℗ 2019 ECM Records
Released April 12, 2019
Duration 2h 03m 55s
Record Label ECM New Series
Genre Classical
 

Franz Schubert: Sonatas & Impromptus

András Schiff

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4 Impromptus, Op. 90, D. 899  
1.1
1. Allegro molto moderato
Franz Schubert; András Schiff
9:32
1.2
2. Allegro
Franz Schubert; András Schiff
4:39
1.3
3. Andante
Franz Schubert; András Schiff
4:59
1.4
4. Allegretto
Franz Schubert; András Schiff
7:21
Piano Sonata No. 19 in C Minor, D. 958  
1.5
1. Allegro
Franz Schubert; András Schiff
10:35
1.6
2. Adagio
Franz Schubert; András Schiff
7:00
1.7
3. Menuetto (Allegro)
Franz Schubert; András Schiff
3:04
1.8
4. Allegro
Franz Schubert; András Schiff
9:13
3 Klavierstücke, D. 946  
1.9
1. Allegro assai
Franz Schubert; András Schiff
9:12
1.10
2. Allegretto
Franz Schubert; András Schiff
11:46
1.11
3. Allegro
Franz Schubert; András Schiff
5:31
Piano Sonata No. 20 in A Major, D. 959  
1.12
1. Allegro
Franz Schubert; András Schiff
15:45
1.13
2. Andantino
Franz Schubert; András Schiff
7:13
1.14
3. Scherzo (Allegro vivace)
Franz Schubert; András Schiff
5:30
1.15
4. Rondo (Allegretto)
Franz Schubert; András Schiff
12:35
Digital Booklet
“I cannot think of anyone of his calibre who has mastered the fortepiano as well as the modern piano and shown such distinction on both. In Schubert Schiff has a claim to be considered sovereign among today’s players, carrying forward the reading and interpretation of him into areas that others have not fully explored.” - Gramophone (Editor's Choice) In the latest chapter in András Schiff’s ongoing documentation of Franz Schubert’s music, the great pianist plays the Four Impromptus D 899, and compositions from 1828, the last year of Schubert’s too brief life: The Three Pieces D 946 (“impromptus in all but name” notes Misha Donat in the booklet), the C minor Sonata D 958 and the A major Sonata D 959. Schiff again chooses to use his fortepiano made by Franz Brodmann in Vienna, around 1820. “It is to me ideally suited to Schubert’s keyboard works,” he has said. “There is something quintessentially Viennese in its timbre, its tender mellowness, its melancholic cantabilità.” Critics have agreed, unanimous also in their praise of Schiff’s interpretations.
96 kHz / 24-bit PCM – ECM New Series Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-2.80
-7.15 to -1.05
-26.99
-28.63 to -24.67
-23.75
-26.10 to -21.70
15
12 to 17
1
1. Allegro molto moderato
-3.32-27.08-23.714
2
2. Allegro
-1.05-25.67-23.114
3
3. Andante
-7.15-28.63-26.112
4
4. Allegretto
-2.96-26.84-23.814
5
1. Allegro
-2.01-25.60-22.815
6
2. Adagio
-2.32-27.52-23.415
7
3. Menuetto (Allegro)
-3.39-27.73-24.615
8
4. Allegro
-1.54-24.67-21.715
9
1. Allegro assai
-3.66-27.00-23.715
10
2. Allegretto
-4.60-28.35-25.615
11
3. Allegro
-1.94-25.27-21.714
12
1. Allegro
-2.90-27.07-23.616
13
2. Andantino
-1.05-28.52-23.816
14
3. Scherzo (Allegro vivace)
-2.63-28.21-25.117
15
4. Rondo (Allegretto)
-1.55-26.65-23.516

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