℗ 2015 Parlophone Records Limited, A Warner Music Group Company.
Released September 25, 2015
Duration 53m 11s
Record Label Warner Classics
Genre Classical
 

Stravinsky: Divertimento, Suite Italienne & Duo Concertant

Itzhak Perlman, Bruno Canino

Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Divertimento (from Le baiser de la fée)  
1.1
I. Sinfonia
Igor Stravinsky; Itzhak Perlman; Bruno Canino
6:34
1.2
II. Danses suisses
Igor Stravinsky; Itzhak Perlman; Bruno Canino
4:52
1.3
III. Scherzo (Au Moulin)
Igor Stravinsky; Itzhak Perlman; Bruno Canino
3:21
1.4
IV. Pas de deux - Adagio
Igor Stravinsky; Itzhak Perlman; Bruno Canino
3:17
1.5
V. Pas de deux - Variation
Igor Stravinsky; Itzhak Perlman; Bruno Canino
1:04
1.6
VI. Pas de deux - Coda
Igor Stravinsky; Itzhak Perlman; Bruno Canino
2:06
Pucinella - Suite italienne  
1.7
I. Introduzione
Igor Stravinsky; Itzhak Perlman; Bruno Canino
2:14
1.8
II. Serenata
Igor Stravinsky; Itzhak Perlman; Bruno Canino
3:11
1.9
III. Tarantella
Igor Stravinsky; Itzhak Perlman; Bruno Canino
2:17
1.10
IV. Gavotta con due variazioni
Igor Stravinsky; Itzhak Perlman; Bruno Canino
3:42
1.11
V. Scherzino
Igor Stravinsky; Itzhak Perlman; Bruno Canino
1:12
1.12
VI. Minuetto e Finale
Igor Stravinsky; Itzhak Perlman; Bruno Canino
4:24
Duo concertant  
1.13
I. Cantilène
Igor Stravinsky; Itzhak Perlman; Bruno Canino
2:58
1.14
II. Eclogue I
Igor Stravinsky; Itzhak Perlman; Bruno Canino
2:08
1.15
III. Eclogue II
Igor Stravinsky; Itzhak Perlman; Bruno Canino
2:32
1.16
IV. Gigue
Igor Stravinsky; Itzhak Perlman; Bruno Canino
4:30
1.17
V. Dithyramb
Igor Stravinsky; Itzhak Perlman; Bruno Canino
2:49
Digital Booklet
Stravinsky is engagingly eclectic in these works for violin and piano: the neo-classical Duo concertant; the Divertimento based on Le Baiser de la fée, his homage to Tchaikovsky, and the Suite italienne, a reworking of the Pergolesi-inspired Pulcinella. This edition was released through Itzhak Perlman: The Complete Warner Recordings box set, which represents a journey through one of the most outstanding recorded legacies of the second half of the twentieth century. Itzhak Perlman’s discography is dizzying in its exceptional quality and in the sheer variety of riches it has to offer. In terms of volume, it exceeds those of the most productive violinists of the last century — performers such as Yehudi Menuhin, David Oistrakh and even Jascha Heifetz — Perlman approaching every branch of the repertoire with equal delight, assurance, charm and sincerity. The number of works in Perlman’s discography is staggering in itself: 550 pieces of all shapes and sizes, written by 110 different composers. He has recorded a vast range of concertos — most of the Classical, Romantic and twentieth-century works in the genre, working with 25 orchestras under 20 different conductors.
96 kHz / 24-bit PCM – Warner Classics Studio Masters

Tracks 1-17 – contains high-resolution digital transfers of material originating from an analogue master source
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-3.66
-9.44 to -0.30
-25.20
-30.05 to -20.91
-21.94
-26.80 to -18.00
14
11 to 16
1
I. Sinfonia
-0.37-24.19-21.015
2
II. Danses suisses
-0.30-24.27-21.115
3
III. Scherzo (Au Moulin)
-6.09-28.03-25.016
4
IV. Pas de deux - Adagio
-7.48-30.05-26.614
5
V. Pas de deux - Variation
-9.31-29.98-26.813
6
VI. Pas de deux - Coda
-4.27-25.00-21.615
7
I. Introduzione
-2.41-22.90-19.613
8
II. Serenata
-1.67-25.43-22.516
9
III. Tarantella
-0.73-20.91-18.112
10
IV. Gavotta con due variazioni
-4.46-27.06-23.914
11
V. Scherzino
-2.68-22.77-19.511
12
VI. Minuetto e Finale
-0.86-21.41-18.013
13
I. Cantilène
-3.77-23.78-20.512
14
II. Eclogue I
-3.91-23.68-20.612
15
III. Eclogue II
-9.44-28.70-25.212
16
IV. Gigue
-3.25-24.23-21.412
17
V. Dithyramb
-1.13-25.98-21.615

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