℗ 2019 Toccata Classics
| Released | May 10, 2019 |
| Duration | 1h 13m 19s |
| Record Label | Toccata Classics |
| Catalogue No. | TOCC0489 |
| Genre | Classical (Piano) |
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Der Frühling. Eine Tondichtung in Sonatenform, Op. 47
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1.1
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I. L'aube de jour
Carl Loewe; Linda Nicholson |
12:04 | |||
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1.2
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II. Grand jour
Carl Loewe; Linda Nicholson |
4:31 | |||
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1.3
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III. Vie champêtre
Carl Loewe; Linda Nicholson |
6:20 | |||
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1.4
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IV. Le crépuscule
Carl Loewe; Linda Nicholson |
6:23 | |||
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Biblische Bilder, Op. 96
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1.5
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I. Bethesda
Carl Loewe; Linda Nicholson |
6:22 | |||
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1.6
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II. Gang nach Emmahus
Carl Loewe; Linda Nicholson |
4:00 | |||
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1.7
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III. Martha und Maria
Carl Loewe; Linda Nicholson |
7:55 | |||
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Grande sonate brillante in E-Flat Major, Op. 41
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1.8
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I. Allegro
Carl Loewe; Linda Nicholson |
6:36 | |||
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1.9
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II. Andantino - Allegro agitato - Adagio non troppo lento
Carl Loewe; Linda Nicholson |
4:32 | |||
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1.10
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III. Scherzo. Allegro
Carl Loewe; Linda Nicholson |
2:18 | |||
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1.11
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IV. Finale. Allegro grazioso
Carl Loewe; Linda Nicholson |
5:07 | |||
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1.12
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Abendfantasie, Op. 11
Carl Loewe; Linda Nicholson |
7:11 | |||
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Digital Booklet
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The organ music of Joan (or Juan) Cabanilles (1644–1712) is virtuosic and colourfully Baroque, and touched with a distinctively Spanish intensity. Cabanilles is claimed as the most prolific of all composers for the organ, and publication of his works, begun in 1927, has not caught up with his output. But the surviving manuscripts can be seriously corrupt, requiring extensive editing and sometimes even detailed recomposition. This recording – Volume Three of an ongoing series – therefore uses a number of new editions to present the music as never heard before, as close as possible to what the composer might have intended. It was made using the historic (1732) organ in the Basilica of Sant Jaume in Vila-real, Valencia.
48 kHz / 24-bit PCM – Toccata Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.66 -2.33 to -0.32 | -22.45 -23.98 to -20.09 | -19.23 -20.80 to -17.30 | 14 13 to 16 | |
| 1 | I. L'aube de jour | -0.33 | -22.21 | -18.6 | 14 |
| 2 | II. Grand jour | -2.33 | -21.87 | -19.0 | 13 |
| 3 | III. Vie champêtre | -0.32 | -20.09 | -17.3 | 14 |
| 4 | IV. Le crépuscule | -0.32 | -23.81 | -19.8 | 14 |
| 5 | I. Bethesda | -0.36 | -22.65 | -19.2 | 15 |
| 6 | II. Gang nach Emmahus | -0.32 | -23.91 | -20.8 | 16 |
| 7 | III. Martha und Maria | -0.32 | -23.32 | -20.3 | 15 |
| 8 | I. Allegro | -0.32 | -21.37 | -18.3 | 14 |
| 9 | II. Andantino - Allegro agitato - Adagio non troppo lento | -0.51 | -23.98 | -20.6 | 14 |
| 10 | III. Scherzo. Allegro | -0.32 | -21.71 | -18.9 | 15 |
| 11 | IV. Finale. Allegro grazioso | -0.33 | -21.74 | -18.5 | 13 |
| 12 | Abendfantasie, Op. 11 | -2.15 | -22.74 | -19.4 | 14 |