℗ 1965 Warner Classics, Warner Music UK Digital remastering (p) 2014 Warner Classics, Warner Music UK A Warner Music Group Company
Released | September 19, 2014 |
Duration | 39m 53s |
Record Label | Warner Classics |
Genre | Classical (Opera) |
Callas sings Rossini & Donizetti Arias - Callas Remastered
Maria Callas, Nicola Rescigno, Orchestre de la Société des Concerts du Conservatoire
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
La cenerentola, Act 2
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1.1
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"Nacqui all'affanno e al pianto.....Non più mesta" (Angelina)
Gioachino Rossini; Maria Callas; Orchestre de la Société des Concerts du Conservatoire; Nicola Rescigno |
6:21 | |||
Guglielmo Tell, Act 2
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1.2
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"S'allontanano alfin..." (Matilde)
Gioachino Rossini; Maria Callas; Nicola Rescigno; Orchestre de la Société des Concerts du Conservatoire |
8:39 | |||
Donizetti
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1.3
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La figlia del reggimento, Act 1: "Convien partir" (Maria)
Gioachino Rossini; Maria Callas; Nicola Rescigno; Orchestre de la Société des Concerts du Conservatoire |
4:07 | |||
Semiramide, Act 1
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1.4
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"Bel raggio lusinghier" (Semiramide)
Gioachino Rossini; Maria Callas; Nicola Rescigno; Orchestre de la Société des Concerts du Conservatoire |
8:42 | |||
Lucrezia Borgia, Act 1
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1.5
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"Tranquillo di posa...Com'è bello" (Lucrezia Borgia)
Gaetano Donizetti; Maria Callas; Nicola Rescigno; Orchestre de la Société des Concerts du Conservatoire |
8:23 | |||
Donizetti
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1.6
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L'elisir d'amore, Act 2: "Prendi, per me sei libero" (Adina)
Gioachino Rossini; Maria Callas; Nicola Rescigno; Orchestre de la Société des Concerts du Conservatoire |
3:41 | |||
Digital Booklet
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"It is extraordinary how the whole quality and colour of Callas’ voice changes as she moves from one character to another – for example, from the grand manner appropriate to the Babylonian queen [Semiramide] to the passion of the spoilt Italian duchess [Lucrezia Borgia] and thence to the simple charm of the countrywoman Adina [L’elisir d’amore]."
- Gramophone
Although the bel canto repertoire was crucial to Callas’s career, and she played a significant part in reviving its fortunes, she never sang any of the roles – from both serious and comic operas – that are represented in this recital.
This edition has been delivered from Callas Remastered: The Complete Studio Recordings. The epitome of the operatic diva, the American-born Greek soprano is recognised as a singer who defined, and even redefined opera in the 20th century and she has never lost her place among the world’s top-selling classical artists. With the release of Callas Remastered: The Complete Studio Recordings, opera lovers will now be able to hear her as never before.
96 kHz / 24-bit PCM – Warner Classics Studio Masters
Tracks 1-6 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-6 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.72 -4.00 to -0.01 | -21.03 -21.77 to -20.19 | -16.67 -17.30 to -15.80 | 11 10 to 13 | |
1 | "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | -1.02 | -21.24 | -16.5 | 12 |
2 | "S'allontanano alfin..." (Matilde) | -2.19 | -20.60 | -16.6 | 10 |
3 | La figlia del reggimento, Act 1: "Convien partir" (Maria) | -4.00 | -21.65 | -17.3 | 10 |
4 | "Bel raggio lusinghier" (Semiramide) | -1.67 | -20.19 | -15.8 | 10 |
5 | "Tranquillo di posa...Com'è bello" (Lucrezia Borgia) | -0.01 | -20.72 | -16.6 | 13 |
6 | L'elisir d'amore, Act 2: "Prendi, per me sei libero" (Adina) | -1.45 | -21.77 | -17.2 | 11 |