℗ 2018 Som Livre
| Released | August 31, 2018 |
| Duration | 2h 24m 19s |
| Record Label | Som Livre |
| Catalogue No. | 7891430298777 |
| Genre | World (Brazilian-Instrumental) |
Deus Salve o Rei - Música Original de Alexandre de Faria e Rodrigo Marsillac
Alexandre de Faria, Rodrigo de Marsillac
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
|
Scarborough Fair 2 Harpas
Rodrigo de Marsillac |
2:21 | |||
|
1.2
|
Artenian Composer's Guild
Rodrigo de Marsillac |
1:50 | |||
|
1.3
|
Saltarello Iii
Alexandre de Faria |
1:56 | |||
|
1.4
|
Medieval Era
Alexandre de Faria |
1:56 | |||
|
1.5
|
A Guerra
Alexandre de Faria |
4:49 | |||
|
1.6
|
Solidão e Bravura
Rodrigo de Marsillac |
3:40 | |||
|
1.7
|
Dulcis Amore
Rodrigo de Marsillac |
2:50 | |||
|
1.8
|
Perfido Amore
Rodrigo de Marsillac |
1:49 | |||
|
1.9
|
Vergine Amore
Rodrigo de Marsillac |
1:58 | |||
|
1.10
|
Tempus Est Iocundum (feat. Isabele Mele Rescala, Thaís Barbosa da Motta, Mona Natasha Fraga Vilardo, Ursula Moreira Baldansa, Georgeana Bonow Pinheiro)
Isabele Mele Rescala; Thaís Barbosa da Motta; Mona Natasha Fraga Vilardo; Ursula Moreira Baldansa; Georgeana Bonow Pinheiro; Rodrigo de Marsillac |
1:40 | |||
|
1.11
|
Amor C'al Tuo Sugetto
Alexandre de Faria |
1:10 | |||
|
1.12
|
Filha do Vento
Rodrigo de Marsillac |
2:26 | |||
|
1.13
|
Estampie (Oxford Manuscript)
Alexandre de Faria |
1:56 | |||
|
1.14
|
Bachi Bene Venies
Alexandre de Faria |
2:09 | |||
|
1.15
|
Trotto
Rodrigo de Marsillac |
1:40 | |||
|
1.16
|
Bel Fiori
Alexandre de Faria |
1:23 | |||
|
1.17
|
Bowing Landscapes
Alexandre de Faria |
9:04 | |||
|
1.18
|
Caldos e Aves
Rodrigo de Marsillac |
1:55 | |||
|
1.19
|
Cantigas de Santa Maria No. 119
Alexandre de Faria |
3:30 | |||
|
1.20
|
Cantigas de Santa Maria No. 77
Alexandre de Faria |
2:20 | |||
|
1.21
|
A Espada de Carlos Magno
Rodrigo de Marsillac |
1:53 | |||
|
1.22
|
Duelum
Alexandre de Faria |
1:21 | |||
|
1.23
|
Estripulias Na Praça
Rodrigo de Marsillac |
1:32 | |||
|
1.24
|
Face To Face
Alexandre de Faria |
2:48 | |||
|
1.25
|
Fantasia para Alaúde No. 1
Alexandre de Faria |
1:23 | |||
|
1.26
|
Fantasia para Alaúde No. 2
Alexandre de Faria |
1:23 | |||
|
1.27
|
La Danse
Alexandre de Faria |
3:00 | |||
|
1.28
|
La Reina Lucrecia
Alexandre de Faria |
2:06 | |||
|
1.29
|
La Rotta
Alexandre de Faria |
1:23 | |||
|
1.30
|
Lord Adef's Boca Blues
Alexandre de Faria |
2:59 | |||
|
1.31
|
Lord Adef's Bagpipes
Alexandre de Faria |
1:55 | |||
|
1.32
|
Mandigueira
Alexandre de Faria |
0:49 | |||
|
1.33
|
O Confronto
Alexandre de Faria |
3:08 | |||
|
1.34
|
O Convento
Alexandre de Faria |
2:53 | |||
