℗ 2015 Parlophone Records Limited, A Warner Music Group Company.
| Released | September 25, 2015 |
| Duration | 1h 44m 17s |
| Record Label | Warner Classics |
| Genre | Classical |
Bach, JS: Violin Concertos & Double Concertos
Itzhak Perlman, Pinchas Zukerman, English Chamber Orchestra, Daniel Barenboim
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Concerto for 2 Violins in D Minor, BWV 1043
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1.1
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I. Vivace
Johann Sebastian Bach; Itzhak Perlman; English Chamber Orchestra; Daniel Barenboim |
4:01 | |||
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1.2
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II. Largo, ma non tanto
Johann Sebastian Bach; Itzhak Perlman; English Chamber Orchestra; Daniel Barenboim |
7:34 | |||
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1.3
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III. Allegro
Johann Sebastian Bach; Itzhak Perlman; English Chamber Orchestra; Daniel Barenboim |
5:16 | |||
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Violin Concerto in E Major, BWV 1042
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1.4
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I. Allegro
Johann Sebastian Bach; Itzhak Perlman; English Chamber Orchestra; Daniel Barenboim |
8:59 | |||
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1.5
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II. Adagio
Johann Sebastian Bach; Itzhak Perlman; English Chamber Orchestra; Daniel Barenboim |
8:11 | |||
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1.6
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III. Allegro assai
Johann Sebastian Bach; Itzhak Perlman; English Chamber Orchestra; Daniel Barenboim |
3:14 | |||
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Violin Concerto in G Minor, BWV 1056
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1.7
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I. (Allegro)
Johann Nikolaus Forkel; Johann Sebastian Bach; Itzhak Perlman; English Chamber Orchestra; Daniel Barenboim |
3:37 | |||
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1.8
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II. Largo
Johann Nikolaus Forkel; Johann Sebastian Bach; Itzhak Perlman; English Chamber Orchestra; Daniel Barenboim |
4:15 | |||
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1.9
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III. Presto
Johann Nikolaus Forkel; Johann Sebastian Bach; Itzhak Perlman; English Chamber Orchestra; Daniel Barenboim |
3:14 | |||
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Concerto for Violin and Oboe in C Minor, BWV 1060
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1.10
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I. Allegro
Johann Sebastian Bach; Itzhak Perlman; English Chamber Orchestra; Daniel Barenboim |
5:23 | |||
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1.11
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II. Adagio
Johann Sebastian Bach; Itzhak Perlman; English Chamber Orchestra; Daniel Barenboim |
6:53 | |||
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1.12
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III. Allegro
Johann Sebastian Bach; Itzhak Perlman; English Chamber Orchestra; Daniel Barenboim |
3:54 | |||
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Violin Concerto in A Minor, BWV 1041
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1.13
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I. (Allegro)
Johann Sebastian Bach; Itzhak Perlman; English Chamber Orchestra; Daniel Barenboim |
4:11 | |||
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1.14
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II. Andante
Johann Sebastian Bach; Itzhak Perlman; English Chamber Orchestra; Daniel Barenboim |
7:46 | |||
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1.15
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III. Allegro assai
Johann Sebastian Bach; Itzhak Perlman; English Chamber Orchestra; Daniel Barenboim |
4:13 | |||
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Violin Concerto in D Minor (after Harpsichord Concerto, BWV 1052)
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1.16
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I. Allegro
Johann Sebastian Bach; Itzhak Perlman; English Chamber Orchestra; Daniel Barenboim |
8:08 | |||
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1.17
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II. Adadio
Johann Sebastian Bach; Itzhak Perlman; English Chamber Orchestra; Daniel Barenboim |
8:02 | |||
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1.18
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III. Allegro
Johann Sebastian Bach; Itzhak Perlman; English Chamber Orchestra; Daniel Barenboim |
7:26 | |||
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Digital Booklet
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Perlman has said that “the transparency of Bach’s writing leaves it open to many interpretations”. Here, in partnership with conductor Daniel Barenboim, violinist Pinchas Zukerman and oboist Neil Black, he brings his distinctive musical wisdom to six of Bach’s concertos.
This edition was released through Itzhak Perlman: The Complete Warner Recordings box set, which represents a journey through one of the most outstanding recorded legacies of the second half of the twentieth century.
Itzhak Perlman’s discography is dizzying in its exceptional quality and in the sheer variety of riches it has to offer. In terms of volume, it exceeds those of the most productive violinists of the last century — performers such as Yehudi Menuhin, David Oistrakh and even Jascha Heifetz — Perlman approaching every branch of the repertoire with equal delight, assurance, charm and sincerity.
The number of works in Perlman’s discography is staggering in itself: 550 pieces of all shapes and sizes, written by 110 different composers. He has recorded a vast range of concertos — most of the Classical, Romantic and twentieth-century works in the genre, working with 25 orchestras under 20 different conductors.
96 kHz / 24-bit PCM – Warner Classics Studio Masters
Tracks 1-18 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-18 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.08 -5.52 to -0.30 | -19.90 -27.07 to -15.06 | -16.14 -22.20 to -11.20 | 11 9 to 15 | |
| 1 | I. Vivace | -0.30 | -17.12 | -13.5 | 10 |
| 2 | II. Largo, ma non tanto | -3.11 | -23.65 | -20.3 | 13 |
| 3 | III. Allegro | -0.30 | -18.82 | -15.2 | 12 |
| 4 | I. Allegro | -0.30 | -15.39 | -11.4 | 9 |
| 5 | II. Adagio | -0.41 | -22.44 | -18.3 | 13 |
| 6 | III. Allegro assai | -0.30 | -15.06 | -11.2 | 9 |
| 7 | I. (Allegro) | -0.30 | -17.98 | -14.1 | 11 |
| 8 | II. Largo | -1.45 | -27.07 | -21.6 | 15 |
| 9 | III. Presto | -0.30 | -18.95 | -14.8 | 12 |
| 10 | I. Allegro | -0.45 | -18.74 | -15.4 | 11 |
| 11 | II. Adagio | -4.52 | -25.09 | -21.4 | 13 |
| 12 | III. Allegro | -0.43 | -17.54 | -14.1 | 10 |
| 13 | I. (Allegro) | -0.30 | -17.32 | -13.8 | 11 |
| 14 | II. Andante | -0.30 | -20.85 | -17.5 | 12 |
| 15 | III. Allegro assai | -0.30 | -18.29 | -14.7 | 11 |
| 16 | I. Allegro | -0.49 | -20.62 | -17.0 | 12 |
| 17 | II. Adadio | -5.52 | -25.47 | -22.2 | 12 |
| 18 | III. Allegro | -0.30 | -17.79 | -14.1 | 10 |