℗ 2019 Queen Elisabeth Competition
| Released | April 26, 2019 |
| Duration | 50m 56s |
| Record Label | Queen Elisabeth Competition |
| Catalogue No. | BNPPF20181D |
| Genre | Classical (Song (except lied)) |
Live at the Queen Elisabeth Competition 2018
Héloïse Mas
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Der Rosenkavalier, Op. 59, Act I
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1.1
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Wie du warst (Octavian / Live)
Richard Strauss; Héloïse Mas; Joseph Middleton |
4:17 | |||
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Les nuits d'été, Op. 7
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1.2
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II. Le spectre de la rose (Live)
Hector Berlioz; Héloïse Mas; Joseph Middleton |
5:39 | |||
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L'Italiana in Algeri, Act I, Scene 4
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1.3
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Cruda sorte - Qua ci vuol disinvoltura (Isabella / Live)
Gioacchino Rossini; Héloïse Mas; David Zobel |
4:29 | |||
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Rückert-Lieder
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1.4
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IV. Ich bin der Welt abhanden gekommen (Live)
Gustav Mahler; Héloïse Mas; David Zobel |
6:32 | |||
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Werther, Act III
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1.5
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Va! Laisse couler mes larmes (Charlotte / Live)
Jules Massenet; Héloïse Mas; David Zobel |
2:31 | |||
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Teseo, HWV 9, Act V
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1.6
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Moriro, ma vendicata (Medea / Live)
George Frideric Handel; Héloïse Mas; David Zobel |
5:04 | |||
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Tristan und Isolde, WWV 90, Act I
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1.7
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Brangäne's Lied (Brangäne / Live)
Richard Wagner; Héloïse Mas; La Monnaie Symphony Orchestra; Alain Altinoglu |
2:34 | |||
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Sapho, Act III
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1.8
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Où suis-je? - O ma lyre immortelle (Sapho / Live)
Charles Gounod; Héloïse Mas; La Monnaie Symphony Orchestra; Alain Altinoglu |
8:46 | |||
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Carmen, GB 9, Act III
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1.9
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Voyons que j'essaie - En vain pour éviter (Carmen / Live)
George Bizet; Héloïse Mas; La Monnaie Symphony Orchestra; Alain Altinoglu |
3:35 | |||
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La Favorita, Act III
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1.10
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Fia dunque vero - Oh mio Fernando! (Leonora / Live)
Gaetano Donizetti; Héloïse Mas; Alain Altinoglu; La Monnaie Symphony Orchestra |
7:29 | |||
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Digital Booklet
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Mezzo-soprano singer Héloïse Mas is one of a long line of musicians who have won prizes in Belgium’s prestigious Queen Elisabeth Competition while receiving acclaim from the jury, critics and audiences alike. Héloïse Mas stood out: as soon as she appears on stage, she inhabits her role entirely, her golden voice is able to combine tragedy with humour. It is a real privilege to hear such a talented singer at the start of her career; she was in her element, playing her roles without affectation, owning the stage and filling these vast architectural spaces with her powerful, rounded voice, with its irresistibly warm tone and crystal-clear diction that is as seductive in French as it is in Italian or German. It comes as no surprise that the competition jury was just as impressed as the audience!
44.1 kHz / 24-bit PCM – Queen Elisabeth Competition Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.73 -6.68 to -0.22 | -25.24 -31.81 to -21.69 | -20.65 -26.40 to -17.50 | 13 9 to 15 | |
| 1 | Wie du warst (Octavian / Live) | -1.37 | -23.88 | -19.1 | 13 |
| 2 | II. Le spectre de la rose (Live) | -2.54 | -26.90 | -22.0 | 13 |
| 3 | Cruda sorte - Qua ci vuol disinvoltura (Isabella / Live) | -3.70 | -26.79 | -22.6 | 13 |
| 4 | IV. Ich bin der Welt abhanden gekommen (Live) | -6.68 | -31.81 | -26.4 | 15 |
| 5 | Va! Laisse couler mes larmes (Charlotte / Live) | -2.25 | -25.47 | -19.0 | 11 |
| 6 | Moriro, ma vendicata (Medea / Live) | -1.49 | -24.44 | -20.5 | 13 |
| 7 | Brangäne's Lied (Brangäne / Live) | -5.71 | -22.89 | -19.5 | 9 |
| 8 | Où suis-je? - O ma lyre immortelle (Sapho / Live) | -2.17 | -23.31 | -18.9 | 12 |
| 9 | Voyons que j'essaie - En vain pour éviter (Carmen / Live) | -1.19 | -25.20 | -21.0 | 13 |
| 10 | Fia dunque vero - Oh mio Fernando! (Leonora / Live) | -0.22 | -21.69 | -17.5 | 13 |