℗ 2019 Sub Pop Records
 

Titanic Rising

Weyes Blood

Available in MQA and 44.1 kHz / 24-bit AIFF, FLAC audio formats

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    • AIFF 44.1 kHz | 24-bit
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1
A Lot's Gonna Change
Weyes Blood
4:21
2
Andromeda
Weyes Blood
4:40
3
Everyday
Weyes Blood
5:07
4
Something to Believe
Weyes Blood
4:45
5
Titanic Rising
Weyes Blood
1:36
6
Movies
Weyes Blood
5:53
7
Mirror Forever
Weyes Blood
5:05
8
Wild Time
Weyes Blood
6:09
9
Picture Me Better
Weyes Blood
3:41
10
Nearer to Thee
Weyes Blood
1:05
Total Playing Time    42:22
The phantom zone, the parallax, the upside down—there is a rich cultural history of exploring in-between places. Through her latest, Titanic Rising, Weyes Blood (a.k.a. Natalie Mering) has, too, designed her own universe to soulfully navigate life’s mysteries. Maneuvering through a space-time continuum, she intriguingly plays the role of melodic, sometimes melancholic, anthropologist.

Tellingly, Mering classifies Titanic Rising as the Kinks meet WWII or Bob Seger meets Enya. The latter captures the album’s willful expansiveness (“You can tell there’s not a guy pulling the strings in Enya’s studio,” she notes, admiringly). The former relays her imperative to connect with listeners. “The clarity of Bob Seger is unmistakable. I’m a big fan of conversational songwriting,” she adds. “I just try to do that in a way that uses abstract imagery as well.”
44.1 kHz / 24-bit PCM – Sub Pop Records Studio Masters

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