℗ 2019 Mark Keane
Released | May 24, 2019 |
Duration | 1h 12m 04s |
Record Label | Rubicon Classics |
Catalogue No. | DRC1032 |
Genre | Classical (Madrigal, polyphonic chanson) |
John Amner: Complete Consort Music
Fretwork, Dublin Consort Singers, Mark Keane
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Love we in one consenting
John Amner; Mark Keane; Dublin Consort Singers; Fretwork |
1:50 | |||
1.2
|
Let false surmises perish
John Amner; Mark Keane; Fretwork; Dublin Consort Singers |
1:34 | |||
1.3
|
Away with weak complainings
John Amner; Mark Keane; Dublin Consort Singers; Fretwork |
1:52 | |||
1.4
|
O come thou spirit divinest
John Amner; Mark Keane; Fretwork; Dublin Consort Singers |
2:05 | |||
1.5
|
O love beseeming well
John Amner; Mark Keane; Dublin Consort Singers; Fretwork |
1:45 | |||
1.6
|
Distressed soul
John Amner; Mark Keane; Dublin Consort Singers; Fretwork |
2:38 | |||
1.7
|
Sweet are the thoughts
John Amner; Mark Keane; Dublin Consort Singers; Fretwork |
1:37 | |||
1.8
|
Come let's rejoice
John Amner; Mark Keane; Fretwork; Dublin Consort Singers |
1:41 | |||
1.9
|
Saint Mary now
John Amner; Mark Keane; Dublin Consort Singers; Fretwork |
1:17 | |||
1.10
|
At length to Christ
John Amner; Mark Keane; Dublin Consort Singers; Fretwork |
1:00 | |||
1.11
|
But he the God of love
John Amner; Mark Keane; Dublin Consort Singers; Fretwork |
1:26 | |||
1.12
|
Woe is me
John Amner; Mark Keane; Fretwork; Dublin Consort Singers |
2:05 | |||
1.13
|
Remember not, Lord, our offences
John Amner; Mark Keane; Dublin Consort Singers; Fretwork |
2:58 | |||
1.14
|
Thus sings that heavenly quire
John Amner; Mark Keane; Dublin Consort Singers; Fretwork |
1:36 | |||
1.15
|
The heavens stood all amazed
John Amner; Mark Keane; Fretwork; Dublin Consort Singers |
1:53 | |||
1.16
|
Now doth the city remain solitary
John Amner; Mark Keane; Fretwork; Dublin Consort Singers |
2:58 | |||
1.17
|
He that descended man to be
John Amner; Mark Keane; Dublin Consort Singers; Fretwork |
1:57 | |||
1.18
|
I will sing unto the Lord
John Amner; Mark Keane; Fretwork; Dublin Consort Singers |
1:46 | |||
1.19
|
O ye little flock
John Amner; Mark Keane; Fretwork; Dublin Consort Singers |
2:09 | |||
1.20
|
Fear not
John Amner; Mark Keane; Dublin Consort Singers; Fretwork |
2:20 | |||
1.21
|
And they cry
John Amner; Mark Keane; Dublin Consort Singers; Fretwork |
1:39 | |||
1.22
|
Lo, how from heaven
John Amner; Mark Keane; Fretwork; Dublin Consort Singers |
2:18 | |||
1.23
|
I bring you tiding
John Amner; Mark Keane; Fretwork; Dublin Consort Singers |
2:38 | |||
1.24
|
A stranger here
John Amner; Mark Keane; Fretwork; Dublin Consort Singers |
3:36 | |||
1.25
|
My Lord is hence removed and laid
John Amner; Mark Keane; Fretwork; Dublin Consort Singers |
1:26 | |||
1.26
|
An Elegy in Memory of Master Thomas Hynson
John Amner; Mark Keane; Dublin Consort Singers; Fretwork |
5:15 | |||
1.27
|
Pavan
John Amner; Mark Keane; Fretwork; Dublin Consort Singers |
3:20 | |||
1.28
|
Galliard
John Amner; Mark Keane; Fretwork; Dublin Consort Singers |
1:52 | |||
1.29
|
Consider, all ye passers by
John Amner; Mark Keane; Dublin Consort Singers; Fretwork |
5:54 | |||
1.30
|
I am for peace
John Amner; Mark Keane; Dublin Consort Singers; Fretwork |
5:39 | |||
Digital Booklet
|
John Amner was born and died in Ely, Cambridgeshire and worked for the greater part of his life at Ely Cathedral, as a boy chorister and later as informator choristorum. He succeeded some of England’s finest composers such as George Barcroft, John Farrant andChristopher Tye. He received his Bachelor of Music from Oxford with the support of theEarl of Bath in 1613, and also from Cambridge in 1640, Although not a ‘celebrated‘ composer of the Renaissance era, the music in Amner’s Sacred Hymnes shows that he was capable of writing in a number of styles from three-voice conzonets through to elaborate consort anthems of multiple voices in the verse sections.
