℗ 2019 BR-Klassik
Released | April 5, 2019 |
Duration | 9h 43m 44s |
Record Label | BR-Klassik |
Catalogue No. | 900716 |
Genre | Classical (Orchestral) |
Bruckner: Symphonies Nos. 1-9 (Live)
Bavarian Radio Symphony Orchestra, Lorin Maazel, Mariss Jansons, Bernard Haitink, Herbert Blomstedt
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
Symphony No. 1 in C Minor, WAB 101 (1866 Version)
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1.1
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I. Allegro (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Lorin Maazel |
15:19 | |||
1.2
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II. Adagio (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Lorin Maazel |
12:43 | |||
1.3
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III. Scherzo. Schnell (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Lorin Maazel |
8:11 | |||
1.4
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IV. Finale. Bewegt, feurig (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Lorin Maazel |
17:32 | |||
Symphony No. 2 in C Minor, WAB 102 (1877 Version)
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2.1
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I. Moderato (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Lorin Maazel |
21:53 | |||
2.2
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II. Andante. Feierlich, etwas bewegt (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Lorin Maazel |
17:32 | |||
2.3
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IV. Finale. Mehr schnell (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Lorin Maazel |
22:09 | |||
2.4
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III. Scherzo. Mäßig schnell (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Lorin Maazel |
7:31 | |||
Symphony No. 3 in D Minor, WAB 103 (1889 Version)
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3.1
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I. Sehr langsam, misterioso (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Mariss Jansons |
22:06 | |||
3.2
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II. Adagio. Bewegt, quasi andante (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Mariss Jansons |
13:51 | |||
3.3
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III. Scherzo. Ziemlich schnell (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Mariss Jansons |
7:13 | |||
3.4
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IV. Finale. Allegro (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Mariss Jansons |
13:09 | |||
Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1880 Version)
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4.1
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I. Bewegt, nicht zu schnell (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Mariss Jansons |
20:55 | |||
4.2
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II. Andante quasi allegretto (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Mariss Jansons |
17:30 | |||
4.3
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III. Scherzo. Bewegt (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Mariss Jansons |
11:27 | |||
4.4
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IV. Finale. Bewegt, doch nicht zu schnell (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Mariss Jansons |
22:18 | |||
Symphony No. 5 in B-Flat Major, WAB 105 (1878 Version)
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5.1
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I. Introduction. Adagio - Allegro (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Bernard Haitink |
20:39 | |||
5.2
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II. Adagio (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Bernard Haitink |
16:09 | |||
5.3
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III. Scherzo. Molto vivace (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Bernard Haitink |
13:40 | |||
5.4
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IV. Finale. Adagio - Allegro moderato (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Bernard Haitink |
25:09 | |||
ymphony No. 6 in A Major, WAB 106 (1881 Version)
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6.1
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I. Maestoso (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Bernard Haitink |
16:25 | |||
6.2
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II. Adagio. Sehr feierlich (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Bernard Haitink |
15:18 | |||
6.3
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III. Scherzo. Nicht schnell (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Bernard Haitink |
8:32 | |||
6.4
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IV. Finale. Bewegt, doch nicht zu schnell (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Bernard Haitink |
14:57 | |||
Symphony No. 7 in E Major, WAB 107
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7.1
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I. Allegro moderato (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Mariss Jansons |
20:24 | |||
7.2
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II. Adagio. Sehr feierlich und sehr langsam (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Mariss Jansons |
21:59 | |||
7.3
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III. Scherzo. Sehr schnell (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Mariss Jansons |
9:48 | |||
7.4
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IV. Finale. Bewegt, doch nicht zu schnell (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Mariss Jansons |
12:42 | |||
Symphony No. 8 in C Minor, WAB 108 (Ed. L. Nowak 1890)
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8.1
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I. Allegro moderato (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Mariss Jansons |
16:35 | |||
8.2
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II. Scherzo. Allegro moderato (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Mariss Jansons |
15:23 | |||
8.3
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III. Adagio (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Mariss Jansons |
24:50 | |||
8.4
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IV. Finale. Feierlich, nicht schnell (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Mariss Jansons |
23:16 | |||
Symphony No. 9 in D Minor, WAB 109 (1894 Version)
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9.1
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I. Feierlich, misterioso (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Herbert Blomstedt |
23:39 | |||
9.2
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II. Scherzo. Bewegt, lebhaft (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Herbert Blomstedt |
10:05 | |||
9.3
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III. Adagio. Langsam feierlich (Live)
Anton Bruckner; Bavarian Radio Symphony Orchestra; Herbert Blomstedt |
22:55 | |||
Digital Booklet
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Bruckner's symphonies form the backbone of Late Romantic symphonic music. Indeed, he can be said to have reinvented the symphony – something that not even Liszt or Wagner had dared to do in the wake of the groundbreaking masterpieces by Beethoven that until then had ranked as the climax and end-point of the genre. It was Bruckner and, somewhat later, Brahms who sought and found new methods of reviving the symphonic genre and developing it further. In this regard, Bruckner's approach was entirely new. From the outset, he relied on the sound of the large orchestra, and rather than mixing the individual groups of instruments he tended to either separate them from each other or couple them together like organ registers. Terraced dynamics, that is, the immediate juxtaposition of piano and forte without transition, was also something Bruckner derived from the organ. As a church musician, he had close contact with these and other elements of Baroque music, and they flowed into his symphonies. As far as dramaturgical development was concerned, he tended to favor Schubert; indeed, it was the organic continuation and alternating interconnection of themes Bruckner had learned from Schubert that also explains the unprecedented performance length of his symphonies.
