℗ 2018 Mercury KX, a division of Decca Music Group Limited
 

STET

Guy Sigsworth

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
Sing
Guy Sigsworth; Guy Sigsworth; Imogen Heap
3:37
1.2
Barely Breaking Even
Guy Sigsworth; Anil Sebastian; Guy Sigsworth
3:04
1.3
Khöömei
Guy Sigsworth; Guy Sigsworth
1:55
1.4
Prayer Wheels
Guy Sigsworth; Guy Sigsworth
3:35
1.5
Memento (For D)
Guy Sigsworth; Guy Sigsworth
2:59
1.6
Lydian
Guy Sigsworth; Anil Sebastian; Guy Sigsworth; Anil Sebastian
4:02
1.7
Kotekan (For J)
Guy Sigsworth; Guy Sigsworth
3:00
1.8
Kitsune (For B)
Guy Sigsworth; Guy Sigsworth
3:31
1.9
Aeolian (feat. Martin Grech)
Guy Sigsworth; Martin Grech; Guy Sigsworth; Martin Grech
3:26
1.10
Night Song
Guy Sigsworth; Guy Sigsworth
3:55
1.11
Un coup de dés (For Keith Collins)
Guy Sigsworth; Guy Sigsworth
1:22
1.12
Nirai Kanai
Guy Sigsworth; Guy Sigsworth
3:35
1.13
Nocturne (For Leila Arab)
Guy Sigsworth; Guy Sigsworth
3:14
1.14
Dorian (feat. Anil Sebastian)
Guy Sigsworth; Anil Sebastian; Guy Sigsworth; Anil Sebastian
4:09
1.15
Mono No Aware
Guy Sigsworth; Guy Sigsworth
4:06
1.16
Shurayo
Guy Sigsworth; Mika Uchizato; Guy Sigsworth; Imogen Heap
3:52
Total Playing Time    53:22
Over the past 20 years, Guy Sigsworth has helped shape some of the most iconic music of our generation. For the first time, the man behind the music steps into the limelight with the announcement of his first solo studio album, STET. Celebrated worldwide for his work with the biggest names in music, the legendary songwriter, producer and songwriter has collaborated with global superstars including Björk, Britney Spears, Madonna, Imogen Heap, Robyn, Alanis Morissette and Alison Moyet. Sigsworth’s first solo record is entitled STET – an album title which particularly resonates with the multifaceted producer. The Latin word ‘STET’ comes from an abbreviation used in proofreading and means ‘let it stand’, indicating that a word or phrase which may seem unusual is done intentionally and does not need correcting. It is, in fact, this notion which has earned Sigsworth such impressive credentials – his career has relied on knowing that artists are at their best when they remain true to themselves rather than imitating someone else.
96 kHz / 24-bit PCM – Mercury Classics Studio Masters

Tracks 1, 3-5, 8, 11 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 2, 6, 7, 9, 10, 12-16 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit

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