℗ 2019 UMG Recordings; A Geffen Records release
Released April 12, 2019
Duration 1h 06m 35s
Record Label Geffen
Genre Rock
 

Live At The Paramount (Live)

Nirvana

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
Add to cart
discounted price

 
1.1
Jesus Doesn't Want Me For A Sunbeam (Live At The Paramount/1991)
Nirvana
3:29
1.2
Aneurysm (Live At The Paramount/1991)
Nirvana
4:50
1.3
Drain You (Live At The Paramount/1991)
Nirvana
3:47
1.4
School (Live At The Paramount/1991)
Nirvana
2:52
1.5
Floyd The Barber (Live At The Paramount/1991)
Nirvana
2:27
1.6
Smells Like Teen Spirit (Live At The Paramount/1991)
Nirvana
4:45
1.7
About A Girl (Live At The Paramount/1991)
Nirvana
3:14
1.8
Polly (Live At The Paramount/1991)
Nirvana
3:04
1.9
Breed (Live At The Paramount/1991)
Nirvana
3:11
1.10
Sliver (Live At The Paramount/1991)
Nirvana
2:11
1.11
Love Buzz (Live At The Paramount/1991)
Nirvana
3:34
1.12
Lithium (Live At The Paramount/1991)
Nirvana
4:39
1.13
Been A Son (Live At The Paramount/1991)
Nirvana
2:16
1.14
Negative Creep (Live At The Paramount/1991)
Nirvana
2:44
1.15
On A Plain (Live At The Paramount/1991)
Nirvana
3:04
1.16
Blew (Live At The Paramount/1991)
Nirvana
4:09
1.17
Rape Me (Live At The Paramount/1991)
Nirvana
3:00
1.18
Territorial Pissings (Live At The Paramount/1991)
Nirvana
2:56
1.19
Endless, Nameless (Live At The Paramount/1991)
Nirvana
6:23
Nirvana’s historic Live At The Paramount Seattle has been released by UMG. This marks the first time the concert has been released independently, it previously was included as bonus material on the Nevermind [20th Anniversary Super Deluxe Edition]. The band was newly flush with fame, having just released their groundbreaking Nevermind one month prior, and was reeling from their newfound fame with cameras all around to capture it all. From the Vaselines cover ‘Jesus Doesn’t Want Me for a Sunbeam’, which they would later reprise on Nirvana’s MTV Unplugged, to the jangly ‘About A Girl’ and their seminal hit ‘Smells Like Teen Spirit’, it’s a setlist that dreams are made of, and put Kurt’s jagged and seering voice front and centre. The conclusion to the 19-song set includes ‘Rape Me’, a song that wouldn’t appear on a studio release until 1993’s In Utero. One can hear the crowd moshing along like it’s just another lost Halloween night out, unknowingly witnessing music history. For anyone who wasn’t around during the band’s peak, this release offers the closest replication to an in-concert experience.
96 kHz / 24-bit PCM – Geffen Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-0.29
-0.30 to -0.20
-11.99
-14.94 to -10.46
-9.18
-12.10 to -7.60
8
7 to 10
1
Jesus Doesn't Want Me For A Sunbeam (Live At The Paramount/1991)
-0.29-11.94-9.07
2
Aneurysm (Live At The Paramount/1991)
-0.28-11.65-8.98
3
Drain You (Live At The Paramount/1991)
-0.29-11.54-9.28
4
School (Live At The Paramount/1991)
-0.29-12.53-9.58
5
Floyd The Barber (Live At The Paramount/1991)
-0.29-12.09-9.58
6
Smells Like Teen Spirit (Live At The Paramount/1991)
-0.29-11.75-8.98
7
About A Girl (Live At The Paramount/1991)
-0.28-12.93-10.39
8
Polly (Live At The Paramount/1991)
-0.30-14.94-12.110
9
Breed (Live At The Paramount/1991)
-0.28-11.99-8.88
10
Sliver (Live At The Paramount/1991)
-0.29-12.04-9.48
11
Love Buzz (Live At The Paramount/1991)
-0.20-12.24-8.98
12
Lithium (Live At The Paramount/1991)
-0.29-11.88-9.27
13
Been A Son (Live At The Paramount/1991)
-0.30-10.81-7.87
14
Negative Creep (Live At The Paramount/1991)
-0.29-11.67-9.08
15
On A Plain (Live At The Paramount/1991)
-0.29-11.43-8.98
16
Blew (Live At The Paramount/1991)
-0.29-11.85-9.07
17
Rape Me (Live At The Paramount/1991)
-0.29-11.68-8.57
18
Territorial Pissings (Live At The Paramount/1991)
-0.30-10.46-7.67
19
Endless, Nameless (Live At The Paramount/1991)
-0.29-12.45-9.98

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions