℗ 2019 Winter and Winter
Released | May 3, 2019 |
Duration | 59m 29s |
Record Label | Winter and Winter |
Catalogue No. | 910253-2 |
Genre | Jazz |
Forest
Fumio Yasuda, Akimuse, Joachim Badenhorst, Nobuyoshi Ino
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Rain Landscape
Fumio Yasuda; Akimuse; Joachim Badenhorst; Nobuyoshi Ino |
4:48 | |||
1.2
|
Thirst for Love
Fumio Yasuda; Akimuse; Joachim Badenhorst; Nobuyoshi Ino |
5:51 | |||
1.3
|
Black Rose Melancholy
Fumio Yasuda; Akimuse; Joachim Badenhorst; Nobuyoshi Ino |
4:44 | |||
1.4
|
Happiness
Fumio Yasuda; Akimuse; Joachim Badenhorst; Nobuyoshi Ino |
4:06 | |||
1.5
|
Things That Are Missing Here
Fumio Yasuda; Akimuse; Joachim Badenhorst; Nobuyoshi Ino |
5:28 | |||
1.6
|
Asian Nostalgia
Fumio Yasuda; Akimuse; Joachim Badenhorst; Nobuyoshi Ino |
4:26 | |||
1.7
|
Song of Lydia
Fumio Yasuda; Akimuse; Joachim Badenhorst; Nobuyoshi Ino |
4:50 | |||
1.8
|
Sounds from the Other Side
Fumio Yasuda; Akimuse; Joachim Badenhorst; Nobuyoshi Ino |
5:32 | |||
1.9
|
Cloudy Landscape
Fumio Yasuda; Akimuse; Joachim Badenhorst; Nobuyoshi Ino |
3:08 | |||
1.10
|
Fall of Icarus
Fumio Yasuda; Akimuse; Joachim Badenhorst; Nobuyoshi Ino |
3:51 | |||
1.11
|
Waltz for Monique
Fumio Yasuda; Akimuse; Joachim Badenhorst; Nobuyoshi Ino |
3:25 | |||
1.12
|
Mahoroba
Fumio Yasuda; Akimuse; Joachim Badenhorst; Nobuyoshi Ino |
2:27 | |||
1.13
|
Forest
Fumio Yasuda; Akimuse; Joachim Badenhorst; Nobuyoshi Ino |
6:53 | |||
Digital Booklet
|
Once the West and Japan were not familiar with one another. But today, in the 21st century, the two worlds which are so very different can come a little closer to each other. We learn, wonder, and discover different cultures, lifestyles, nature, architecture, images and sounds. Fumio Yasuda’s music comes from modern Japan, which already opened up to the West in the 18th century. Yasuda studied classical music with a preference for Karl Amadeus Hartmann. From childhood he grew up with Western pop and jazz music, yet was still deeply rooted in the Japanese tradition. Time, space, and infinity play an important role in his music. In his scores there are no pause signs like in Western music, but signs of silence between lyrical, deeply poetic tones and chords that tell stories about Japanese landscapes, rain, forests, fog, longings and eternity. Yasuda works in a deep musical understanding with Joachim Badenhorst, Nobuyoshi Ino and Akimuse. His gentle piano sounds unite with the sounds of the clarinet, the plucked bass strings, and the tender voice of Akimuse.
96 kHz / 24-bit PCM – Winter and Winter Studio Masters
Tracks 5-7, 12, 13 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 5-7, 12, 13 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.90 -1.70 to -0.65 | -20.11 -24.45 to -16.48 | -16.75 -20.80 to -13.70 | 12 9 to 14 | |
1 | Rain Landscape | -0.66 | -18.97 | -15.4 | 11 |
2 | Thirst for Love | -0.66 | -18.95 | -15.7 | 11 |
3 | Black Rose Melancholy | -1.14 | -19.83 | -16.7 | 11 |
4 | Happiness | -0.65 | -18.08 | -15.5 | 11 |
5 | Things That Are Missing Here | -0.66 | -22.68 | -18.4 | 14 |
6 | Asian Nostalgia | -0.99 | -24.45 | -20.8 | 14 |
7 | Song of Lydia | -1.70 | -21.93 | -18.7 | 12 |
8 | Sounds from the Other Side | -0.66 | -16.48 | -13.7 | 9 |
9 | Cloudy Landscape | -0.93 | -20.78 | -17.2 | 12 |
10 | Fall of Icarus | -0.66 | -18.66 | -16.0 | 12 |
11 | Waltz for Monique | -0.66 | -17.20 | -14.2 | 10 |
12 | Mahoroba | -1.65 | -20.64 | -17.3 | 12 |
13 | Forest | -0.66 | -22.75 | -18.1 | 14 |