℗ 2015 Parlophone Records Limited, A Warner Music Group Company.
Released | September 25, 2015 |
Duration | 58m 29s |
Record Label | Warner Classics |
Genre | Classical |
Bruch: Violin Concerto No. 2 & Scottish Fantasy
Itzhak Perlman, New Philharmonia Orchestra, Jesus Lopez-Cobos
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Scottish Fantasy, Op. 46
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1.1
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I. Introduction (Grave / INCORPORATED INTO GBDYG1500804)
Max Bruch; Itzhak Perlman; New Philharmonia Orchestra; Jesus Lopez-Cobos |
4:08 | |||
1.2
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I. Introduction (Grave) - II. Adagio cantabile
Max Bruch; Itzhak Perlman; New Philharmonia Orchestra; Jesus Lopez-Cobos |
5:07 | |||
1.3
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III. Allegro - Adagio
Max Bruch; Itzhak Perlman; New Philharmonia Orchestra; Jesus Lopez-Cobos |
6:32 | |||
1.4
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IV. Andante sostenuto
Max Bruch; Itzhak Perlman; New Philharmonia Orchestra; Jesus Lopez-Cobos |
7:04 | |||
1.5
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V. Finale - Allegro guerriero
Max Bruch; Itzhak Perlman; New Philharmonia Orchestra; Jesus Lopez-Cobos |
9:44 | |||
Violin Concerto No. 2 in D Minor, Op. 44
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1.6
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I. Adagio, ma non troppo
Max Bruch; Itzhak Perlman; New Philharmonia Orchestra; Jesus Lopez-Cobos |
12:35 | |||
1.7
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II. Recitativo: Allegro moderato (attacca)
Max Bruch; Itzhak Perlman; New Philharmonia Orchestra; Jesus Lopez-Cobos |
3:43 | |||
1.8
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III. Finale - Allegro molto
Max Bruch; Itzhak Perlman; New Philharmonia Orchestra; Jesus Lopez-Cobos |
9:36 | |||
Digital Booklet
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If the Violin Concerto No.1 is Bruch’s best-known work, his Violin Concerto No.2 — dedicated to the great virtuoso Pablo de Sarasate — and Scottish Fantasy provide plentiful evidence of his gift for melody and his capacity for touching the heart.
This edition was released through Itzhak Perlman: The Complete Warner Recordings box set, which represents a journey through one of the most outstanding recorded legacies of the second half of the twentieth century.
Itzhak Perlman’s discography is dizzying in its exceptional quality and in the sheer variety of riches it has to offer. In terms of volume, it exceeds those of the most productive violinists of the last century — performers such as Yehudi Menuhin, David Oistrakh and even Jascha Heifetz — Perlman approaching every branch of the repertoire with equal delight, assurance, charm and sincerity.
The number of works in Perlman’s discography is staggering in itself: 550 pieces of all shapes and sizes, written by 110 different composers. He has recorded a vast range of concertos — most of the Classical, Romantic and twentieth-century works in the genre, working with 25 orchestras under 20 different conductors.
96 kHz / 24-bit PCM – Warner Classics Studio Masters
Tracks 1-8 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-8 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.34 -7.69 to -0.30 | -24.73 -28.95 to -21.08 | -20.60 -24.60 to -16.70 | 13 11 to 15 | |
1 | I. Introduction (Grave / INCORPORATED INTO GBDYG1500804) | -5.31 | -28.95 | -24.6 | 15 |
2 | I. Introduction (Grave) - II. Adagio cantabile | -5.28 | -25.25 | -21.9 | 13 |
3 | III. Allegro - Adagio | -1.15 | -21.08 | -16.7 | 11 |
4 | IV. Andante sostenuto | -7.69 | -28.25 | -23.9 | 13 |
5 | V. Finale - Allegro guerriero | -0.30 | -21.70 | -17.8 | 12 |
6 | I. Adagio, ma non troppo | -1.28 | -23.50 | -19.1 | 13 |
7 | II. Recitativo: Allegro moderato (attacca) | -4.00 | -26.71 | -22.1 | 14 |
8 | III. Finale - Allegro molto | -1.75 | -22.42 | -18.7 | 12 |