
℗ 2019 Naxos
Released | June 14, 2019 |
Duration | 1h 15m 09s |
Catalogue No. | 8.573920 |
Genre | Classical (Guitar) |
Balkanisms: Guitar Music from the Balkans
Mak Grgić
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
Laments, Dances & Lullabies, Vol. 1
|
|||||
1.1
|
No. 4, Jovka
Miroslav Tadić; Mak Grgić |
2:35 | |||
1.2
|
No. 5, Chicho
Miroslav Tadić; Mak Grgić |
5:38 | |||
Levantine Suite
|
|||||
1.3
|
I. Prelude
Dušan Bogdanović; Mak Grgić |
1:24 | |||
1.4
|
II. Dance
Dušan Bogdanović; Mak Grgić |
1:42 | |||
1.5
|
III. Cantilena
Dušan Bogdanović; Mak Grgić |
3:33 | |||
1.6
|
IV. Passacaglia
Dušan Bogdanović; Mak Grgić |
2:58 | |||
1.7
|
V. Postlude
Dušan Bogdanović; Mak Grgić |
1:36 | |||
Laments, Dances & Lullabies, Vol. 1
|
|||||
1.8
|
No. 2, Macedonian Girl (After J. Hristovski)
Miroslav Tadić; Mak Grgić |
3:28 | |||
3 Croatian Dances
|
|||||
1.9
|
No. 1, Allegretto vivace
Boris Papandopulo; Mak Grgić |
3:59 | |||
1.10
|
No. 2, Moderato
Boris Papandopulo; Mak Grgić |
5:04 | |||
1.11
|
No. 3, Allegretto comodo
Boris Papandopulo; Mak Grgić |
3:38 | |||
6 Café Pieces
|
|||||
1.12
|
No. 3, Improvisation & Dance
Vojislav Ivanović; Mak Grgić |
6:03 | |||
1.13
|
No. 4, A Funny Waltz
Vojislav Ivanović; Mak Grgić |
5:07 | |||
1.14
|
No. 6, A Lullaby
Vojislav Ivanović; Mak Grgić |
7:14 | |||
1.15
|
Stairway to the Balkans
Lazar Ostojić; Mak Grgić |
12:52 | |||
Laments, Dances & Lullabies, Vol. 1
|
|||||
1.16
|
No. 1, Rustemul
Miroslav Tadić; Mak Grgić |
4:27 | |||
1.17
|
No. 3, Walk Dance
Miroslav Tadić; Mak Grgić |
3:51 | |||
Digital Booklet
|
The area in southeast Europe known as the Balkans has long established folk traditions rich in complex rhythms and evocative melodies. Innovative guitarist Mak Grgic has selected the music of five composers to explore the variety and piquant colors embedded in their compositions. Drawn from his evolving suite called laments, Dances and Lullabies, Miroslav Tadic traces Macedonian folk songs, while each of the other composers brings very personal qualities. Vivid harmonies, vivacious interludes, syncopated rhythms, and a lively, jazz-like feel all combine to create a tapestry of moods and textures.
Lauded by The New York Times and The Washington Post, Mak Grgic is emerging as a highly esteemed performer on the international stage. An expansive and adventurous repertoire attests to his versatility and wide-ranging interests, ranging from Baroque and Renaissance to music of the cinema and from ethnic music of his native Balkans to extreme avant-garde and microtonal music.
48 kHz / 24-bit PCM – Naxos Studio Masters
Tracks 1-17 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Tracks 1-17 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.43 -8.95 to -0.31 | -24.77 -28.76 to -20.65 | -21.34 -25.40 to -17.50 | 13 10 to 15 | |
1 | No. 4, Jovka | -5.10 | -24.24 | -20.7 | 11 |
2 | No. 5, Chicho | -2.70 | -21.77 | -18.6 | 13 |
3 | I. Prelude | -6.07 | -27.33 | -23.0 | 13 |
4 | II. Dance | -4.73 | -21.87 | -18.8 | 10 |
5 | III. Cantilena | -5.83 | -26.48 | -22.6 | 12 |
6 | IV. Passacaglia | -6.12 | -23.96 | -20.5 | 11 |
7 | V. Postlude | -8.30 | -28.76 | -24.7 | 11 |
8 | No. 2, Macedonian Girl (After J. Hristovski) | -4.39 | -25.16 | -22.1 | 13 |
9 | No. 1, Allegretto vivace | -4.54 | -26.84 | -23.9 | 15 |
10 | No. 2, Moderato | -1.96 | -25.66 | -21.9 | 15 |
11 | No. 3, Allegretto comodo | -1.89 | -22.38 | -19.1 | 13 |
12 | No. 3, Improvisation & Dance | -4.85 | -24.95 | -21.3 | 14 |
13 | No. 4, A Funny Waltz | -4.47 | -25.65 | -22.5 | 15 |
14 | No. 6, A Lullaby | -8.95 | -28.66 | -25.4 | 13 |
15 | Stairway to the Balkans | -2.52 | -23.43 | -20.0 | 14 |
16 | No. 1, Rustemul | -2.62 | -23.22 | -20.1 | 14 |
17 | No. 3, Walk Dance | -0.31 | -20.65 | -17.5 | 13 |