℗ 2019 Naxos
| Released | May 10, 2019 |
| Duration | 1h 16m 00s |
| Record Label | Naxos |
| Catalogue No. | 8.573714 |
| Genre | Classical (Piano) |
Liszt Complete Piano Music, Vol. 52: Transcriptions from Operas by Auber & Verdi
Wai Yin Wong
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Tarantelle di bravura d'après la tarantelle de "La muette de Portici", S. 386 (1846 Version / After Auber)
Franz Liszt; Wai Yin Wong |
10:06 | |||
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1.2
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Tarantelle di bravura d'après la tarantelle de "La muette de Portici", S. 386 (1869 Version / After Auber)
Franz Liszt; Wai Yin Wong |
10:25 | |||
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1.3
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I Lombardi alla prima crociata: Salve Maria de Jérusalem, S. 431 (2nd Version / After Verdi)
Franz Liszt; Wai Yin Wong |
5:50 | |||
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3 Pieces from "La muette de Portici", S. 387
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1.4
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No. 1, Introduction (Prière) - No. 2, Cavatine (Berceuse / After Auber)
Franz Liszt; Wai Yin Wong |
5:33 | |||
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1.5
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Paraphrase de concert sur "Ernani" I, S. 431a (After Verdi)
Franz Liszt; Wai Yin Wong |
14:36 | |||
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1.6
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Tyrolean Melody, S. 385a (After Auber's "La fiancé")
Franz Liszt; Wai Yin Wong |
1:08 | |||
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1.7
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Grande fantaisie sur "La tyrolienne" de l'opéra "La fiancée", S. 385 (1829 Version / After Auber)
Franz Liszt; Wai Yin Wong |
15:40 | |||
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1.8
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Grande fantaisie sur "La tyrolienne" de l'opéra "La fiancée", S. 385 (1842 Version / After Auber)
Franz Liszt; Wai Yin Wong |
12:42 | |||
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Digital Booklet
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On this 52nd volume of the complete Liszt edition, Wai Yin Wong presents transcriptions and variations drawn from operas by Verdi and Auber.
Born in Hong Kong, Young Steinway Artist Wai Yin Wong studied at the Hong Kong Academy for Performing Arts with Gabriel Kwok, the Peabody Conservatory of The Johns Hopkins University with Boris Slutsky, and the Yale School of Music with Professor Boris Berman and Professor Wei Yi Yang, receiving full scholarships from both US institutions. She was awarded First Prize at the Southern Highlands International Piano Competition, Australia, Second Prize at the Hilton Head International Piano Competition, and the Gold Medal at the International Competition for Young Pianists in Memory of Vladimir Horowitz, Ukraine.=
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.13 -12.40 to -1.05 | -26.27 -33.85 to -22.60 | -22.91 -30.40 to -19.60 | 14 13 to 15 | |
| 1 | Tarantelle di bravura d'après la tarantelle de "La muette de Portici", S. 386 (1846 Version / After Auber) | -2.82 | -24.54 | -21.5 | 14 |
| 2 | Tarantelle di bravura d'après la tarantelle de "La muette de Portici", S. 386 (1869 Version / After Auber) | -2.56 | -24.60 | -21.6 | 15 |
| 3 | I Lombardi alla prima crociata: Salve Maria de Jérusalem, S. 431 (2nd Version / After Verdi) | -8.47 | -32.97 | -29.1 | 15 |
| 4 | No. 1, Introduction (Prière) - No. 2, Cavatine (Berceuse / After Auber) | -12.40 | -33.85 | -30.4 | 13 |
| 5 | Paraphrase de concert sur "Ernani" I, S. 431a (After Verdi) | -1.08 | -23.77 | -19.9 | 14 |
| 6 | Tyrolean Melody, S. 385a (After Auber's "La fiancé") | -3.22 | -22.60 | -19.6 | 13 |
| 7 | Grande fantaisie sur "La tyrolienne" de l'opéra "La fiancée", S. 385 (1829 Version / After Auber) | -1.05 | -23.93 | -20.6 | 15 |
| 8 | Grande fantaisie sur "La tyrolienne" de l'opéra "La fiancée", S. 385 (1842 Version / After Auber) | -1.44 | -23.88 | -20.6 | 15 |