℗ 2019 Olde Focus Recordings
Released April 19, 2019
Duration 1h 14m 35s
Record Label Olde Focus Recordings
Catalogue No. FCR914
Genre Classical (Oratorio)
 

Schmelzer: Le Memorie Dolorose

ACRONYM, TENET Vocal Artists

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Le Memorie Dolorose  
1.1
No. 1, Sonata
Johann Heinrich Schmelzer; ACRONYM
2:36
1.2
No. 2, Così è morto il mio Signore?
Johann Heinrich Schmelzer; ACRONYM; TENET Vocal Artists
3:58
1.3
No. 3, Forse i queruli accenti
Johann Heinrich Schmelzer; Jolle Greenleaf; TENET Vocal Artists; ACRONYM
2:09
1.4
No. 4, È morto Giesù
Johann Heinrich Schmelzer; Molly Quinn; Virginia Warnken Kelsey; Jolle Greenleaf; TENET Vocal Artists; ACRONYM
2:11
1.5
No. 5, Madre purissima
Johann Heinrich Schmelzer; TENET Vocal Artists; ACRONYM
1:53
1.6
No. 6, E quali mi destate
Johann Heinrich Schmelzer; Jolle Greenleaf; Andrew Fuchs; Brian Giebler; Jesse Blumberg; ACRONYM
3:01
1.7
No. 7, Miei lumi dolenti
Johann Heinrich Schmelzer; Jesse Blumberg; ACRONYM
2:25
1.8
No. 8, Ò quali, Pietro
Johann Heinrich Schmelzer; Jolle Greenleaf; Brian Giebler; ACRONYM
1:53
1.9
No. 9, Con il bacio, ch’è pur pegno
Johann Heinrich Schmelzer; Brian Giebler; ACRONYM
1:51
1.10
No. 10, Voi pur, angeli
Johann Heinrich Schmelzer; Jolle Greenleaf; Andrew Fuchs; ACRONYM
2:11
1.11
No. 11, La morte di Giesù
Johann Heinrich Schmelzer; Andrew Fuchs; ACRONYM
1:20
1.12
No. 12, Col cruento holocausto
Johann Heinrich Schmelzer; Jolle Greenleaf; ACRONYM
0:39
1.13
Sonata in A Minor (GB-Ob MS. Mus. Sch. C.44)
Johann Heinrich Schmelzer; ACRONYM
3:54
1.14
No. 13, La vera luce
Johann Heinrich Schmelzer; Jolle Greenleaf; Kate Maroney; Elizabeth Baber Weaver; Dianna Grabowski; ACRONYM
4:08
1.15
No. 14, Accompagnate pur le mie dolenti
Johann Heinrich Schmelzer; Jolle Greenleaf; ACRONYM
1:19
1.16
No. 15, Come, come s’arrestò
Johann Heinrich Schmelzer; Elizabeth Baber Weaver; ACRONYM
2:47
1.17
No. 16, Lassa! Vi rammentate
Johann Heinrich Schmelzer; Jolle Greenleaf; ACRONYM
1:11
1.18
No. 17, Mio Giesù, mio redentore
Johann Heinrich Schmelzer; Kate Maroney; ACRONYM
2:35
1.19
No. 18, Da lo spogliarsi il popolo le vesti
Johann Heinrich Schmelzer; Jolle Greenleaf; ACRONYM
1:06
1.20
No. 19, La porpora, ornamento
Johann Heinrich Schmelzer; Dianna Grabowski; ACRONYM
2:20
1.21
No. 20, Udite, udite un altra
Johann Heinrich Schmelzer; Jolle Greenleaf; ACRONYM
1:45
1.22
No. 21, Morte à Christo!
Johann Heinrich Schmelzer; Jolle Greenleaf; ACRONYM
4:30
1.23
Sonata in G Minor (CZ-Kra IV:63)
Johann Heinrich Schmelzer; ACRONYM
2:55
1.24
No. 22, Quel, che nato, e non creato
Johann Heinrich Schmelzer; Mischa Bouvier; Gene Stenger; ACRONYM
2:01
1.25
No. 23, Dal sepolcro di Christo
Johann Heinrich Schmelzer; Jolle Greenleaf; Mischa Bouvier; Gene Stenger; Elizabeth Baber Weaver; ACRONYM
1:56
1.26
No. 24, Per Te, per Te morì
Johann Heinrich Schmelzer; Mischa Bouvier; ACRONYM
2:04
1.27
No. 25, A donna di Samaria
Johann Heinrich Schmelzer; Jolle Greenleaf; ACRONYM
1:20
1.28
No. 26, Quella sete, Christo mio
Johann Heinrich Schmelzer; Gene Stenger; ACRONYM
2:55
1.29
No. 27, Ah stella, che apparisti
Johann Heinrich Schmelzer; Jolle Greenleaf; ACRONYM
1:04
1.30
No. 28, Christo more!
Johann Heinrich Schmelzer; Kate Maroney; Elizabeth Baber Weaver; Dianna Grabowski; ACRONYM
1:46
1.31
No. 29, Sì, sì, affisso ad un tronco
Johann Heinrich Schmelzer; Jesse Blumberg; Andrew Fuchs; Brian Giebler; Jolle Greenleaf; ACRONYM
1:28
1.32
No. 30, Sepolto Christo!
Johann Heinrich Schmelzer; Kate Maroney; Molly Quinn; Andrew Fuchs; Brian Giebler; Jesse Blumberg; Virginia Warnken Kelsey; Jolle Greenleaf; ACRONYM
