℗ ℗ 2019 Deutsche Grammophon, Berlin
 

Sol y Vida

Elīna Garanča, Orquesta Filarmónica De Gran Canaria, Karel Mark Chichon

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1
Granada (Arr. Chichon)
Agustin Lara; Karel Mark Chichon; Elīna Garanča; Orquesta Filarmónica De Gran Canaria; Karel Mark Chichon
3:55
2
La Llorona (Arr. del Rey)
Traditional; José Maria Gallardo del Rey; Elīna Garanča; José Maria Gallardo del Rey
5:39
3
Vai lavar a cara (Arr. Durán)
Traditional; Juan Durán; Elīna Garanča; Orquesta Filarmónica De Gran Canaria; Karel Mark Chichon
2:45
4
Gracias a la vida (Arr. del Rey)
Violeta Parra; José Maria Gallardo del Rey; Elīna Garanča; Johanne-Valerie Gelinas; Diego Val; Francisco Navarro; José Maria Gallardo del Rey
4:04
5
T‘estimo (Arr. Langley)
Edvard Grieg; Hans Christian Andersen; John Langley; Elīna Garanča; Orquesta Filarmónica De Gran Canaria; Karel Mark Chichon
2:30
6
Core ‘ngrato (Arr. Langley)
Salvatore Cardillo; Riccardo Cordiferro; John Langley; Elīna Garanča; Orquesta Filarmónica De Gran Canaria; Karel Mark Chichon
3:26
7
Torna a Surriento (Arr. Langley)
Ernesto de Curtis; Giambattista de Curtis; John Langley; Elīna Garanča; Orquesta Filarmónica De Gran Canaria; Karel Mark Chichon
3:28
8
Non ti scordar di me (Arr. Langley)
Ernesto de Curtis; Domenico Furno; John Langley; Elīna Garanča; Orquesta Filarmónica De Gran Canaria; Karel Mark Chichon
3:47
9
Musica proibita (Arr. Chichon)
Stanislao Gastaldon; Karel Mark Chichon; Elīna Garanča; Orquesta Filarmónica De Gran Canaria; Karel Mark Chichon
3:55
10
Non t'amo più (Arr. Chichon)
Francesco Paolo Tosti; Carmelo Errico; Karel Mark Chichon; Elīna Garanča; Orquesta Filarmónica De Gran Canaria; Karel Mark Chichon
5:23
11
Voce'e notte (Arr. Langley)
Ernesto de Curtis; Edoardo Nicolardi; John Langley; Elīna Garanča; Orquesta Filarmónica De Gran Canaria; Karel Mark Chichon
3:09
12
Marechiare (Arr. Langley)
Francesco Paolo Tosti; Salvatore di Giacomo; John Langley; Elīna Garanča; Orquesta Filarmónica De Gran Canaria; Karel Mark Chichon
3:19
Maria de Buenos Aires  
13
Yo soy María (Arr. del Rey)
Astor Piazzolla; Horacio Ferrer; José Maria Gallardo del Rey; Elīna Garanča; Juraj Cismarovic; Adrian Marrero; Adriana Ilieva; Diego Val; Hans Stockhausen; Johanne-Valerie Gelinas; Francisco Navarro; Nauzet Mederos; José Maria Gallardo del Rey
3:19
14
Lela (Arr. Durán)
Rosendo Mato Hermida; Alfonso Rodríguez Castelao; Juan Durán; Elīna Garanča; Orquesta Filarmónica De Gran Canaria; Karel Mark Chichon
5:33
La Taberna del Puerto  
15
No puede ser
Pablo Sorozábal; Federico Romero; Guillermo Fernández-Shaw; Elīna Garanča; Orquesta Filarmónica De Gran Canaria; Karel Mark Chichon
2:56
16
El día que me quieras (Arr. Chichon)
Carlos Gardel; Alfredo Le Pera; Karel Mark Chichon; Elīna Garanča; Orquesta Filarmónica De Gran Canaria; Karel Mark Chichon
4:38
17
Brazil (Arr. Chichon)
Ary Barroso; Karel Mark Chichon; Elīna Garanča; Orquesta Filarmónica De Gran Canaria; Karel Mark Chichon
3:53
Total Playing Time    65:39
In the dog-day heat, feelings can seem more intense than usual, and certain songs take on a particularly seductive quality. Latvian mezzo Elīna Garanča’s new Deutsche Grammophon album, Sol y Vida (Sun and Life), captures summer’s uniquely sensual atmosphere to perfection. In her first recording of entirely non-core-classical repertoire, Garanča presents a variety of arias and songs to create a multi-faceted album.

Richly orchestrated and accompanied with suitable brio by the Orquesta Filarmónica Gran Canaria under the baton of Karel Mark Chichon, the kaleidoscopic programme of Sol y Vida creates a colourful portrait in sound of a hot summer’s day.

The variety of repertoire is matched by Elīna Garanča’s expressive versatility. With her vibrant and dazzlingly clear tone, she breathes life into every nuance of life and love depicted here, revealing her outstanding technique and agility in the virtuosic passages, while using her resonant dark timbre and eloquent musicality to hugely moving effect in the lyrical moments. Garanča herself has talked about the ways in which her voice has changed over the course of her career, noting that it has now become “darker, heavier [and] rounder” as well as “more feminine and voluptuous”. And all the impressive riches of her new instrument are to be heard in Sol y Vida’s magical evocation of the days – and nights – of summer.
96 kHz / 24-bit PCM – Deutsche Grammophon (DG) Studio Masters

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