℗ ℗ 2018 London Philharmonic Orchestra Ltd
 

Poulenc: Piano Concerto, Organ Concerto & Stabat Mater (Live)

Alexandre Tharaud, James O'Donnell, London Philharmonic Orchestra, Yannick Nézet-Séguin, Kate Royal, London Philharmonic Choir

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Piano Concerto in C-Sharp Minor, FP 146  
1
I. Allegretto commodo (Live)
Francis Poulenc; Yannick Nézet-Séguin; London Philharmonic Orchestra; Alexandre Tharaud
9:40
2
II. Andante con moto (Live)
Francis Poulenc; Yannick Nézet-Séguin; London Philharmonic Orchestra; Alexandre Tharaud
5:20
3
III. Rondeau à la française (Live)
Francis Poulenc; Yannick Nézet-Séguin; Alexandre Tharaud; London Philharmonic Orchestra
4:05
Concerto in G Minor for Organ, Strings and Timpani, FP 93  
4
I. Andante (Live)
Francis Poulenc; Yannick Nézet-Séguin; James O'Donnell; London Philharmonic Orchestra
3:13
5
II. Allegro giocoso (Live)
Francis Poulenc; Yannick Nézet-Séguin; London Philharmonic Orchestra; James O'Donnell
2:05
6
III. Andante moderato (Live)
Francis Poulenc; Yannick Nézet-Séguin; James O'Donnell; London Philharmonic Orchestra
7:20
7
IV. Tempo Allegro, molto agitato (Live)
Francis Poulenc; Yannick Nézet-Séguin; James O'Donnell; London Philharmonic Orchestra
2:35
8
V. Très calme. Lent (Live)
Francis Poulenc; Yannick Nézet-Séguin; London Philharmonic Orchestra; James O'Donnell
2:27
9
VI. Tempo de l'Allegro initial (Live)
Francis Poulenc; Yannick Nézet-Séguin; London Philharmonic Orchestra; James O'Donnell
1:55
10
VII. Tempo d'introduction. Largo (Live)
Francis Poulenc; Yannick Nézet-Séguin; London Philharmonic Orchestra; James O'Donnell
3:00
Stabat Mater, FP 148  
11
I. Stabat Mater dolorosa (Live)
Francis Poulenc; Yannick Nézet-Séguin; London Philharmonic Choir; London Philharmonic Orchestra
4:00
12
II. Cujus animam gementem (Live)
Francis Poulenc; Yannick Nézet-Séguin; London Philharmonic Orchestra; London Philharmonic Choir
1:04
13
III. O quam tristis (Live)
Francis Poulenc; Yannick Nézet-Séguin; London Philharmonic Choir; London Philharmonic Orchestra
2:41
14
IV. Quae moerebat (Live)
Francis Poulenc; Yannick Nézet-Séguin; London Philharmonic Choir; London Philharmonic Orchestra
1:29
15
V. Quis est homo (Live)
Francis Poulenc; Yannick Nézet-Séguin; London Philharmonic Choir; London Philharmonic Orchestra
1:25
16
VI. Vidit suum (Live)
Francis Poulenc; Yannick Nézet-Séguin; London Philharmonic Orchestra; Kate Royal; London Philharmonic Choir
3:19
17
VII. Eja Mater (Live)
Francis Poulenc; Yannick Nézet-Séguin; London Philharmonic Orchestra; London Philharmonic Choir
1:05
18
VIII. Fac ut ardeat (Live)
Francis Poulenc; Yannick Nézet-Séguin; London Philharmonic Choir; London Philharmonic Orchestra
2:21
19
IX. Sancta Mater (Live)
Francis Poulenc; Yannick Nézet-Séguin; London Philharmonic Orchestra; London Philharmonic Choir
3:09
20
X. Fac ut portem (Live)
Francis Poulenc; Yannick Nézet-Séguin; London Philharmonic Choir; Kate Royal; London Philharmonic Orchestra
3:22
21
XI. Inflammatus et accensus (Live)
Francis Poulenc; Yannick Nézet-Séguin; London Philharmonic Choir; London Philharmonic Orchestra
2:00
22
XII. Quando corpus (Live)
Francis Poulenc; Yannick Nézet-Séguin; London Philharmonic Orchestra; Kate Royal; London Philharmonic Choir
4:45
Digital Booklet
Total Playing Time    72:20
Francis Poulenc was a man of contradictions; on one hand the quintessential cosmopolitan Parisian, on the other a man with a deep-rooted spirituality. In his Concerto for Organ, Strings and Timpani Poulenc epitomises this duality, alternating between moments of high stakes drama, thoughtful tranquility and light-hearted melodies; between sacred and irreverent. Likewise the Stabat Mater, written in memory of a close friend, embraces both the light and dark; solemn, grounded in Poulenc's devout Catholicism, and yet peppered with animated contrasting passages and even occasional levity. First though is his Piano Concerto – moving between lush sentimentalism and exuberance, it is an affectionate musical postcard from Paris for a post-war American audience.
96 kHz / 24-bit PCM – London Philharmonic Orchestra Studio Masters

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