remastered)
Eagles
4:21
1.8
Is It True? (Remastered)
Eagles
3:14
1.9
Good Day in Hell (Remastered)
Eagles
4:25
1.10
The Best of My Love
Eagles
4:34
On the Border is the third studio album by American rock group the Eagles, released in 1974. Apart from two songs produced by Glyn Johns, it was produced by Bill Szymczyk because the group wanted a more rock‑oriented sound instead of the country-rock feel of the first two albums. It is the first Eagles album to feature guitarist Don Felder. Three singles were released from the album: "Already Gone", "James Dean" and "Best of My Love". The singles peaked at numbers 32, 77 and 1 respectively. "Best of My Love" became the band's first of five chart toppers. The album also includes "My Man", Bernie Leadon's tribute to his deceased friend Gram Parsons. Leadon and Parsons had played together in the pioneer country rock band Flying Burrito Brothers, before Leadon joined the Eagles. The album was initially produced by Glyn Johns and recorded at Olympic Studios in London, but during the making of the album, disagreement arose between the Eagles and their producer. As the band tried to lean towards a more hard rock sound, they felt that producer Glyn Johns was overemphasizing their country-influenced rock sound. Johns however felt that the Eagles were not capable of that the band wanted and told the band: "You are not a rock-and-roll band, The Who is a rock-and-roll band, and you're not that." The band—Glenn Frey in particular, but not Don Henley—were also unhappy with the no-drug policy of Johns during the recording; furthermore they did not feel at home recording in London. The band was concerned about the lack of success of the previous album Desperado, and were more assertive in wanting more input into the album, which Johns was unwilling to allow. The Eagles spent six weeks recording in London, with both the band and the producer becoming frustrated with each other and frequent arguments between Johns and Frey. The band then took a break, decided to find a new producer and discarded all the recordings except for two usable tracks, "Best of My Love" and "You Never Cry Like a Lover". The band relocated back to California and hired Bill Szymczyk, who had produced The Smoker You Drink, the Player You Get by Joe Walsh—who was also managed by their manager Irving Azoff and who would go on to join the Eagles in late 1975—that interested the band. The band recorded the rest of the album at the Record Plant Studios in Los Angeles. They were allowed more input in how the album was made and enjoyed more freedom with Szymczyk in the making of the album. Szymczyk suggested they bring in a harder-edged guitarist to add slide guitar to the song "Good Day in Hell". Bernie Leadon suggested his old friend Don Felder, whom they had met and jammed with on a few occasions. The band was so impressed that they invited Felder to become the fifth Eagle. This digital release features modern remasters of its 11 original tracks.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Rhino/Elektra Studio Masters

Tracks 1-10 – contains high-resolution digital transfers of material originating from an analogue master source
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
0.00
0.00 to 0.00
-16.01
-16.83 to -14.97
-12.58
-13.40 to -11.40
11
10 to 11
1
Already Gone (Remastered)
0.00-14.97-11.410
2
You Never Cry Like a Lover (Remastered)
0.00-16.83-12.510
3
Midnight Flyer (Remastered)
0.00-16.00-13.111
4
My Man (Remastered)
0.00-16.22-13.411
5
On the Border (Remastered)
0.00-16.37-13.111
6
James Dean (Remastered)
0.00-15.37-11.810
7
Ol' 55 (Remastered)
0.00-16.38-12.611
8
Is It True? (Remastered)
0.00-15.94-12.511
9
Good Day in Hell (Remastered)
0.00-15.67-12.011
10
The Best of My Love
0.00-16.36-13.411

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions