℗ 2017 Berlin Phil Media
Released | November 10, 2017 |
Duration | 2h 23m 38s |
Record Label | Berlin Philharmonic Orchestra |
Catalogue No. | BPHR1701443 |
Genre | Classical (Contemporary) |
The John Adams Edition, Vol. 3: The Gospel According to the Other Mary
Berliner Philharmoniker, Sir Simon Rattle
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
The Gospel According to the Other Mary, Act I Scene 1
|
|||||
1.1
|
The Next Day in the City Jail
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Kelley O'Connor; Rundfunkchor Berlin |
4:19 | |||
1.2
|
Now a Certain Woman Named Martha
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Daniel Bubeck; Brian Cummings; Nathan Medley; Tamara Mumford |
2:54 | |||
The Gospel According to the Other Mary, Act I Scene 2
|
|||||
1.3
|
And She Had a Sister Named Mary
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Daniel Bubeck; Brian Cummings; Nathan Medley; Tamara Mumford |
1:45 | |||
1.4
|
I Am Surprised That I Am Beginning to Pray Daily
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Kelley O'Connor |
3:28 | |||
1.5
|
Chorus "En un Día de Amor Yo Bajé Hasta la Tierra"
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Rundfunkchor Berlin |
4:43 | |||
The Gospel According to the Other Mary, Act I Scene 3
|
|||||
1.6
|
Now a Certain Man Was Sick
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Daniel Bubeck; Brian Cummings; Nathan Medley |
4:19 | |||
1.7
|
Lazarus Dies While His Sisters Await Jesus
John Adams; Berliner Philharmoniker; Sir Simon Rattle |
2:06 | |||
1.8
|
Why Standest Thou Afar off, O Lord?
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Tamara Mumford; Daniel Bubeck; Brian Cummings; Nathan Medley |
2:36 | |||
1.9
|
In My Own Quietly Explosive Here
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Kelley O'Connor; Tamara Mumford; Daniel Bubeck; Brian Cummings; Nathan Medley |
3:02 | |||
1.10
|
Don't Touch My Left Arm
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Kelley O'Connor |
2:24 | |||
1.11
|
When Mary Was Come Where Jesus Was
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Daniel Bubeck; Brian Cummings; Nathan Medley; Kelley O'Connor |
3:46 | |||
1.12
|
Jesus Said, Take Ye Away the Stone
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Daniel Bubeck; Brian Cummings; Nathan Medley; Tamara Mumford; Rundfunkchor Berlin |
2:14 | |||
1.13
|
And When He Thus Had Spoken
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Daniel Bubeck; Brian Cummings; Nathan Medley |
4:41 | |||
1.14
|
Chorus "Drop Down, Ye Heavens, from Above"
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Rundfunkchor Berlin |
2:55 | |||
The Gospel According to the Other Mary, Act I Scene 4
|
|||||
1.15
|
Then Jesus Six Days Before the Passover
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Daniel Bubeck; Brian Cummings; Nathan Medley |
0:44 | |||
1.16
|
For the Grave Cannot Praise Thee
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Peter Hoare |
7:08 | |||
1.17
|
Then Took Mary a Pound of Ointment
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Daniel Bubeck; Brian Cummings; Nathan Medley; Kelley O'Connor; Rundfunkchor Berlin |
4:48 | |||
The Gospel According to the Other Mary, Act I Scene 5
|
|||||
1.18
|
And There Were Some That Had Indignation Within Themselves
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Peter Hoare; Daniel Bubeck; Brian Cummings; Nathan Medley |
1:53 | |||
1.19
|
We Know There Will Be No Utopias
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Tamara Mumford; Daniel Bubeck; Brian Cummings; Nathan Medley |
6:17 | |||
1.20
|
Tell Me, How Is This Night Different
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Peter Hoare |
11:37 | |||
The Gospel According to the Other Mary, Act II Scene 1
|
|||||
1.21
|
Chorus "Who Rips His Own Flesh Down the Seams"
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Rundfunkchor Berlin |
4:01 | |||
1.22
|
Martha and Mary, Not Knowing
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Daniel Bubeck; Brian Cummings; Nathan Medley; Rundfunkchor Berlin; Peter Hoare |
5:58 | |||
The Gospel According to the Other Mary, Act II Scene 2
|
|||||
1.23
|
Introduction
John Adams; Berliner Philharmoniker; Sir Simon Rattle |
2:20 | |||
1.24
|
Up at Two a.m., Picketed All Day
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Tamara Mumford |
1:58 | |||
1.25
|
The Said Defendants
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Rundfunkchor Berlin; Tamara Mumford |
2:52 | |||
1.26
|
Chorus "Jesus, Incomparable Perdonador de Injurias"
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Rundfunkchor Berlin |
3:11 | |||
The Gospel According to the Other Mary, Act II Scene 3
|
|||||
1.27
|
And They Were Come unto a Place Called Golgotha
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Daniel Bubeck; Brian Cummings; Nathan Medley; Kelley O'Connor |
6:14 | |||
1.28
|
Daughters of Jerusalem, Weep Not for Me
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Rundfunkchor Berlin |
2:37 | |||
1.29
|
Now There Stood by the Cross of Jesus
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Tamara Mumford; Daniel Bubeck; Brian Cummings; Nathan Medley |
1:14 | |||
1.30
|
When Jesus Saw His Mother
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Daniel Bubeck; Brian Cummings; Nathan Medley |
3:13 | |||
The Gospel According to the Other Mary, Act II Scene 4
|
|||||
1.31
|
When the Rain Began to Fall
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Kelley O'Connor |
4:54 | |||
1.32
|
On Earth When He Heard the First Rain
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Kelley O'Connor |
3:35 | |||
1.33
|
His Son Cried Out to Him
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Peter Hoare |
1:56 | |||
The Gospel According to the Other Mary, Act II Scene 5
|
|||||
1.34
|
Now in the Place Where He Was Crucified There Was a Garden
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Daniel Bubeck; Brian Cummings; Nathan Medley |
4:30 | |||
1.35
|
Mary Awakens on the Third Morning
John Adams; Berliner Philharmoniker; Sir Simon Rattle |
2:24 | |||
1.36
|
Chorus "It Is Spring"
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Rundfunkchor Berlin; Kelley O'Connor |
4:17 | |||
The Gospel According to the Other Mary, Act II Scene 6
|
|||||
1.37
|
And, Behold, There Was a Great Earthquake
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Kelley O'Connor; Tamara Mumford; Peter Hoare; Daniel Bubeck; Brian Cummings; Nathan Medley |
3:09 | |||
1.38
|
Why Seek Ye the Living Among the Dead?
John Adams; Berliner Philharmoniker; Sir Simon Rattle; Kelley O'Connor; Tamara Mumford; Peter Hoare; Daniel Bubeck; Brian Cummings; Nathan Medley |
7:36 | |||
Digital Booklet
|
"Both [Harmonielehre and The Gospel According to the Other Mary] benefit from the full palette of the Berlin Philharmonic, from powerful lower brass to exquisite wind solos and sensuous strings; the melodic line halfway through Part 1 of Harmonielehre, a symphony in all but name, can never have been more beautifully phrased or recorded. Each performance brings its own special character, even when the same sounds are in question."
- BBC Music Magazine
"Purity of sound, rhythmic precision and attention to detail make this a recording quite unlike any other to date. If there’s no experience quite like hearing Harmonielehre live in a hall, this is certainly a very close second…Petrenko conducts [The Wound-Dresser] with taste and discretion…The luxuriously lifelike sound the engineers have so artfully captured here, and indeed throughout the entire set, gives Berlin the edge. This is a treat not to be missed."
- Gramophone
John Adams is one of the most important musical voices of America. His tonal language is at once unmistakable and of infinite variety. Minimalism mixes with imaginative orchestration and a jazz-inflected spirit to create a cosmos full of energy and colour that constantly reveals new facets. During the season 2016/2017 John Adams has accompanied the Berliner Philharmoniker as composer in residence.
The orchestra performed a wide variety of his works, from the oratorio The Gospel According to the Other Mary and the famous Harmonielehre to more unfamiliar treasures. The concerts were conducted by chief conductor Sir Simon Rattle and outstanding guests: Gustavo Dudamel, Alan Gilbert and Kirill Petrenko. In the course of this partnership, John Adams himself also made his debut as conductor of the Berliner Philharmoniker. The design of the edition is by the world-renowned Turner Prize winning artist Wolfgang Tillmans.
96 kHz / 24-bit PCM – Berlin Philharmonic Orchestra Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.80 -18.97 to -0.39 | -29.49 -38.97 to -20.64 | -26.11 -36.00 to -17.40 | 14 10 to 23 | |
1 | The Next Day in the City Jail | -0.39 | -21.51 | -18.2 | 14 |
2 | Now a Certain Woman Named Martha | -13.28 | -34.80 | -32.2 | 14 |
3 | And She Had a Sister Named Mary | -10.59 | -33.18 | -30.1 | 14 |
4 | I Am Surprised That I Am Beginning to Pray Daily | -10.38 | -32.42 | -28.6 | 13 |
5 | Chorus "En un Día de Amor Yo Bajé Hasta la Tierra" | -6.80 | -31.48 | -28.6 | 17 |
6 | Now a Certain Man Was Sick | -8.35 | -31.41 | -27.0 | 14 |
7 | Lazarus Dies While His Sisters Await Jesus | -12.71 | -30.75 | -29.3 | 10 |
8 | Why Standest Thou Afar off, O Lord? | -10.88 | -32.50 | -29.3 | 13 |
9 | In My Own Quietly Explosive Here | -6.17 | -29.36 | -25.9 | 13 |
10 | Don't Touch My Left Arm | -9.53 | -29.07 | -26.0 | 12 |
11 | When Mary Was Come Where Jesus Was | -8.29 | -29.39 | -25.7 | 13 |
12 | Jesus Said, Take Ye Away the Stone | -4.66 | -27.78 | -23.3 | 14 |
13 | And When He Thus Had Spoken | -3.05 | -29.95 | -25.4 | 15 |
14 | Chorus "Drop Down, Ye Heavens, from Above" | -7.69 | -28.10 | -24.8 | 13 |
15 | Then Jesus Six Days Before the Passover | -7.93 | -30.63 | -27.4 | 12 |
16 | For the Grave Cannot Praise Thee | -5.09 | -24.56 | -21.9 | 14 |
17 | Then Took Mary a Pound of Ointment | -1.80 | -24.76 | -20.8 | 14 |
18 | And There Were Some That Had Indignation Within Themselves | -11.57 | -33.14 | -28.9 | 13 |
19 | We Know There Will Be No Utopias | -7.71 | -33.23 | -30.2 | 16 |
20 | Tell Me, How Is This Night Different | -3.25 | -29.57 | -24.6 | 17 |
21 | Chorus "Who Rips His Own Flesh Down the Seams" | -0.88 | -20.67 | -17.8 | 14 |
22 | Martha and Mary, Not Knowing | -3.55 | -27.43 | -23.4 | 15 |
23 | Introduction | -4.84 | -23.46 | -20.7 | 11 |
24 | Up at Two a.m., Picketed All Day | -13.16 | -33.80 | -31.5 | 14 |
25 | The Said Defendants | -1.17 | -24.81 | -20.7 | 13 |
26 | Chorus "Jesus, Incomparable Perdonador de Injurias" | -6.10 | -29.19 | -25.8 | 15 |
27 | And They Were Come unto a Place Called Golgotha | -7.17 | -29.34 | -26.8 | 14 |
28 | Daughters of Jerusalem, Weep Not for Me | -2.08 | -21.54 | -17.4 | 12 |
29 | Now There Stood by the Cross of Jesus | -11.27 | -34.15 | -30.2 | 13 |
30 | When Jesus Saw His Mother | -8.24 | -31.12 | -26.5 | 14 |
31 | When the Rain Began to Fall | -1.73 | -35.05 | -32.3 | 23 |
32 | On Earth When He Heard the First Rain | -1.88 | -33.52 | -30.5 | 20 |
33 | His Son Cried Out to Him | -0.39 | -20.64 | -17.5 | 14 |
34 | Now in the Place Where He Was Crucified There Was a Garden | -9.70 | -34.32 | -31.1 | 16 |
35 | Mary Awakens on the Third Morning | -18.97 | -38.97 | -36.0 | 12 |
36 | Chorus "It Is Spring" | -6.54 | -28.97 | -25.5 | 12 |
37 | And, Behold, There Was a Great Earthquake | -1.94 | -22.90 | -20.4 | 14 |
38 | Why Seek Ye the Living Among the Dead? | -8.72 | -33.27 | -30.0 | 16 |