℗ 2014 UMG Recordings; A Verve Label Group Release
Released | June 1, 1960 |
Duration | 41m 51s |
Record Label | Verve Reissues |
Genre | Jazz |
Let No Man Write My Epitaph
Ella Fitzgerald
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Black Coffee
Ella Fitzgerald |
3:27 | |||
1.2
|
Angel Eyes
Ella Fitzgerald |
3:20 | |||
1.3
|
I Cried For You
Ella Fitzgerald |
3:26 | |||
1.4
|
I Can't Give You Anything But Love
Ella Fitzgerald |
3:28 | |||
1.5
|
Then You've Never Been Blue
Ella Fitzgerald |
3:10 | |||
1.6
|
I Hadn't Anyone Till You
Ella Fitzgerald |
2:49 | |||
1.7
|
My Melancholy Baby
Ella Fitzgerald |
2:57 | |||
1.8
|
Misty
Ella Fitzgerald |
2:51 | |||
1.9
|
September Song
Ella Fitzgerald |
3:40 | |||
1.10
|
One For My Baby (And One More For The Road)
Ella Fitzgerald |
4:17 | |||
1.11
|
Who's Sorry Now
Ella Fitzgerald |
3:26 | |||
1.12
|
I'm Getting Sentimental Over You
Ella Fitzgerald |
2:36 | |||
1.13
|
Reach For Tomorrow
Ella Fitzgerald |
2:24 |
"... capture(s) her voice in peak form ..."
- Jazz.com
"... Fitzgerald's voice never sounded richer or more radiantly beautiful than on this collection of songs about loss, regret and revenge. Ella often cited Angel Eyes as one of her favorite songs, and she never sang it better than on this record."
- All About Jazz
"... a great collection of classics interpreted by one of the finest singers of all time ... the stereo balance is outstanding. Smith’s piano is crisp and full of texture ... the lead instrument (Fitzgerald’s voice) is captured with warmth and pristine detail ... this is another landmark recording of an American institution."
- Audiophile Audition
Ella Fitzgerald appeared as a drug-addicted musician in the 1960 film Let No Man Write My Epitath which starred Burl Ives and Shelley Winters. Although the film was panned by critics, the songs Fitzgerald performed in the movie are considered some of the finest and most emotional of her career. This album includes the songs from the soundtrack and others that didn't make it, all performed as duets with pianist Paul Smith. Fitzgerald interprets these standards with deep emotion, often melancholy, befitting the themes of the songs. This album was previously released on CD under the title The Intimate Ella.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Verve Reissues Studio Masters
Tracks 1-13 – 44.1 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit; contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-13 – 44.1 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit; contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.41 -4.59 to -0.65 | -20.16 -21.34 to -18.64 | -17.26 -18.40 to -15.70 | 11 10 to 12 | |
1 | Black Coffee | -0.65 | -18.64 | -15.7 | 11 |
2 | Angel Eyes | -1.66 | -20.38 | -17.3 | 11 |
3 | I Cried For You | -2.44 | -20.91 | -18.0 | 12 |
4 | I Can't Give You Anything But Love | -2.11 | -20.30 | -17.5 | 11 |
5 | Then You've Never Been Blue | -2.74 | -20.64 | -17.7 | 11 |
6 | I Hadn't Anyone Till You | -2.80 | -20.51 | -17.8 | 10 |
7 | My Melancholy Baby | -2.55 | -19.70 | -16.9 | 10 |
8 | Misty | -1.93 | -19.94 | -17.1 | 11 |
9 | September Song | -4.59 | -21.34 | -18.4 | 10 |
10 | One For My Baby (And One More For The Road) | -0.97 | -19.85 | -16.8 | 12 |
11 | Who's Sorry Now | -1.76 | -19.35 | -16.3 | 11 |
12 | I'm Getting Sentimental Over You | -4.14 | -20.44 | -17.7 | 10 |
13 | Reach For Tomorrow | -2.94 | -20.04 | -17.2 | 10 |