Also on this fascinating album is his five part Pavan and Galliard Amner’s only surviving works for viol consort which represents an indication of a broader compositional output of instrumental music by the composer. Amner has been seldom recorded, and this meticulously and lovingly curated album represents an important addition to the understanding of both the composer and the provincial religious music scene in England in the first half of the 17th century.
96 kHz / 24-bit PCM – Rubicon Classics Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.82 -14.94 to -0.40 | -28.91 -33.99 to -22.44 | -25.22 -30.20 to -18.50 | 13 11 to 16 | |
1 | Love we in one consenting | -5.97 | -31.30 | -27.6 | 15 |
2 | Let false surmises perish | -10.17 | -31.01 | -27.6 | 13 |
3 | Away with weak complainings | -11.84 | -33.99 | -30.2 | 13 |
4 | O come thou spirit divinest | -11.71 | -32.02 | -28.8 | 12 |
5 | O love beseeming well | -5.54 | -31.26 | -27.8 | 13 |
6 | Distressed soul | -10.08 | -32.95 | -29.4 | 14 |
7 | Sweet are the thoughts | -4.53 | -27.55 | -24.0 | 13 |
8 | Come let's rejoice | -1.93 | -24.02 | -20.3 | 14 |
9 | Saint Mary now | -9.04 | -32.40 | -28.6 | 13 |
10 | At length to Christ | -10.55 | -32.13 | -28.5 | 14 |
11 | But he the God of love | -9.13 | -31.12 | -27.3 | 12 |
12 | Woe is me | -11.54 | -31.59 | -28.0 | 12 |
13 | Remember not, Lord, our offences | -6.13 | -29.13 | -25.3 | 15 |
14 | Thus sings that heavenly quire | -3.74 | -27.57 | -24.0 | 13 |
15 | The heavens stood all amazed | -0.94 | -25.67 | -21.7 | 14 |
16 | Now doth the city remain solitary | -10.74 | -31.53 | -27.9 | 14 |
17 | He that descended man to be | -4.41 | -27.26 | -23.4 | 14 |
18 | I will sing unto the Lord | -6.63 | -27.13 | -23.4 | 12 |
19 | O ye little flock | -4.23 | -25.35 | -21.5 | 13 |
20 | Fear not | -0.72 | -22.44 | -18.5 | 13 |
21 | And they cry | -0.40 | -23.00 | -19.2 | 12 |
22 | Lo, how from heaven | -3.91 | -25.15 | -21.4 | 13 |
23 | I bring you tiding | -1.35 | -24.37 | -20.3 | 12 |
24 | A stranger here | -6.49 | -27.81 | -23.8 | 13 |
25 | My Lord is hence removed and laid | -9.39 | -28.65 | -24.9 | 12 |
26 | An Elegy in Memory of Master Thomas Hynson | -4.43 | -28.81 | -24.9 | 15 |
27 | Pavan | -14.94 | -32.73 | -29.6 | 12 |
28 | Galliard | -14.15 | -32.65 | -29.4 | 11 |
29 | Consider, all ye passers by | -7.08 | -29.41 | -25.6 | 14 |
30 | I am for peace | -2.85 | -27.41 | -23.8 | 16 |