℗ 1970 Warner Bros
| Released | February 26, 2013 |
| Duration | 44m 33s |
| Record Label | Rhino/Warner Bros. |
| Genre | Pop |
Ladies Of The Canyon
Joni Mitchell
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Morning Morgantown
Joni Mitchell |
3:12 | |||
|
1.2
|
For Free
Joni Mitchell |
4:31 | |||
|
1.3
|
Conversation
Joni Mitchell |
4:21 | |||
|
1.4
|
Ladies of the Canyon
Joni Mitchell |
3:32 | |||
|
1.5
|
Willy
Joni Mitchell |
3:00 | |||
|
1.6
|
The Arrangement
Joni Mitchell |
3:32 | |||
|
1.7
|
Rainy Night House
Joni Mitchell |
3:22 | |||
|
1.8
|
The Priest
Joni Mitchell |
3:39 | |||
|
1.9
|
Blue Boy
Joni Mitchell |
2:53 | |||
|
1.10
|
Big Yellow Taxi
Joni Mitchell |
2:16 | |||
|
1.11
|
Woodstock
Joni Mitchell |
5:25 | |||
|
1.12
|
The Circle Game
Joni Mitchell |
4:50 |
Ladies of the Canyon is the third studio album by Canadian singer-songwriter Joni Mitchell, released on Reprise Records in 1970. The title makes reference to Laurel Canyon, a centre of popular music culture in Los Angeles during the 1960s. The album includes several of Mitchell's most noted songs, such as "Big Yellow Taxi", "Woodstock" and "The Circle Game."
The album is notable for its expansion of Mitchell's artistic vision and its varied song topics (ranging from the aesthetic weight of celebrity, to observation of the Woodstock generation, to the complexities of love). Ladies of the Canyon is often viewed as a transition between Mitchell's folky earlier work and the more sophisticated, poignant albums that were to follow. In particular, "For Free" foreshadows the lyrical leitmotif of the isolation triggered by success that would be elaborated upon in For the Roses and Court and Spark. The sparse, alternate-tuning laden sound of later records comes to the forefront on Ladies of the Canyon (one of those "ladies" being female underground comix pioneer Trina Robbins).
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Rhino/Warner Bros. Studio Masters
Tracks 1-12 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-12 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.63 -3.89 to -0.09 | -18.85 -20.53 to -16.26 | -15.75 -17.90 to -13.30 | 11 9 to 12 | |
| 1 | Morning Morgantown | -1.38 | -18.81 | -15.6 | 9 |
| 2 | For Free | -1.24 | -19.83 | -16.8 | 12 |
| 3 | Conversation | -1.17 | -17.99 | -14.8 | 11 |
| 4 | Ladies of the Canyon | -1.16 | -16.84 | -14.1 | 10 |
| 5 | Willy | -1.11 | -18.92 | -15.8 | 11 |
| 6 | The Arrangement | -1.28 | -20.49 | -15.9 | 10 |
| 7 | Rainy Night House | -1.35 | -17.12 | -14.3 | 10 |
| 8 | The Priest | -2.59 | -20.43 | -17.9 | 12 |
| 9 | Blue Boy | -3.89 | -20.53 | -17.6 | 10 |
| 10 | Big Yellow Taxi | -0.09 | -16.26 | -13.3 | 10 |
| 11 | Woodstock | -2.33 | -19.74 | -16.5 | 10 |
| 12 | The Circle Game | -2.03 | -19.22 | -16.4 | 11 |