
℗ 2019 New Amsterdam Records, under exclusive license to Nonesuch Records Inc
Released | April 19, 2019 |
Duration | 1h 03m 37s |
Record Label | New Amsterdam/Nonesuch |
Genre | Classical |
Caroline Shaw: Orange
Attacca Quartet
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Entr'acte
Caroline Shaw; Attacca Quartet |
11:00 | |||
1.2
|
Valencia
Caroline Shaw; Attacca Quartet |
5:49 | |||
Plan & Elevation
|
|||||
1.3
|
I. The Ellipse
Caroline Shaw; Attacca Quartet |
3:58 | |||
1.4
|
II. The Cutting Garden
Caroline Shaw; Attacca Quartet |
2:56 | |||
1.5
|
III. The Herbaceous Border
Caroline Shaw; Attacca Quartet |
3:31 | |||
1.6
|
IV. The Orangery
Caroline Shaw; Attacca Quartet |
1:57 | |||
1.7
|
V. The Beech Tree
Caroline Shaw; Attacca Quartet |
2:36 | |||
1.8
|
Punctum
Caroline Shaw; Attacca Quartet |
9:32 | |||
1.9
|
Ritornello 2.sq.2.j.a
Caroline Shaw; Attacca Quartet |
16:36 | |||
1.10
|
Limestone & Felt
Caroline Shaw; Attacca Quartet |
5:42 | |||
Digital Booklet
|
Grammy Award – Best Chamber Music/Small Ensemble Performance, 2019
Grammy Award Nomination – Best Contemporary Classical Composition, 2019 – SHAW: ORANGE
New Amsterdam and Nonesuch Records release Pulitzer Prize–winning composer Caroline Shaw’s Orange, performed by Attacca Quartet. Orange, which features six of Shaw’s pieces for string quartet, is the first full-length album to exclusively feature works by Shaw. It is also the first release in a new partnership between the two record labels, established with the goal of enabling contemporary American composers to realize creative ambitions that might not otherwise be achievable.
Composer Caroline Shaw is also a singer in the Grammy Award–winning vocal ensemble Roomful of Teeth, for which she wrote the piece that won the Pulitzer Prize: Partita (she was the youngest Pulitzer recipient). She has also played violin since the age of two and been drawn to the string quartet for most of her life. She says, "It has existed for hundreds of years, but there's something kind of, for me, beautiful and ritualistic about coming back to that form. It's something familiar, and yet you can keep on opening these doors and diving down these little rabbit holes. Just the simple changes of harmony and the shape of the bass line, and how that can create a whole world."
Shaw describes the world she built for Orange as a garden that she and Attacca Quartet are tending. She used the group's centuries-old combination of two violins (Amy Schroeder and Keiko Tokunaga), viola (Nathan Schram), and cello (Andrew Yee) to create a rich environment where traces of what has grown there before—left by Haydn, Mozart, Ravel, Bartok, Bach, Monteverdi, and Josquin—provide nourishment for new life.
96 kHz / 24-bit PCM – New Amsterdam/Nonesuch Studio Masters
Tracks 1-10 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-10 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.25 -9.69 to -0.31 | -24.71 -29.41 to -20.82 | -19.78 -25.50 to -16.80 | 13 11 to 16 | |
1 | Entr'acte | -0.31 | -25.64 | -20.1 | 15 |
2 | Valencia | -0.33 | -20.82 | -16.8 | 12 |
3 | I. The Ellipse | -2.39 | -26.24 | -21.3 | 14 |
4 | II. The Cutting Garden | -0.33 | -22.41 | -18.2 | 11 |
5 | III. The Herbaceous Border | -3.47 | -25.36 | -19.4 | 12 |
6 | IV. The Orangery | -9.69 | -29.41 | -25.5 | 12 |
7 | V. The Beech Tree | -5.01 | -25.02 | -19.3 | 11 |
8 | Punctum | -0.33 | -24.15 | -18.7 | 14 |
9 | Ritornello 2.sq.2.j.a | -0.32 | -22.40 | -17.2 | 13 |
10 | Limestone & Felt | -0.31 | -25.68 | -21.3 | 16 |