℗ 2015 Parlophone Records Limited, A Warner Music Group Company.
| Released | September 25, 2015 |
| Duration | 1h 37m 06s |
| Record Label | Warner Classics |
| Genre | Classical |
Encores
Itzhak Perlman, Samuel Sanders
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Prelude and Allegro in the style of Pugnani
Fritz Kreisler (1875-1962); Itzhak Perlman; Samuel Sanders |
5:27 | |||
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Danzas españolas
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1.2
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Romanza andaluza, Op. 22, No. 1
Pablo de Sarasate; Itzhak Perlman; Samuel Sanders |
3:49 | |||
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1.3
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Perpetuum mobile, Op. 5, No. 4
Ottokar Novácek; Itzhak Perlman; Samuel Sanders |
2:46 | |||
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1.4
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Berceuse sfaradite
Paul Ben Haim; Itzhak Perlman; Samuel Sanders |
3:45 | |||
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1.5
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Polonaise de Concert, Op. 4
Henryk Wieniawski; Maxim Jacobsen; Itzhak Perlman; Samuel Sanders |
4:41 | |||
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Préludes, Book 1, L. 117
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1.6
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No. 8, La fille aux cheveux de lin
Arthur Hartmann; Claude Debussy; Itzhak Perlman; Samuel Sanders |
2:38 | |||
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1.7
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Variations on a theme by Corelli
Giuseppe Tartini; Itzhak Perlman; Samuel Sanders |
3:18 | |||
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1.8
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Ao pé da fogueira (Prelude XV)
Francisco Della Valle; Jascha Heifetz; Itzhak Perlman; Samuel Sanders |
1:22 | |||
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1.9
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Vocalise, Op. 34, No. 14
Sergei Rachmaninov; Itzhak Perlman; Samuel Sanders |
4:57 | |||
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1.10
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Scherzo tarantelle, Op. 16
Henryk Wieniawski; Itzhak Perlman; Samuel Sanders |
4:33 | |||
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1.11
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Romance in A Major, Op. 94, No. 2
Fritz Kreisler (1875-1962); Robert Schumann; Itzhak Perlman; Samuel Sanders |
4:12 | |||
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1.12
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Violin Sonata No. 12 in E Minor, Op. 3, No. 6
Niccolò Paganini; Itzhak Perlman; Samuel Sanders |
3:49 | |||
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1.13
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Zapateado, Op. 23, No. 2
Pablo de Sarasate; Itzhak Perlman; Samuel Sanders |
3:21 | |||
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1.14
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Polonaise No. 2, Op. 21
Henryk Wieniawski; Itzhak Perlman; Samuel Sanders |
8:45 | |||
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1.15
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Mazurka in G Major, Op. 19, No. 1, "Obertass"
Henryk Wieniawski; Itzhak Perlman; Samuel Sanders |
2:07 | |||
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1.16
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Jeannie with the Light Brown Hair
Jascha Heifetz; Stephen Foster; Itzhak Perlman; Samuel Sanders |
3:27 | |||
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1.17
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Souvenir d'Amerique (Variations Burlesques On "Yankee Doodle"), Op. 17
Henri Vieuxtemps; Itzhak Perlman; Samuel Sanders |
4:58 | |||
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1.18
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Deep River
Jascha Heifetz; Traditional; Itzhak Perlman; Samuel Sanders |
2:17 | |||
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1.19
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La Ronde des Lutins (Scherzo Fantastique), Op. 25
Antonio Bazzini; Itzhak Perlman; Samuel Sanders |
4:41 | |||
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1.20
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Sicilienne
Maria Theresia von Paradis; Samuel Dushkin; Itzhak Perlman; Samuel Sanders |
2:54 | |||
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1.21
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Chanson russe
Igor Stravinsky; Itzhak Perlman; Samuel Sanders |
3:36 | |||
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1.22
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Cavatina in A-Flat Major, Op. 85 No. 3
Joachim Raff; Itzhak Perlman; Samuel Sanders |
3:54 | |||
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1.23
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Mélodie Op. 42, No. 3
Mikhail Parhamovsky; Pyotr Ilyich Tchaikovsky; Itzhak Perlman; Samuel Sanders |
3:48 | |||
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1.24
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Alt Wien
Jascha Heifetz; Leopold Godowsky; Itzhak Perlman; Samuel Sanders |
2:21 | |||
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1.25
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Tango
Mario Castelnuovo-Tedesco; Itzhak Perlman; Samuel Sanders |
2:00 | |||
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Petite suite, L. 65
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1.26
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No. 1, En Bateau (arr. Choisnel)
Claude Debussy; Itzhak Perlman; Samuel Sanders |
3:40 | |||
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Digital Booklet
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At concert halls around the world, Itzhak Perlman has enchanted audiences with the dazzling and delicious encore pieces that top off his recitals. This set offers a lavish selection of his favourite miniatures.
This edition was released through Itzhak Perlman: The Complete Warner Recordings box set, which represents a journey through one of the most outstanding recorded legacies of the second half of the twentieth century.
Itzhak Perlman’s discography is dizzying in its exceptional quality and in the sheer variety of riches it has to offer. In terms of volume, it exceeds those of the most productive violinists of the last century — performers such as Yehudi Menuhin, David Oistrakh and even Jascha Heifetz — Perlman approaching every branch of the repertoire with equal delight, assurance, charm and sincerity.
The number of works in Perlman’s discography is staggering in itself: 550 pieces of all shapes and sizes, written by 110 different composers. He has recorded a vast range of concertos — most of the Classical, Romantic and twentieth-century works in the genre, working with 25 orchestras under 20 different conductors.
96 kHz / 24-bit PCM – Warner Classics Studio Masters
Tracks 1-26 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-26 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.46 -10.16 to -0.30 | -24.61 -30.92 to -19.35 | -20.78 -27.40 to -15.50 | 13 11 to 15 | |
| 1 | Prelude and Allegro in the style of Pugnani | -0.30 | -21.35 | -17.6 | 13 |
| 2 | Romanza andaluza, Op. 22, No. 1 | -0.30 | -22.35 | -18.4 | 14 |
| 3 | Perpetuum mobile, Op. 5, No. 4 | -0.30 | -20.69 | -17.5 | 13 |
| 4 | Berceuse sfaradite | -9.76 | -30.22 | -27.4 | 12 |
| 5 | Polonaise de Concert, Op. 4 | -0.30 | -19.35 | -15.9 | 12 |
| 6 | No. 8, La fille aux cheveux de lin | -3.66 | -29.71 | -26.3 | 14 |
| 7 | Variations on a theme by Corelli | -0.30 | -19.47 | -15.5 | 11 |
| 8 | Ao pé da fogueira (Prelude XV) | -0.30 | -21.34 | -17.4 | 12 |
| 9 | Vocalise, Op. 34, No. 14 | -2.60 | -22.97 | -19.5 | 12 |
| 10 | Scherzo tarantelle, Op. 16 | -0.30 | -20.01 | -16.5 | 13 |
| 11 | Romance in A Major, Op. 94, No. 2 | -3.12 | -23.55 | -20.0 | 13 |
| 12 | Violin Sonata No. 12 in E Minor, Op. 3, No. 6 | -1.09 | -22.82 | -18.6 | 14 |
| 13 | Zapateado, Op. 23, No. 2 | -0.30 | -20.82 | -17.1 | 13 |
| 14 | Polonaise No. 2, Op. 21 | -2.39 | -24.24 | -20.5 | 14 |
| 15 | Mazurka in G Major, Op. 19, No. 1, "Obertass" | -3.12 | -24.17 | -19.6 | 13 |
| 16 | Jeannie with the Light Brown Hair | -9.13 | -29.35 | -25.4 | 13 |
| 17 | Souvenir d'Amerique (Variations Burlesques On "Yankee Doodle"), Op. 17 | -2.68 | -23.92 | -19.8 | 13 |
| 18 | Deep River | -6.13 | -27.13 | -22.8 | 12 |
| 19 | La Ronde des Lutins (Scherzo Fantastique), Op. 25 | -3.44 | -25.31 | -21.8 | 15 |
| 20 | Sicilienne | -10.16 | -30.92 | -26.8 | 13 |
| 21 | Chanson russe | -4.71 | -29.08 | -24.7 | 14 |
| 22 | Cavatina in A-Flat Major, Op. 85 No. 3 | -4.62 | -25.06 | -21.4 | 11 |
| 23 | Mélodie Op. 42, No. 3 | -4.33 | -26.52 | -22.3 | 14 |
| 24 | Alt Wien | -5.97 | -25.82 | -21.9 | 12 |
| 25 | Tango | -5.54 | -25.71 | -21.6 | 13 |
| 26 | No. 1, En Bateau (arr. Choisnel) | -5.12 | -27.88 | -24.1 | 14 |