Bruckner's Nine Symphonies are a constant in the repertoire of the Symphonieorchester des Bayerischen Rundfunks, as in those of all major orchestras. The special feature of the release being presented here by BR KLASSIK is that the recordings are conducted by not only one but a total of four conductors closely associated with the orchestra, all of them proven international Bruckner experts. More than in any other compilation, common features in interpretation (also due to the same orchestra) as well as fascinating differences due to the various interpretive approaches of the respective conductors can all be detected. In these recordings it also becomes clear what brilliant contributions Herbert Blomstedt, Bernard Haitink, Mariss Jansons and Lorin Maazel have made over the decades to Bruckner’s symphonic oeuvre.
48 kHz / 24-bit PCM – BR-Klassik Studio Masters
Disc 2, Tracks 1-4; Disc 4, Tracks 1-4; Disc 5, Tracks 1-4; Disc 7, Tracks 1-4 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Disc 2, Tracks 1-4; Disc 4, Tracks 1-4; Disc 5, Tracks 1-4; Disc 7, Tracks 1-4 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.82 -3.20 to -0.50 | -23.26 -29.17 to -20.04 | -17.80 -23.50 to -14.40 | 13 11 to 16 | |
1.1 | I. Allegro (Live) | -0.50 | -21.15 | -15.5 | 12 |
1.2 | II. Adagio (Live) | -0.53 | -25.01 | -19.7 | 15 |
1.3 | III. Scherzo. Schnell (Live) | -0.70 | -22.04 | -16.4 | 13 |
1.4 | IV. Finale. Bewegt, feurig (Live) | -0.50 | -20.04 | -14.4 | 12 |
2.1 | I. Moderato (Live) | -0.51 | -25.37 | -20.2 | 15 |
2.2 | II. Andante. Feierlich, etwas bewegt (Live) | -2.87 | -29.17 | -23.5 | 16 |
2.3 | IV. Finale. Mehr schnell (Live) | -0.51 | -24.30 | -18.6 | 14 |
2.4 | III. Scherzo. Mäßig schnell (Live) | -0.52 | -23.92 | -18.7 | 14 |
3.1 | I. Sehr langsam, misterioso (Live) | -0.57 | -23.60 | -18.1 | 14 |
3.2 | II. Adagio. Bewegt, quasi andante (Live) | -2.79 | -25.76 | -20.5 | 13 |
3.3 | III. Scherzo. Ziemlich schnell (Live) | -1.76 | -22.62 | -17.6 | 12 |
3.4 | IV. Finale. Allegro (Live) | -0.78 | -22.24 | -16.9 | 13 |
4.1 | I. Bewegt, nicht zu schnell (Live) | -0.50 | -21.98 | -16.4 | 13 |
4.2 | II. Andante quasi allegretto (Live) | -0.93 | -26.07 | -19.9 | 15 |
4.3 | III. Scherzo. Bewegt (Live) | -0.50 | -22.50 | -16.0 | 12 |
4.4 | IV. Finale. Bewegt, doch nicht zu schnell (Live) | -0.50 | -21.92 | -16.5 | 13 |
5.1 | I. Introduction. Adagio - Allegro (Live) | -0.84 | -22.82 | -17.0 | 13 |
5.2 | II. Adagio (Live) | -3.20 | -26.22 | -20.6 | 13 |
5.3 | III. Scherzo. Molto vivace (Live) | -0.51 | -23.19 | -17.6 | 14 |
5.4 | IV. Finale. Adagio - Allegro moderato (Live) | -0.50 | -22.81 | -17.7 | 14 |
6.1 | I. Maestoso (Live) | -0.52 | -20.47 | -14.8 | 11 |
6.2 | II. Adagio. Sehr feierlich (Live) | -1.09 | -24.41 | -19.2 | 14 |
6.3 | III. Scherzo. Nicht schnell (Live) | -0.52 | -21.32 | -15.4 | 11 |
6.4 | IV. Finale. Bewegt, doch nicht zu schnell (Live) | -0.52 | -20.38 | -14.8 | 12 |
7.1 | I. Allegro moderato (Live) | -0.50 | -22.98 | -18.0 | 13 |
7.2 | II. Adagio. Sehr feierlich und sehr langsam (Live) | -0.53 | -23.65 | -18.8 | 14 |
7.3 | III. Scherzo. Sehr schnell (Live) | -0.51 | -21.41 | -17.0 | 13 |
7.4 | IV. Finale. Bewegt, doch nicht zu schnell (Live) | -0.61 | -21.75 | -16.8 | 13 |
8.1 | I. Allegro moderato (Live) | -0.55 | -24.13 | -18.3 | 14 |
8.2 | II. Scherzo. Allegro moderato (Live) | -0.92 | -24.64 | -19.7 | 15 |
8.3 | III. Adagio (Live) | -0.51 | -25.43 | -19.8 | 15 |
8.4 | IV. Finale. Feierlich, nicht schnell (Live) | -0.50 | -22.33 | -17.2 | 13 |
9.1 | I. Feierlich, misterioso (Live) | -0.50 | -22.03 | -16.5 | 13 |
9.2 | II. Scherzo. Bewegt, lebhaft (Live) | -0.50 | -21.42 | -15.5 | 12 |
9.3 | III. Adagio. Langsam feierlich (Live) | -0.51 | -24.99 | -19.5 | 15 |