℗ 2019 Naxos
| Released | May 10, 2019 |
| Duration | 1h 02m 54s |
| Record Label | Naxos |
| Catalogue No. | 8.579044 |
| Genre | Classical (Orchestral) |
Alfonso Romero Asenjo: Works for Strings
Cammerata Orchestra, Joaquín Torre, Iagoba Fanlo, Sergey Teslya
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
|
Sinfonía para cuerda (String Symphony)
|
|||||
|
1.1
|
I. Allegro
Alfonso Romero Asenjo; Cammerata Orchestra; Joaquín Torre |
5:30 | |||
|
1.2
|
II. Lento
Alfonso Romero Asenjo; Cammerata Orchestra; Joaquín Torre |
8:43 | |||
|
1.3
|
III. Allegro
Alfonso Romero Asenjo; Cammerata Orchestra; Joaquín Torre |
6:37 | |||
|
Divertimento
|
|||||
|
1.4
|
I. Moderato
Alfonso Romero Asenjo; Cammerata Orchestra; Joaquín Torre |
1:54 | |||
|
1.5
|
II. Lento
Alfonso Romero Asenjo; Cammerata Orchestra; Joaquín Torre |
2:22 | |||
|
1.6
|
III. Allegro
Alfonso Romero Asenjo; Cammerata Orchestra; Joaquín Torre |
1:52 | |||
|
1.7
|
Concerto for Cello & String Orchestra
Alfonso Romero Asenjo; Iagoba Fanlo; Cammerata Orchestra; Joaquín Torre |
21:15 | |||
|
Concerto for 2 Violins
|
|||||
|
1.8
|
I. Allegro
Alfonso Romero Asenjo; Sergey Teslya; Joaquín Torre; Cammerata Orchestra |
4:00 | |||
|
1.9
|
II. Lento
Alfonso Romero Asenjo; Sergey Teslya; Joaquín Torre; Cammerata Orchestra |
6:23 | |||
|
1.10
|
III. Allegro
Alfonso Romero Asenjo; Sergey Teslya; Joaquín Torre; Cammerata Orchestra |
4:18 | |||
|
Digital Booklet
|
|||||
Alfonso Romero Asenjo’s distinguished career has resulted in numerous awards and distinctions, highlighting an unmistakable and very particular musical language whose appetite for spirituality and selective use of the avant-garde is now an established aspect of the so-called ‘Generación del 51’. The String Symphony has a cinematic restlessness that conjures hauntingly unsettling images, while the Cello Concerto pits the luminous and extended melodic phrases of the soloist against dense darkness from the orchestra. The Concerto for Two Violins is in part a tribute to J.S. Bach’s work in the same setting, endowing Baroque resources with a mysterious and attractive modernity.
44.1 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.75 -4.13 to -1.00 | -22.45 -27.03 to -19.23 | -18.61 -20.70 to -15.30 | 13 11 to 14 | |
| 1 | I. Allegro | -1.00 | -19.23 | -15.3 | 11 |
| 2 | II. Lento | -3.05 | -27.03 | -20.6 | 13 |
| 3 | III. Allegro | -1.05 | -21.97 | -17.8 | 12 |
| 4 | I. Moderato | -1.00 | -19.94 | -15.7 | 12 |
| 5 | II. Lento | -4.13 | -24.66 | -20.7 | 11 |
| 6 | III. Allegro | -3.06 | -21.61 | -18.7 | 12 |
| 7 | Concerto for Cello & String Orchestra | -1.00 | -22.50 | -19.5 | 14 |
| 8 | I. Allegro | -1.20 | -21.46 | -18.4 | 13 |
| 9 | II. Lento | -1.00 | -24.34 | -20.6 | 14 |
| 10 | III. Allegro | -1.00 | -21.74 | -18.8 | 13 |