1:43
1.33
No. 31, Sospirate
Johann Heinrich Schmelzer; Kate Maroney; Molly Quinn; Andrew Fuchs; Brian Giebler; Jesse Blumberg; Virginia Warnken Kelsey; Jolle Greenleaf; Gene Stenger; ACRONYM
1:23
1.34
No. 32, Se per mè l’onnipotente
Johann Heinrich Schmelzer; Kate Maroney; Molly Quinn; Andrew Fuchs; Brian Giebler; Jesse Blumberg; Virginia Warnken Kelsey; Jolle Greenleaf; Gene Stenger; ACRONYM
2:18
Digital Booklet
Early-music ensembles TENET Vocal Artists and ACRONYM have joined forces to make the first commercial recording of a sumptuous work by composer Johann Heinrich Schmelzer (1623-1680), a sepolcro set in the tomb of Christ. The grieving Virgin—played by TENET artistic director Jolle Greenleaf— encounters two angels, three Apostles (Saints John, James, and Peter), three Marys (Magdalene, Cleopas, and Salome), Nicodemus, and Joseph of Arimathea. Each new group sings solos, duets, or trios telling her a story about Jesus, “dolorous memories” which only add to her torment. Preeminent New York City-based early music ensemble TENET Vocal Artists celebrates its tenth season in 2018/19. Under Artistic Director Jolle Greenleaf, TENET has won acclaim for its innovative programming, virtuosic singing, and command of repertoire. ACRONYM (After Crucifixion, a Rare Oratorio Needs Youthful Musickers), an “outstanding young early-music string ensemble” (The New Yorker), is dedicated to giving modern premieres of the wild instrumental music of the seventeenth century. The band has released eight critically acclaimed recordings since 2014.
96 kHz / 24-bit PCM – Olde Focus Recordings Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-1.10
-2.31 to -0.80
-20.94
-23.64 to -17.39
-17.91
-20.60 to -13.70
12
10 to 15
1
No. 1, Sonata
-1.14-19.72-17.111
2
No. 2, Così è morto il mio Signore?
-0.95-18.12-14.310
3
No. 3, Forse i queruli accenti
-1.27-20.40-17.311
4
No. 4, È morto Giesù
-1.01-19.95-16.512
5
No. 5, Madre purissima
-0.80-20.67-17.613
6
No. 6, E quali mi destate
-0.96-23.64-20.614
7
No. 7, Miei lumi dolenti
-0.84-23.24-20.115
8
No. 8, Ò quali, Pietro
-1.09-22.79-20.114
9
No. 9, Con il bacio, ch’è pur pegno
-0.89-21.69-18.612
10
No. 10, Voi pur, angeli
-1.75-22.69-19.914
11
No. 11, La morte di Giesù
-1.50-19.63-16.912
12
No. 12, Col cruento holocausto
-0.95-20.45-17.512
13
Sonata in A Minor (GB-Ob MS. Mus. Sch. C.44)
-0.88-19.48-16.912
14
No. 13, La vera luce
-0.95-21.27-17.713
15
No. 14, Accompagnate pur le mie dolenti
-1.46-21.46-18.713
16
No. 15, Come, come s’arrestò
-1.13-20.14-17.213
17
No. 16, Lassa! Vi rammentate
-0.95-20.91-17.812
18
No. 17, Mio Giesù, mio redentore
-1.02-22.65-19.614
19
No. 18, Da lo spogliarsi il popolo le vesti
-1.04-21.35-18.813
20
No. 19, La porpora, ornamento
-0.87-20.50-17.512
21
No. 20, Udite, udite un altra
-1.33-21.45-18.812
22
No. 21, Morte à Christo!
-0.97-23.39-20.514
23
Sonata in G Minor (CZ-Kra IV:63)
-1.24-20.33-17.712
24
No. 22, Quel, che nato, e non creato
-0.94-20.21-16.914
25
No. 23, Dal sepolcro di Christo
-1.03-21.29-18.113
26
No. 24, Per Te, per Te morì
-1.20-22.46-19.713
27
No. 25, A donna di Samaria
-2.31-21.53-18.711
28
No. 26, Quella sete, Christo mio
-1.02-21.45-18.313
29
No. 27, Ah stella, che apparisti
-0.92-20.57-17.411
30
No. 28, Christo more!
-1.16-21.62-18.312
31
No. 29, Sì, sì, affisso ad un tronco
-1.11-21.46-18.514
32
No. 30, Sepolto Christo!
-0.84-19.10-15.911
33
No. 31, Sospirate
-0.86-18.93-15.711
34
No. 32, Se per mè l’onnipotente
-0.86-17.39-13.710

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