℗ 2019 Toccata Classics
| Released | May 3, 2019 |
| Duration | 1h 10m 51s |
| Record Label | Toccata Classics |
| Catalogue No. | TOCC0451 |
| Genre | Classical (Solo Instrumental) |
Cabanilles: Keyboard Music, Vol. 3
Timothy Roberts
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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1.1
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Tiento No. 57 de primero tono, WSC 101 "A modo de Italia"
Juan Cabanilles; Timothy Roberts |
3:50 | |||
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1.2
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Tiento No. 107 de sesto tono, WSC 150 "Mano derecha"
Juan Cabanilles; Timothy Roberts |
5:27 | |||
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1.3
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Tiento No. 89 de ocho tono, WSC 32 "Partido de mano derecha de batalla"
Juan Cabanilles; Timothy Roberts |
4:10 | |||
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1.4
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Tiento No. 40 de tercero tono "Partido de mano izquierda"
Juan Cabanilles; Timothy Roberts |
10:06 | |||
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12 versos de primero tono
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1.5
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Verso No. 42 de primero tono
Juan Cabanilles; Timothy Roberts |
0:56 | |||
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1.6
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Verso No. 49 de primero tono
Juan Cabanilles; Timothy Roberts |
0:42 | |||
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1.7
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Verso No. 43 de primero tono
Juan Cabanilles; Timothy Roberts |
0:52 | |||
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1.8
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Verso No. 50 de primero tono
Juan Cabanilles; Timothy Roberts |
1:06 | |||
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1.9
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Verso No. 45 de primero tono
Juan Cabanilles; Timothy Roberts |
1:15 | |||
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1.10
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Verso No. 51 de primero tono
Juan Cabanilles; Timothy Roberts |
1:26 | |||
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1.11
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Verso No. 46 de primero tono
Juan Cabanilles; Timothy Roberts |
0:59 | |||
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1.12
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Verso No. 53 de primero tono
Juan Cabanilles; Timothy Roberts |
0:34 | |||
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1.13
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Verso No. 47 de primero tono
Juan Cabanilles; Timothy Roberts |
0:53 | |||
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1.14
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Verso No. 52 de primero tono
Juan Cabanilles; Timothy Roberts |
1:47 | |||
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1.15
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Verso No. 48 de primero tono
Juan Cabanilles; Timothy Roberts |
1:04 | |||
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1.16
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Verso No. 57 de primero tono "De contras"
Juan Cabanilles; Timothy Roberts |
1:38 | |||
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1.17
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Tiento No. 59 de secondo tono por G sol re ut, WSC 9 "Partido de dos tiples"
Juan Cabanilles; Timothy Roberts |
7:47 | |||
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1.18
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Tiento No. 26 de primero tono, WSC 110 "Lleno"
Juan Cabanilles; Timothy Roberts |
6:40 | |||
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1.19
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Folías de primero tono, WSC 152
Juan Cabanilles; Timothy Roberts |
6:26 | |||
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1.20
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Tiento No. 30 de primero tono, WSC 116 "Lleno"
Juan Cabanilles; Timothy Roberts |
3:33 | |||
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1.21
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Tiento No. 81 de cuarto tono, WSC 7 "Partido de dos tiples"
Juan Cabanilles; Timothy Roberts |
9:40 | |||
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Digital Booklet
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Heinrich Sutermeister (1910–95) belongs to the generation of Swiss composers after Bloch, Honegger, Martin and Schoeck. The runaway success of his operatic version of Romeo and Juliet – in the 1950s it was the most widely produced modern opera after Der Rosenkavalier – soon spread his reputation far afield, and conductors as prominent as Böhm, Karajan and Sawallisch championed his works. Although his star has waned in the quarter-century since his death, the four orchestral works recorded here – ranging from the dramatic suite he drew from that first Shakespearean operatic success via the easy-going charm of two lighter suites to his deeply felt response to the Swiss landscape – bring a salutary reminder of why his music appeals so directly to its audiences.
44.1 kHz / 24-bit PCM – Toccata Classics Studio Masters
Tracks 20, 21 – contains material which has been processed by a perceptual audio coding algorithm
Tracks 20, 21 – contains material which has been processed by a perceptual audio coding algorithm
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.93 -15.55 to -1.01 | -23.71 -31.05 to -16.92 | -20.27 -27.50 to -14.00 | 10 9 to 13 | |
| 1 | Tiento No. 57 de primero tono, WSC 101 "A modo de Italia" | -3.27 | -19.74 | -15.6 | 11 |
| 2 | Tiento No. 107 de sesto tono, WSC 150 "Mano derecha" | -6.15 | -22.04 | -18.9 | 10 |
| 3 | Tiento No. 89 de ocho tono, WSC 32 "Partido de mano derecha de batalla" | -2.28 | -19.33 | -16.3 | 11 |
| 4 | Tiento No. 40 de tercero tono "Partido de mano izquierda" | -14.03 | -30.50 | -27.5 | 11 |
| 5 | Verso No. 42 de primero tono | -7.68 | -21.88 | -19.0 | 9 |
| 6 | Verso No. 49 de primero tono | -15.55 | -31.05 | -26.4 | 10 |
| 7 | Verso No. 43 de primero tono | -8.53 | -22.69 | -19.1 | 9 |
| 8 | Verso No. 50 de primero tono | -7.49 | -23.15 | -19.4 | 10 |
| 9 | Verso No. 45 de primero tono | -11.79 | -27.35 | -23.9 | 10 |
| 10 | Verso No. 51 de primero tono | -9.91 | -25.56 | -22.2 | 10 |
| 11 | Verso No. 46 de primero tono | -14.94 | -29.23 | -25.8 | 9 |
| 12 | Verso No. 53 de primero tono | -7.74 | -22.50 | -18.7 | 10 |
| 13 | Verso No. 47 de primero tono | -5.56 | -20.95 | -18.0 | 10 |
| 14 | Verso No. 52 de primero tono | -7.90 | -23.71 | -19.7 | 10 |
| 15 | Verso No. 48 de primero tono | -12.03 | -26.76 | -23.5 | 9 |
| 16 | Verso No. 57 de primero tono "De contras" | -4.68 | -19.23 | -16.8 | 9 |
| 17 | Tiento No. 59 de secondo tono por G sol re ut, WSC 9 "Partido de dos tiples" | -6.88 | -22.67 | -19.6 | 10 |
| 18 | Tiento No. 26 de primero tono, WSC 110 "Lleno" | -7.81 | -27.17 | -23.0 | 13 |
| 19 | Folías de primero tono, WSC 152 | -9.50 | -27.81 | -24.0 | 13 |
| 20 | Tiento No. 30 de primero tono, WSC 116 "Lleno" | -1.77 | -16.92 | -14.0 | 10 |
| 21 | Tiento No. 81 de cuarto tono, WSC 7 "Partido de dos tiples" | -1.01 | -17.63 | -14.3 | 11 |