℗ 2015 Parlophone Records Limited, A Warner Music Group Company.
Released | November 6, 2015 |
Duration | 45m 10s |
Record Label | Warner Classics |
Genre | Classical |
Dvorák: Violin Concerto
Itzhak Perlman, Daniel Barenboim, London Philharmonic Orchestra
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Violin Concerto in A Minor, Op. 53, B. 108
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1.1
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I. Allegro, ma non troppo
Antonín Dvorák; Itzhak Perlman; Daniel Barenboim; London Philharmonic Orchestra |
11:19 | |||
1.2
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II. Adagio ma non troppo (1987 Remastered Version)
Antonín Dvorák; Itzhak Perlman; Daniel Barenboim; London Philharmonic Orchestra |
10:40 | |||
1.3
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III. Finale - Allegro giocoso, ma non troppo
Antonín Dvorák; Itzhak Perlman; Daniel Barenboim; London Philharmonic Orchestra |
10:00 | |||
1.4
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Romance in F Minor, Op.11, B. 39
Antonín Dvorák; Itzhak Perlman; Daniel Barenboim; London Philharmonic Orchestra |
13:11 | |||
Digital Booklet
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With its rhapsodic first movement, intensely melodic Adagio and spirited, dancing finale, Dvorák’s violin concerto shares an aesthetic with the Brahms concerto and Bruch’s first concerto, but there is no mistaking its characteristic Czech flavour.
This edition was released through Itzhak Perlman: The Complete Warner Recordings box set, which represents a journey through one of the most outstanding recorded legacies of the second half of the twentieth century.
Itzhak Perlman’s discography is dizzying in its exceptional quality and in the sheer variety of riches it has to offer. In terms of volume, it exceeds those of the most productive violinists of the last century — performers such as Yehudi Menuhin, David Oistrakh and even Jascha Heifetz — Perlman approaching every branch of the repertoire with equal delight, assurance, charm and sincerity.
The number of works in Perlman’s discography is staggering in itself: 550 pieces of all shapes and sizes, written by 110 different composers. He has recorded a vast range of concertos — most of the Classical, Romantic and twentieth-century works in the genre, working with 25 orchestras under 20 different conductors.
96 kHz / 24-bit PCM – Warner Classics Studio Masters
Tracks 1-4 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-4 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.44 -0.53 to -0.30 | -22.01 -23.67 to -19.85 | -18.00 -19.60 to -15.80 | 13 12 to 14 | |
1 | I. Allegro, ma non troppo | -0.53 | -21.48 | -17.4 | 12 |
2 | II. Adagio ma non troppo (1987 Remastered Version) | -0.48 | -23.67 | -19.6 | 14 |
3 | III. Finale - Allegro giocoso, ma non troppo | -0.30 | -19.85 | -15.8 | 12 |
4 | Romance in F Minor, Op.11, B. 39 | -0.43 | -23.04 | -19.2 | 14 |