|
1.35
|
O Furor de Lucrecia
Alexandre de Faria |
2:08 | |||
|
1.36
|
A Morte de um Guerreiro
Rodrigo de Marsillac |
3:20 | |||
|
1.37
|
O Lago
Alexandre de Faria |
1:48 | |||
|
1.38
|
Rabeca
Rodrigo de Marsillac |
1:06 | |||
|
1.39
|
Rudolph the Great
Alexandre de Faria |
4:00 | |||
|
1.40
|
Sad Gamba
Alexandre de Faria |
1:57 | |||
|
1.41
|
Tempus Transit
Rodrigo de Marsillac |
1:28 | |||
|
1.42
|
Schrungy
Alexandre de Faria |
2:05 | |||
|
1.43
|
Senses
Alexandre de Faria |
5:15 | |||
|
1.44
|
Simpleton Engus
Alexandre de Faria |
2:25 | |||
|
1.45
|
Su la Rivera
Rodrigo de Marsillac |
2:41 | |||
|
1.46
|
Sumer Is Icumen In
Alexandre de Faria |
3:22 | |||
|
1.47
|
Tema da Bela Glória
Alexandre de Faria |
1:55 | |||
|
1.48
|
Tema de Catarina, A Rainha
Alexandre de Faria |
3:27 | |||
|
1.49
|
Tema de Margot
Alexandre de Faria |
3:51 | |||
|
1.50
|
Tema do Rei Otávio
Alexandre de Faria |
2:19 | |||
|
1.51
|
Vienna
Alexandre de Faria |
2:24 | |||
|
1.52
|
Tesouros Escondidos
Rodrigo de Marsillac |
2:01 | |||
|
1.53
|
The Bouz
Alexandre de Faria |
3:35 | |||
|
1.54
|
The Quarry
Alexandre de Faria |
3:32 | |||
|
1.55
|
The Rabbit
Alexandre de Faria |
1:43 | |||
|
1.56
|
The Touch of Freedom
Alexandre de Faria |
2:00 | |||
|
1.57
|
Mo Ghile Mear (Grand Finale / feat. Dan Torres, Luisa Land)
Dan Torres; Luisa Land; Alexandre de Faria |
5:02 |
48 kHz / 24-bit PCM – Som Livre Studio Masters
Tracks 1, 4 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit Tracks 25, 26, 38 – 44.1 kHz / 24-bit PCM Track 40 – contains material which has been processed by a perceptual audio coding algorithm
Tracks 1, 4 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit Tracks 25, 26, 38 – 44.1 kHz / 24-bit PCM Track 40 – contains material which has been processed by a perceptual audio coding algorithm
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.44 -10.46 to 0.00 | -17.22 -33.12 to -10.48 | -14.28 -29.80 to -7.40 | 10 6 to 22 | |
| 1 | Scarborough Fair 2 Harpas | -6.34 | -24.48 | -21.8 | 11 |
| 2 | Artenian Composer's Guild | -4.15 | -25.52 | -21.9 | 14 |
| 3 | Saltarello Iii | -7.37 | -24.68 | -21.2 | 12 |
| 4 | Medieval Era | 0.00 | -15.55 | -11.7 | 9 |
| 5 | A Guerra | 0.00 | -13.14 | -10.4 | 8 |
| 6 | Solidão e Bravura | -6.88 | -27.65 | -24.7 | 13 |
| 7 | Dulcis Amore | -0.19 | -18.01 | -15.4 | 10 |
| 8 | Perfido Amore | -0.82 | -16.73 | -14.8 | 9 |
| 9 | Vergine Amore | -0.33 | -17.57 | -14.6 | 10 |
| 10 | Tempus Est Iocundum (feat. Isabele Mele Rescala, Thaís Barbosa da Motta, Mona Natasha Fraga Vilardo, Ursula Moreira Baldansa, Georgeana Bonow Pinheiro) | -0.66 | -14.80 | -11.9 | 9 |
