℗ 2014 London Philharmonic Orchestra Ltd
Released | March 1, 2014 |
Duration | 1h 00m 31s |
Record Label | London Philharmonic Orchestra |
Catalogue No. | LPO0076D |
Genre | Classical (Secular cantata) |
Orff: Carmina Burana
Hans Graf, London Philharmonic Choir, London Philharmonic Orchestra, Andrew Kennedy, Sarah Tynan, Rodion Pogossov, Trinity Boys Choir
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
Carmina Burana
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1.1
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I. O Fortuna
Carl Orff; Hans Graf; London Philharmonic Orchestra; Trinity Boys Choir; Andrew Kennedy; Rodion Pogossov; London Philharmonic Choir; Sarah Tynan |
2:39 | |||
1.2
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II. Fortune piango vulnera
Carl Orff; Hans Graf; London Philharmonic Orchestra; Trinity Boys Choir; Andrew Kennedy; Rodion Pogossov; London Philharmonic Choir; Sarah Tynan |
2:47 | |||
1.3
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III. Veris leta facies
Carl Orff; Hans Graf; Trinity Boys Choir; Rodion Pogossov; London Philharmonic Orchestra; Andrew Kennedy; London Philharmonic Choir; Sarah Tynan |
3:37 | |||
1.4
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IV. Omnia sol temperat
Carl Orff; Hans Graf; Rodion Pogossov; Sarah Tynan; London Philharmonic Choir; London Philharmonic Orchestra; Andrew Kennedy; Trinity Boys Choir |
2:21 | |||
1.5
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V. Ecce gratum
Carl Orff; Hans Graf; London Philharmonic Orchestra; London Philharmonic Choir; Sarah Tynan; Andrew Kennedy; Trinity Boys Choir; Rodion Pogossov |
2:46 | |||
1.6
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VI. Tanz
Carl Orff; Hans Graf; Trinity Boys Choir; Rodion Pogossov; London Philharmonic Orchestra; Andrew Kennedy; London Philharmonic Choir; Sarah Tynan |
1:51 | |||
1.7
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VII. Floret silva
Carl Orff; Hans Graf; Rodion Pogossov; Sarah Tynan; London Philharmonic Choir; London Philharmonic Orchestra; Andrew Kennedy; Trinity Boys Choir |
3:17 | |||
1.8
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VIII. Chramer, gip die varwe mir
Carl Orff; Hans Graf; Rodion Pogossov; London Philharmonic Choir; Sarah Tynan; London Philharmonic Orchestra; Trinity Boys Choir; Andrew Kennedy |
3:32 | |||
1.9
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IX. Reie; Swaz hie gat umbe; Chume, chum, geselle min
Carl Orff; Hans Graf; Rodion Pogossov; Sarah Tynan; London Philharmonic Choir; London Philharmonic Orchestra; Andrew Kennedy; Trinity Boys Choir |
4:41 | |||
1.10
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X. Were diu werlt alle min
Carl Orff; Hans Graf; London Philharmonic Orchestra; Trinity Boys Choir; Andrew Kennedy; Rodion Pogossov; London Philharmonic Choir; Sarah Tynan |
0:53 | |||
1.11
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XI. Estuans interius
Carl Orff; Hans Graf; Andrew Kennedy; Sarah Tynan; London Philharmonic Choir; Trinity Boys Choir; Rodion Pogossov; London Philharmonic Orchestra |
2:22 | |||
1.12
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XII. Olim lacus colueram
Carl Orff; Hans Graf; Andrew Kennedy; Rodion Pogossov; London Philharmonic Choir; Sarah Tynan; London Philharmonic Orchestra; Trinity Boys Choir |
3:18 | |||
1.13
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XIII. Ego sum abbas
Carl Orff; Hans Graf; Trinity Boys Choir; Rodion Pogossov; London Philharmonic Orchestra; Andrew Kennedy; London Philharmonic Choir; Sarah Tynan |
1:31 | |||
1.14
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XIV. In taberna quando sumus
Carl Orff; Hans Graf; Trinity Boys Choir; Rodion Pogossov; London Philharmonic Orchestra; London Philharmonic Choir; Sarah Tynan; Andrew Kennedy |
3:09 | |||
1.15
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XV. Amor volat undique
Carl Orff; Hans Graf; Trinity Boys Choir; Rodion Pogossov; London Philharmonic Orchestra; Sarah Tynan; London Philharmonic Choir; Andrew Kennedy |
3:18 | |||
1.16
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XVI. Dies, nox et omnia
Carl Orff; Hans Graf; Rodion Pogossov; Sarah Tynan; London Philharmonic Choir; London Philharmonic Orchestra; Andrew Kennedy; Trinity Boys Choir |
2:22 | |||
1.17
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XVII. Stetit puella
