℗ 2008 Nonesuch Records
Released October 30, 2015
Duration 39m 08s
Record Label Nonesuch
Genre Alternative Rock
 

Attack & Release

The Black Keys

Available in MQA and 44.1 kHz / 24-bit AIFF, FLAC audio formats
  • Select Format
    • AIFF 44.1 kHz | 24-bit
    • FLAC 44.1 kHz | 24-bit
    • MQA 44.1 kHz | 24-bit
Add to cart
discounted price

 
1.1
All You Ever Wanted
The Black Keys
2:55
1.2
I Got Mine
The Black Keys
3:59
1.3
Strange Times
The Black Keys
3:10
1.4
Psychotic Girl
The Black Keys
4:10
1.5
Lies
The Black Keys
3:59
1.6
Remember When (Side A)
The Black Keys
3:21
1.7
Remember When (Side B)
The Black Keys
2:10
1.8
Same Old Thing
The Black Keys
3:10
1.9
So He Won't Break
The Black Keys
4:14
1.10
Oceans & Streams
The Black Keys
3:26
1.11
Things Ain't Like They Used to Be
The Black Keys
4:34
The Black Keys’ fifth full-length LP, Attack & Release, follows their 2006 critically acclaimed Nonesuch debut Magic Potion, which the Chicago Tribune proclaimed, “a gritty, wild, minimalist masterpiece.” Produced by Danger Mouse, Attack & Release was recorded at engineer Paul Hamann’s illustrious Suma Studio outside Cleveland, Ohio. Initial collaboration began when Danger Mouse (a.k.a. Brian Burton) approached the band to write songs for an album he was developing with the late R&B legend Ike Turner. As the band began composing tracks for Turner early last year, though, they quickly realized they were actually laying the groundwork for a new album of their own. Attack & Release thus became The Black Keys’ first collaborative effort, as it morphed into their own album with Danger Mouse as producer. By recording in an actual studio (another first), guitarist-vocalist Dan Auerbach and drummer Patrick Carney were given the opportunity to add a variety of instruments to their usual simple set-up—including organ, moog, and banjo. “After recording our previous albums in a basement, we were ready to go somewhere else. Danger Mouse came in as our collaborator. He has a real ear for melody and arrangement and that was a big part of this record, as was the studio…a really special place.” - Dan Auerbach “The place is covered with dust, it smells like a moldy cabin, and it looks like a haunted house. It was fitting for our first time going into a real studio. I think Dan and I were intrigued to work with somebody as a producer, and with an engineer like Paul, because we both realized we couldn’t teach ourselves anything more and it was best to start learning from other people.” - Patrick Carney
44.1 kHz / 24-bit PCM – Nonesuch Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-1.23
-1.29 to -1.20
-13.99
-16.50 to -12.74
-11.23
-14.30 to -9.10
8
7 to 9
1
All You Ever Wanted
-1.20-16.50-14.38
2
I Got Mine
-1.20-12.74-10.07
3
Strange Times
-1.22-13.19-10.68
4
Psychotic Girl
-1.27-14.44-12.18
5
Lies
-1.22-14.07-11.28
6
Remember When (Side A)
-1.29-15.93-13.19
7
Remember When (Side B)
-1.23-12.82-9.17
8
Same Old Thing
-1.25-14.00-11.78
9
So He Won't Break
-1.22-13.45-10.57
10
Oceans & Streams
-1.20-13.08-10.37
11
Things Ain't Like They Used to Be
-1.20-13.72-10.67

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions