℗ ℗ 2019 UMG Recordings; A Geffen Records release
 

Live At The Paramount (Live)

Nirvana

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats

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1
Jesus Doesn't Want Me For A Sunbeam (Live At The Paramount/1991)
Nirvana
3:29
2
Aneurysm (Live At The Paramount/1991)
Nirvana
4:50
3
Drain You (Live At The Paramount/1991)
Nirvana
3:47
4
School (Live At The Paramount/1991)
Nirvana
2:52
5
Floyd The Barber (Live At The Paramount/1991)
Nirvana
2:27
6
Smells Like Teen Spirit (Live At The Paramount/1991)
Nirvana
4:45
7
About A Girl (Live At The Paramount/1991)
Nirvana
3:14
8
Polly (Live At The Paramount/1991)
Nirvana
3:04
9
Breed (Live At The Paramount/1991)
Nirvana
3:11
10
Sliver (Live At The Paramount/1991)
Nirvana
2:11
11
Love Buzz (Live At The Paramount/1991)
Nirvana
3:34
12
Lithium (Live At The Paramount/1991)
Nirvana
4:39
13
Been A Son (Live At The Paramount/1991)
Nirvana
2:16
14
Negative Creep (Live At The Paramount/1991)
Nirvana
2:44
15
On A Plain (Live At The Paramount/1991)
Nirvana
3:04
16
Blew (Live At The Paramount/1991)
Nirvana
4:09
17
Rape Me (Live At The Paramount/1991)
Nirvana
3:00
18
Territorial Pissings (Live At The Paramount/1991)
Nirvana
2:56
19
Endless, Nameless (Live At The Paramount/1991)
Nirvana
6:23
Total Playing Time    66:35
Nirvana’s historic Live At The Paramount Seattle has been released by UMG. This marks the first time the concert has been released independently, it previously was included as bonus material on the Nevermind [20th Anniversary Super Deluxe Edition].

The band was newly flush with fame, having just released their groundbreaking Nevermind one month prior, and was reeling from their newfound fame with cameras all around to capture it all.

From the Vaselines cover ‘Jesus Doesn’t Want Me for a Sunbeam’, which they would later reprise on Nirvana’s MTV Unplugged, to the jangly ‘About A Girl’ and their seminal hit ‘Smells Like Teen Spirit’, it’s a setlist that dreams are made of, and put Kurt’s jagged and seering voice front and centre. The conclusion to the 19-song set includes ‘Rape Me’, a song that wouldn’t appear on a studio release until 1993’s In Utero.

One can hear the crowd moshing along like it’s just another lost Halloween night out, unknowingly witnessing music history. For anyone who wasn’t around during the band’s peak, this release offers the closest replication to an in-concert experience.
96 kHz / 24-bit PCM – Geffen Studio Masters

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