℗ 2013 Sub Pop Records
Released | June 28, 2018 |
Duration | 37m 34s |
Record Label | Sub Pop Records |
Genre | Jazz |
That's It!
Preservation Hall Jazz Band
Available in MQA and 44.1 kHz / 24-bit AIFF, FLAC audio formats
1.1
|
That's It!
Preservation Hall Jazz Band |
3:21 | |||
1.2
|
Dear Lord (Give Me the Strength)
Preservation Hall Jazz Band |
4:10 | |||
1.3
|
Come with Me
Preservation Hall Jazz Band |
2:44 | |||
1.4
|
Sugar Plum
Preservation Hall Jazz Band |
4:29 | |||
1.5
|
Rattlin' Bones
Preservation Hall Jazz Band |
3:19 | |||
1.6
|
I Think I Love You
Preservation Hall Jazz Band |
3:20 | |||
1.7
|
August Nights
Preservation Hall Jazz Band |
4:25 | |||
1.8
|
Halfway Right, Halfway Wrong
Preservation Hall Jazz Band |
4:18 | |||
1.9
|
Yellow Moon
Preservation Hall Jazz Band |
2:39 | |||
1.10
|
The Darker It Gets
Preservation Hall Jazz Band |
3:04 | |||
1.11
|
Emmalena's Lullaby
Preservation Hall Jazz Band |
1:45 |
At a moment when musical streams are crossing with unprecedented frequency, it’s crucial to remember that throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface, transformed by the Crescent City’s inimitable spirit and joie de vivre. Nowhere is that idea more vividly embodied than in the Preservation Hall Jazz Band, which has held the torch of New Orleans music aloft for more than 50 years, all the while carrying it enthusiastically forward as a reminder that the history they were founded to preserve is a vibrantly living history.
Preservation Hall Jazz Band’s That’s It! (2013) is an eclectic album that draws on the collective experience of players nurtured in the New Orleans tradition but determined to build something fresh and exciting on that foundation. It marks an important milestone in PHJB Creative Director Ben Jaffe’s crusade to carry forward the Hall’s original mission while making it relevant to today’s audiences.” For his part, co-producer Jim James (My Morning Jacket) is convinced that the PHJB has a future as vibrant as its past: “The music will speak forever,” he says. “Will people stop listening to Beethoven? Will people stop listening to Bob Dylan? Will people stop listening to the Preservation Hall Jazz Band?”
44.1 kHz / 24-bit PCM – Sub Pop Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.29 -1.77 to -1.20 | -13.79 -15.82 to -12.62 | -11.54 -13.00 to -10.40 | 8 7 to 9 | |
1 | That's It! | -1.20 | -12.62 | -10.4 | 7 |
2 | Dear Lord (Give Me the Strength) | -1.21 | -13.86 | -11.1 | 8 |
3 | Come with Me | -1.30 | -13.40 | -11.8 | 8 |
4 | Sugar Plum | -1.20 | -13.96 | -11.3 | 9 |
5 | Rattlin' Bones | -1.22 | -13.17 | -10.6 | 8 |
6 | I Think I Love You | -1.27 | -13.76 | -11.9 | 9 |
7 | August Nights | -1.77 | -14.88 | -12.4 | 8 |
8 | Halfway Right, Halfway Wrong | -1.20 | -12.86 | -10.7 | 8 |
9 | Yellow Moon | -1.30 | -13.54 | -11.9 | 8 |
10 | The Darker It Gets | -1.20 | -13.85 | -11.8 | 8 |
11 | Emmalena's Lullaby | -1.29 | -15.82 | -13.0 | 9 |