℗ 2019 harmonia mundi
Released | May 10, 2019 |
Duration | 57m 02s |
Record Label | harmonia mundi |
Catalogue No. | 905299DI |
Genre | Classical (Symphonic repertoire) |
Mahler: Symphony No. 1 in D Major Titan (Hamburg-Weimar 1893-94 Version / Live)
Les Siècles, François-Xavier Roth
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
Symphony No. 1 in D Major "Titan", Erster Theil
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1.1
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I. Frühling und kein Ende. Einleitung und Allegro comodo (Hamburg-Weimar 1893-94 Version / Live)
Gustav Mahler; Les Siècles; François-Xavier Roth |
14:38 | |||
1.2
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II. Blumine. Andante (Hamburg-Weimar 1893-94 Version / Live)
Gustav Mahler; Les Siècles; François-Xavier Roth |
5:41 | |||
1.3
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III. Mit vollen Segeln. Scherzo (Hamburg-Weimar 1893-94 Version / Live)
Gustav Mahler; Les Siècles; François-Xavier Roth |
6:41 | |||
Symphony No. 1 in D Major "Titan", Zweiter Theil
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1.4
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IV. Gestrandet! (Hamburg-Weimar 1893-94 Version / Live)
Gustav Mahler; Les Siècles; François-Xavier Roth |
10:40 | |||
1.5
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V. Dall'Inferno. Allegro furioso. (Hamburg-Weimar 1893-94 Version / Live)
Gustav Mahler; Les Siècles; François-Xavier Roth |
19:22 | |||
Digital Booklet
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Les Siècles has worked from the Budapest, Hamburg and Weimar manuscripts, in close collaboration with Universal Edition, the musicologist Anna Stoll Knecht and Benjamin Garzia, to offer us, on the types of instruments on which it was premiered and for the first time on record, the second version (Hamburg/Weimar 1893-94) of Mahler’s First Symphony. Initially presented as a symphonic poem in two parts and five movements entitled ‘Titan’, this version continually faced severe criticism as it developed. The fascinating reconstruction testifies in many respects to the genius of one of the greatest symphonists of the modern era!
44.1 kHz / 24-bit PCM – harmonia mundi Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.96 -10.45 to 0.00 | -27.28 -33.39 to -22.44 | -22.40 -30.00 to -16.80 | 15 14 to 16 | |
1 | I. Frühling und kein Ende. Einleitung und Allegro comodo (Hamburg-Weimar 1893-94 Version / Live) | -0.15 | -26.40 | -19.8 | 16 |
2 | II. Blumine. Andante (Hamburg-Weimar 1893-94 Version / Live) | -3.13 | -29.80 | -25.5 | 16 |
3 | III. Mit vollen Segeln. Scherzo (Hamburg-Weimar 1893-94 Version / Live) | -1.09 | -24.37 | -19.9 | 14 |
4 | IV. Gestrandet! (Hamburg-Weimar 1893-94 Version / Live) | -10.45 | -33.39 | -30.0 | 14 |
5 | V. Dall'Inferno. Allegro furioso. (Hamburg-Weimar 1893-94 Version / Live) | 0.00 | -22.44 | -16.8 | 14 |