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Regina bastarda

Paolo Pandolfo

Available in 176.4 kHz / 24-bit, 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats

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1.1
Toccata per b quadro
Orazio Bassani; Paolo Pandolfo; Amélie Chemin; Chiara Granata; Thomas Boysen; Francesco Saverio Pedrini
2:07
Vestiva i colli  
1.2
I. Vestiva i colli
Giovanni Pierluigi da Palestrina; La Pedrina
2:43
1.3
Vestiva i colli (After Palestrina)
Francesco Rognoni; Paolo Pandolfo; Amélie Chemin; Chiara Granata; Thomas Boysen; Francesco Saverio Pedrini
4:23
Così le chiome  
1.4
Vestiva i colli: II. Così le chiome
Giovanni Pierluigi da Palestrina; La Pedrina
2:29
1.5
Così le chiome (After Palestrina)
Orazio Bassani; Paolo Pandolfo; Chiara Granata; Thomas Boysen
4:37
1.6
Anchor che col partire
Cipriano de Rore; La Pedrina
2:18
1.7
Anchor che col partire (Version for viola da gamba & continuo / After Rore)
Riccardo Rognoni; Paolo Pandolfo; Amélie Chemin; Chiara Granata; Thomas Boysen; Francesco Saverio Pedrini
4:17
Ricercata terza  
1.8
Recercada tercera
Diego Ortiz; Paolo Pandolfo
1:50
1.9
Anchor che col partire (After Rore)
Girolamo dalla Casa; Paolo Pandolfo; La Pedrina
3:09
Ricercare per la viola bastarda  
1.10
Ricercar No. 2
Aurelio Virgiliano; Paolo Pandolfo
4:54
Ung gay berger  
1.11
Ung gay bergier
Thomas Crecquillon; La Pedrina
1:42
1.12
Ung gay bergier (After Crecquillon)
Riccardo Rognoni; Paolo Pandolfo; Francesco Saverio Pedrini
3:53
Doulce mémoire  
1.13
Doulce memoire en plaisir consommée
Pierre Sandrin; La Pedrina
2:43
1.14
Doulce memoire en plaisir consommée (After Sandrin)
Vincenzo Bonizzi; Paolo Pandolfo; Amélie Chemin; Chiara Granata; Thomas Boysen; Francesco Saverio Pedrini
5:48
1.15
Susanne un jour
Orlando de Lassus; La Pedrina
2:18
1.16
Susanne un jour (After Bassani)
Orazio Bassani; Paolo Pandolfo; Amélie Chemin; Chiara Granata; Thomas Boysen; Francesco Saverio Pedrini
6:33
1.17
Jouissance vous donnerai (After Sermisy)
Adrian Willaert; La Pedrina
2:28
1.18
Jouissance vous donnerai (After Sermisy)
Vincenzo Bonizzi; Paolo Pandolfo; Amélie Chemin; Chiara Granata; Thomas Boysen; Francesco Saverio Pedrini
5:38
Digital Booklet
Total Playing Time    63:50
Popular madrigals and chansons of the 16th century served as models for richly embellished “alla bastarda” versions on the viola da gamba. In this recording, the vocal originals are presented together with the extremely virtuoso instrumental versions which represent the first and hardly surpassed apex of solo literature for viola da gamba.

For 25 years, Paolo Pandolfo has been one of the leading viola da gambists of his generation, researching and promoting the repertoire of his instruments in all directions. The thorough knowledge of all aspects of the viola da gamba repertoire becomes clear in his extensive discography. Not only has he recorded the most important works of the viol literature, but also very personal musical statements in which he combined the youthful experiences as a double bass player and guitarist with compositions and improvisations that are just as influenced by jazz as they are by the historical repertoire. With the bastarda diminutions, he now proffers an early milestone of the solo viol literature in which the exuberant virtuosity serves to present enchantingly beautiful music.

On this very special project, with instruments built ad hoc, he is joined by some of the finest continuo players of the early music scene (Boysen, Granata, Chemin, Pedrini) and the exquisite vocal ensemble La Pedrina, together producing what definitely will be considered as a key recording of repertoire for the viola da gamba.
176.4 kHz / 24-bit, 88.2 kHz / 24-bit PCM – Glossa Studio Masters

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