| 11 | Amor C'al Tuo Sugetto | 0.00 | -12.55 | -9.8 | 9 |
| 12 | Filha do Vento | -3.78 | -25.03 | -22.0 | 13 |
| 13 | Estampie (Oxford Manuscript) | 0.00 | -14.21 | -11.0 | 9 |
| 14 | Bachi Bene Venies | 0.00 | -14.01 | -10.5 | 10 |
| 15 | Trotto | -0.12 | -12.65 | -9.7 | 8 |
| 16 | Bel Fiori | -3.80 | -17.53 | -14.4 | 8 |
| 17 | Bowing Landscapes | -4.00 | -19.26 | -16.4 | 7 |
| 18 | Caldos e Aves | -0.11 | -13.69 | -10.7 | 7 |
| 19 | Cantigas de Santa Maria No. 119 | 0.00 | -16.46 | -12.6 | 9 |
| 20 | Cantigas de Santa Maria No. 77 | 0.00 | -15.76 | -12.1 | 10 |
| 21 | A Espada de Carlos Magno | -0.13 | -15.57 | -12.2 | 11 |
| 22 | Duelum | 0.00 | -18.04 | -15.2 | 13 |
| 23 | Estripulias Na Praça | -0.11 | -11.76 | -9.1 | 6 |
| 24 | Face To Face | 0.00 | -12.32 | -12.1 | 7 |
| 25 | Fantasia para Alaúde No. 1 | -7.86 | -30.39 | -26.9 | 16 |
| 26 | Fantasia para Alaúde No. 2 | -10.46 | -33.09 | -29.8 | 15 |
| 27 | La Danse | 0.00 | -14.45 | -11.6 | 9 |
| 28 | La Reina Lucrecia | 0.00 | -13.32 | -10.7 | 9 |
| 29 | La Rotta | -0.11 | -13.01 | -10.3 | 8 |
| 30 | Lord Adef's Boca Blues | 0.00 | -13.99 | -11.1 | 9 |
| 31 | Lord Adef's Bagpipes | -0.05 | -13.11 | -9.3 | 8 |
| 32 | Mandigueira | -3.06 | -33.12 | -27.5 | 22 |
| 33 | O Confronto | 0.00 | -12.90 | -11.2 | 8 |
| 34 | O Convento | 0.00 | -13.57 | -10.7 | 8 |
| 35 | O Furor de Lucrecia | 0.00 | -14.19 | -11.3 | 9 |
| 36 | A Morte de um Guerreiro | -0.16 | -18.94 | -16.7 | 14 |
| 37 | O Lago | 0.00 | -16.83 | -13.7 | 9 |
| 38 | Rabeca | -0.06 | -18.52 | -15.2 | 13 |
| 39 | Rudolph the Great | 0.00 | -19.75 | -17.1 | 13 |
| 40 | Sad Gamba | -4.50 | -17.85 | -16.1 | 8 |
| 41 | Tempus Transit | -0.12 | -13.62 | -10.1 | 9 |
| 42 | Schrungy | 0.00 | -16.41 | -13.7 | 11 |
| 43 | Senses | -0.15 | -17.91 | -14.5 | 10 |
| 44 | Simpleton Engus | -0.08 | -22.59 | -19.0 | 16 |
| 45 | Su la Rivera | -0.12 | -12.52 | -9.5 | 7 |
| 46 | Sumer Is Icumen In | 0.00 | -13.41 | -10.9 | 8 |
| 47 | Tema da Bela Glória | 0.00 | -15.11 | -12.5 | 10 |
| 48 | Tema de Catarina, A Rainha | 0.00 | -13.07 | -11.1 | 7 |
| 49 | Tema de Margot | 0.00 | -13.92 | -10.8 | 8 |
| 50 | Tema do Rei Otávio | 0.00 | -12.44 | -10.2 | 7 |
| 51 | Vienna | -0.01 | -14.01 | -11.4 | 9 |
| 52 | Tesouros Escondidos | -9.84 | -27.58 | -24.7 | 11 |
| 53 | The Bouz | -0.11 | -15.55 | -12.8 | 12 |
| 54 | The Quarry | 0.00 | -13.56 | -11.6 | 8 |
| 55 | The Rabbit | -4.60 | -18.00 | -14.5 | 9 |
| 56 | The Touch of Freedom | -0.39 | -17.18 | -14.1 | 10 |
| 57 | Mo Ghile Mear (Grand Finale / feat. Dan Torres, Luisa Land) | 0.00 | -10.48 | -7.4 | 6 |