Carl Orff; Hans Graf; Rodion Pogossov; London Philharmonic Choir; London Philharmonic Orchestra; Sarah Tynan; Andrew Kennedy; Trinity Boys Choir |
1:52 | |||
1.18
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XVIII. Circa mea pectora
Carl Orff; Hans Graf; Rodion Pogossov; London Philharmonic Choir; London Philharmonic Orchestra; Sarah Tynan; Trinity Boys Choir; Andrew Kennedy |
2:10 | |||
1.19
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XIX. Si puer cum puellula
Carl Orff; Hans Graf; London Philharmonic Orchestra; Sarah Tynan; Andrew Kennedy; London Philharmonic Choir; Trinity Boys Choir; Rodion Pogossov |
0:54 | |||
1.20
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XX. Veni, veni, venias
Carl Orff; Hans Graf; Trinity Boys Choir; Rodion Pogossov; London Philharmonic Orchestra; Sarah Tynan; London Philharmonic Choir; Andrew Kennedy |
0:59 | |||
1.21
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XXI. In trutina
Carl Orff; Hans Graf; London Philharmonic Orchestra; Sarah Tynan; London Philharmonic Choir; Andrew Kennedy; Trinity Boys Choir; Rodion Pogossov |
2:09 | |||
1.22
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XXII. Tempus est iocundum
Carl Orff; Hans Graf; London Philharmonic Orchestra; Andrew Kennedy; Trinity Boys Choir; Rodion Pogossov; Sarah Tynan; London Philharmonic Choir |
2:19 | |||
1.23
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XXIII. Dulcissime
Carl Orff; Hans Graf; London Philharmonic Orchestra; Sarah Tynan; Trinity Boys Choir; Andrew Kennedy; Rodion Pogossov; London Philharmonic Choir |
0:44 | |||
1.24
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XXIV. Ave formosissima
Carl Orff; Hans Graf; London Philharmonic Orchestra; Trinity Boys Choir; Andrew Kennedy; Rodion Pogossov; Sarah Tynan; London Philharmonic Choir |
1:51 | |||
1.25
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XXV. O Fortuna (Reprise)
Carl Orff; Hans Graf; Andrew Kennedy; Rodion Pogossov; Sarah Tynan; London Philharmonic Choir; London Philharmonic Orchestra; Trinity Boys Choir |
3:09 | |||
Digital Booklet
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Carl Orff's Carmina Burana is an infectious and brilliantly orchestrated work, combining gloriously bawdy vulgarity and moments of touching beauty. The inspiration for the work struck Orff in 1935 when he encountered a vivid set of medieval poems charting the outlandish pursuits of hedonistic students and monks. Written purely for entertainment in vernacular Latin, medieval French and German, the satirical texts poked fun at what they saw as a hypocritical church, before indulging in erotic fantasy and pondering ideas of fate and fortune.
44.1 kHz / 24-bit PCM – London Philharmonic Orchestra Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.58 -16.75 to -0.10 | -27.41 -41.17 to -15.92 | -22.74 -37.60 to -12.90 | 13 9 to 17 | |
1 | I. O Fortuna | -0.20 | -19.60 | -13.6 | 13 |
2 | II. Fortune piango vulnera | -0.10 | -23.42 | -18.2 | 14 |
3 | III. Veris leta facies | -11.22 | -36.75 | -33.0 | 16 |
4 | IV. Omnia sol temperat | -13.50 | -39.21 | -33.3 | 15 |
5 | V. Ecce gratum | -0.29 | -21.49 | -17.5 | 12 |
6 | VI. Tanz | -0.30 | -23.86 | -18.8 | 14 |
7 | VII. Floret silva | -2.53 | -27.94 | -23.8 | 16 |
8 | VIII. Chramer, gip die varwe mir | -9.83 | -34.43 | -31.2 | 13 |
9 | IX. Reie; Swaz hie gat umbe; Chume, chum, geselle min | -0.43 | -25.26 | -16.0 | 14 |
10 | X. Were diu werlt alle min | -0.20 | -20.04 | -16.4 | 14 |
11 | XI. Estuans interius | -0.36 | -26.15 | -22.1 | 15 |
12 | XII. Olim lacus colueram | -2.20 | -29.02 | -23.9 | 15 |
13 | XIII. Ego sum abbas | -0.20 | -25.77 | -21.1 | 17 |
14 | XIV. In taberna quando sumus | -0.10 | -22.52 | -17.2 | 15 |
15 | XV. Amor volat undique | -16.02 | -41.17 | -37.6 | 13 |
16 | XVI. Dies, nox et omnia | -16.75 | -39.40 | -34.8 | 14 |
17 | XVII. Stetit puella | -10.91 | -30.93 | -26.2 | 11 |
18 | XVIII. Circa mea pectora | -1.59 | -24.39 | -20.6 | 13 |
19 | XIX. Si puer cum puellula | -3.55 | -27.66 | -22.5 | 11 |
20 | XX. Veni, veni, venias | -1.11 | -21.69 | -17.0 | 12 |
21 | XXI. In trutina | -13.91 | -38.33 | -35.0 | 11 |
22 | XXII. Tempus est iocundum | -0.77 | -23.71 | -19.9 | 14 |
23 | XXIII. Dulcissime | -7.89 | -26.59 | -21.6 | 9 |
24 | XXIV. Ave formosissima | -0.20 | -15.92 | -12.9 | 11 |
25 | XXV. O Fortuna (Reprise) | -0.40 | -19.90 | -14.3 | 13 |