℗ 2019 Glossa
| Released | April 5, 2019 |
| Duration | 1h 08m 14s |
| Record Label | Glossa |
| Catalogue No. | GCD924202 |
| Genre | Classical (Baroque Era) |
Leclair: Violin Concertos
Leila Schayegh, La Cetra Barockorchester Basel
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Violin Concerto in A Major, Op. 7 No. 6
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1.1
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I. Allegro ma non presto
Jean-Marie Leclair; Leila Schayegh; La Cetra Barockorchester Basel |
9:19 | |||
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1.2
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II. Aria. Grazioso non troppo adagio
Jean-Marie Leclair; Leila Schayegh; La Cetra Barockorchester Basel |
5:09 | |||
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1.3
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III. Giga. Allegro
Jean-Marie Leclair; Leila Schayegh; La Cetra Barockorchester Basel |
5:03 | |||
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Violin Concerto in D Major, Op. 7 No. 2
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1.4
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I. Adagio - Allegro ma non troppo
Jean-Marie Leclair; Leila Schayegh; La Cetra Barockorchester Basel |
6:55 | |||
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1.5
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II. Adagio
Jean-Marie Leclair; Leila Schayegh; La Cetra Barockorchester Basel |
4:24 | |||
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1.6
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III. Allegro
Jean-Marie Leclair; Leila Schayegh; La Cetra Barockorchester Basel |
5:41 | |||
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Violin Concerto in A Major, Op. 10 No. 2
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1.7
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I. Allegro ma non troppo
Jean-Marie Leclair; Leila Schayegh; La Cetra Barockorchester Basel |
5:16 | |||
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1.8
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II. Adagio
Jean-Marie Leclair; Leila Schayegh; La Cetra Barockorchester Basel |
5:09 | |||
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1.9
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III. Allegro ma non troppo
Jean-Marie Leclair; Leila Schayegh; La Cetra Barockorchester Basel |
4:37 | |||
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Violin Concerto in G Minor, Op. 10 No. 6
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1.10
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I. Allegro ma poco
Jean-Marie Leclair; Leila Schayegh; La Cetra Barockorchester Basel |
7:48 | |||
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1.11
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II. Aria gratioso. Andante
Jean-Marie Leclair; Leila Schayegh; La Cetra Barockorchester Basel |
2:33 | |||
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1.12
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III. Allegro
Jean-Marie Leclair; Leila Schayegh; La Cetra Barockorchester Basel |
6:20 | |||
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Digital Booklet
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Jean-Marie Leclair epitomized the idea of an eighteenth-century virtuoso-composer, one whose compositional output largely reflects his activity as a performer. Whilst the French school possessed precursors such as Jean-Féry Rebel, it is very much to Leclair that it owes its genuine development. The virtuoso violinist became a highly sought-after teacher, and a full generation of musicians were recipients of his teaching.
Leclair published twelve concertos for violin in two sets, Op 7 (c.1737) and Op 10 (c.1743). The Op 7 collection is without doubt partially made up of works which Leclair performed at the Concert Spirituel between 1728 and 1736.
Today, we are aware of the style employed by Leclair in his violin playing through his own writings and concert reviews from the time. His uncompromising ideal of performance is of a truly Appolonian nature: precision and integrity in execution, economy with the use of effects, accurate intonation and nobility of expression – all features brought to this new recording by Fabio Biondi.
96 kHz / 24-bit PCM – Glossa Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.43 -8.48 to -2.71 | -27.12 -30.26 to -25.89 | -23.82 -27.20 to -22.50 | 14 13 to 16 | |
| 1 | I. Allegro ma non presto | -6.75 | -26.36 | -23.2 | 14 |
| 2 | II. Aria. Grazioso non troppo adagio | -5.71 | -26.34 | -23.4 | 13 |
| 3 | III. Giga. Allegro | -4.87 | -25.89 | -22.6 | 14 |
| 4 | I. Adagio - Allegro ma non troppo | -4.40 | -26.03 | -22.5 | 14 |
| 5 | II. Adagio | -8.48 | -30.26 | -27.2 | 15 |
| 6 | III. Allegro | -2.71 | -27.48 | -23.5 | 16 |
| 7 | I. Allegro ma non troppo | -5.37 | -26.81 | -23.3 | 14 |
| 8 | II. Adagio | -6.89 | -29.22 | -25.8 | 14 |
| 9 | III. Allegro ma non troppo | -6.00 | -26.86 | -23.5 | 14 |
| 10 | I. Allegro ma poco | -3.11 | -26.38 | -23.5 | 15 |
| 11 | II. Aria gratioso. Andante | -5.35 | -27.23 | -24.0 | 13 |
| 12 | III. Allegro | -5.48 | -26.55 | -23.3 | 14 |