℗ ℗ 2019 IBS Classical
Dvořák: Works for Cello
Adolfo Gutiérrez Arenas, Magdeburg Philharmonic Orchestra, Kimbo Ishii
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Cello Concerto No. 2 in B Minor, Op. 104, B. 191 |
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1 |
I. Allegro Antonín Dvořák; Adolfo Gutiérrez Arenas; Magdeburg Philharmonic Orchestra; Kimbo Ishii |
16:00 | |||
2 |
II. Adagio ma non troppo Antonín Dvořák; Adolfo Gutiérrez Arenas; Magdeburg Philharmonic Orchestra; Kimbo Ishii |
13:07 | |||
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III. Finale. Allegro moderato Antonín Dvořák; Adolfo Gutiérrez Arenas; Magdeburg Philharmonic Orchestra; Kimbo Ishii |
14:05 | |||
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Klid, Op. 68 No. 5, B. 182 (Version for Cello & Orchestra) Antonín Dvořák; Adolfo Gutiérrez Arenas; Magdeburg Philharmonic Orchestra; Kimbo Ishii |
6:39 | |||
5 |
Rondo in G Minor, Op. 94, B. 181 Antonín Dvořák; Adolfo Gutiérrez Arenas; Magdeburg Philharmonic Orchestra; Kimbo Ishii |
9:11 | |||
4 Lieder, Op. 82, B. 157 |
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No. 1, Lasst mich allein (Arr. for Cello & Piano) Antonín Dvořák; Adolfo Gutiérrez Arenas; Juan Carlos Garvayo |
4:38 | |||
Digital Booklet |
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Total Playing Time 63:40
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It is the part the cello must interpret by assuming or acquiring a human nature. Dvořák transforms it into a warm lyrical baritone. He repopulates it with harmonics and nuances. And he shows us that the best way to overcome cello “limitations” is none other than to transcend it. Dvořák turns the cello into a meta-cello. Just as in a Mephistophelian pact, he achieves the feat of “animating” it. And the soul is in the score. You have to know how to find it. No one better to do it than Adolfo Gutiérrez Arenas, from his sensitivity, spontaneity and affinity to an instrument he would never have wanted to explore if Bach and Dvořák had not persuaded him otherwise.
96 kHz / 24-bit PCM – IBS Classical Studio Masters