℗ 2019 Naxos
 

Falla: El amor brujo (1915 Version) & El retablo de maese Pedro

Perspectives Ensemble, Angel Gil-Ordóñez, Esperanza Fernández, Jorge Garza, Jennifer Zetlan, Alfredo García

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El amor brujo, Scene I (1915 Version)  
1.1
No. 1, Introducción y escena
Manuel de Falla; Perspectives Ensemble; Angel Gil-Ordóñez
2:40
1.2
No. 2, Canción del amor dolido
Manuel de Falla; Esperanza Fernández; Perspectives Ensemble; Angel Gil-Ordóñez
1:39
1.3
No. 3, Sortilegio
Manuel de Falla; Esperanza Fernández; Perspectives Ensemble; Angel Gil-Ordóñez
1:03
1.4
No. 4, Danza del fin del día
Manuel de Falla; Perspectives Ensemble; Angel Gil-Ordóñez
4:04
1.5
No. 5, Escena (El amor vulgar)
Manuel de Falla; Perspectives Ensemble; Angel Gil-Ordóñez
1:08
1.6
No. 6, Romance del pescador
Manuel de Falla; Esperanza Fernández; Perspectives Ensemble; Angel Gil-Ordóñez
2:22
1.7
No. 7, Intermedio (Pantomima in ballet)
Manuel de Falla; Perspectives Ensemble; Angel Gil-Ordóñez
4:52
El amor brujo, Scene II (1915 Version)  
1.8
No. 8, Introducción (El fuego fatuo)
Manuel de Falla; Perspectives Ensemble; Angel Gil-Ordóñez
1:00
1.9
No. 9, Escena (El terror)
Manuel de Falla; Esperanza Fernández; Perspectives Ensemble; Angel Gil-Ordóñez
1:16
1.10
No. 10, Danza del fuego fatuo
Manuel de Falla; Perspectives Ensemble; Angel Gil-Ordóñez
1:54
1.11
No. 11, Interludio (Alucinaciones)
Manuel de Falla; Perspectives Ensemble; Angel Gil-Ordóñez
2:05
1.12
No. 12, Canción del fuego fatuo
Manuel de Falla; Esperanza Fernández; Perspectives Ensemble; Angel Gil-Ordóñez
2:14
1.13
No. 13, Conjuro para reconquistar el amor perdido
Manuel de Falla; Esperanza Fernández; Perspectives Ensemble; Angel Gil-Ordóñez
2:49
1.14
No. 14, Escena (El amor popular)
Manuel de Falla; Perspectives Ensemble; Angel Gil-Ordóñez
1:02
1.15
No. 15, Danza y canción de la bruja fingida
Manuel de Falla; Esperanza Fernández; Perspectives Ensemble; Angel Gil-Ordóñez
3:34
1.16
No. 16, Final (Las campanas de amanecer)
Manuel de Falla; Esperanza Fernández; Perspectives Ensemble; Angel Gil-Ordóñez
1:38
El retablo de maese Pedro  
1.17
Vengan, vengan a ver vuesas mercedes
Manuel de Falla; Jorge Garza; Perspectives Ensemble; Angel Gil-Ordóñez
0:57
1.18
Siéntense todos
Manuel de Falla; Jorge Garza; Jennifer Zetlan; Perspectives Ensemble; Angel Gil-Ordóñez
3:17
1.19
Ahora verán vuesas mercedes cómo el Emperador Carlo Magno
Manuel de Falla; Jennifer Zetlan; Perspectives Ensemble; Angel Gil-Ordóñez
2:10
1.20
Ahora veréis la torre del Alcázar de Zaragoza
Manuel de Falla; Jennifer Zetlan; Perspectives Ensemble; Angel Gil-Ordóñez
3:07
1.21
Miren luego vuesas mercedes cómo llevan al moro a la plaza de la ciudad
Manuel de Falla; Jennifer Zetlan; Alfredo García; Jorge Garza; Perspectives Ensemble; Angel Gil-Ordóñez
3:18
1.22
Miren ahora a Don Gayferos
Manuel de Falla; Jennifer Zetlan; Perspectives Ensemble; Angel Gil-Ordóñez
1:27
1.23
Ahora veréis a la hermosa Melisendra
Manuel de Falla; Jennifer Zetlan; Perspectives Ensemble; Angel Gil-Ordóñez
4:38
1.24
Vais en paz, oh par sin par de verdaderos amantes
Manuel de Falla; Jennifer Zetlan; Jorge Garza; Alfredo García; Perspectives Ensemble; Angel Gil-Ordóñez
1:51
1.25
Miren cuánta y cuán lucida caballería sale de la ciudad
Manuel de Falla; Jennifer Zetlan; Alfredo García; Perspectives Ensemble; Angel Gil-Ordóñez
0:34
1.26
Non fuyades, cobardes, malandrines y viles criaturas
Manuel de Falla; Alfredo García; Jorge Garza; Perspectives Ensemble; Angel Gil-Ordóñez
5:14
Digital Booklet
Total Playing Time    61:53
Manuel de Falla is renowned as the greatest Spanish composer of the early 20th century, melding diverse stylistic, folk or literary influences into distinctive new musical languages and forging masterworks that have become cultural emblems of his homeland. This synthesis can be found in the original 1915 version of El amor brujo, a heartfelt representation of a young Roma woman’s dramatic quest to free herself of the ghost of her lover. The mini-opera El retablo de Maese Pedro pays homage to Cervantes’ beloved Don Quixote using instrumentations and rhythms that conjure both Spain’s Golden Age and the vibrant energy of new European music in the 1920s. Perspectives Ensemble was founded at Columbia University in 1993 by Sato Moughalian to explore and contextualize works of composers and visual artists in performances, recordings and writings. Under Moughalian’s artistic direction the group has received the highest critical accolades including praise from The New York Times. The ensemble serves as artist-in-residence for the Foundation for Iberian Music and the Graduate Center, The City University of New York.
96 kHz / 24-bit PCM – Naxos Studio Masters

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