℗ 1963 Warner Classics, Warner Music UK Digital remastering (p) 2014 Warner Classics, Warner Music UK A Warner Music Group Company
Released October 3, 2014
Duration 43m 50s
Record Label Warner Classics
Genre Classical (Opera)
 

Callas à Paris - More Arias from French Opera - Callas Remastered

Maria Callas, Georges Prêtre, Orchestre de la Societé des Concerts du Conservatire

Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Iphigénie en Tauride, Act 2  
1.1
"O malheureuse Iphigénie!" (Iphigénie)
Christoph Willibald Gluck; Maria Callas; Georges Pretre; Georges Prêtre; Orchestre de la Société des Concerts du Conservatoire
4:34
La damnation de Faust, Op. 24  
1.2
"D'amour l'ardente flamme" (Marguerite)
Hector Berlioz; Maria Callas; Georges Pretre; Georges Prêtre; Orchestre de la Société des Concerts du Conservatoire
8:15
Les pêcheurs de perles, 'The Pearl Fishers', Act 2  
1.3
"Ma voila seule......Comme autrefois" (Leïla)
Georges Bizet; Maria Callas; Georges Pretre; Georges Prêtre; Orchestre de la Société des Concerts du Conservatoire
6:02
Manon, Act 2  
1.4
"Je ne suis que faiblesse....Adieu, notre petite table" (Manon)
Jules Massenet; Maria Callas; Orchestre de la Société des Concerts du Conservatoire; Georges Prêtre
3:23
Manon, Act 3  
1.5
"Suis-je gentille ainsi? ... Je marche sur tous les chemins" (Manon)
Jules Massenet; Maria Callas; Georges Pretre; Georges Prêtre; Orchestre de la Société des Concerts du Conservatoire
2:52
Werther, Act 3  
1.6
"Werther! Qui m'aurait dit la place... Des cris joyeux" (Charlotte - Air des lettres)
Jules Massenet; Maria Callas; Orchestre de la Société des Concerts du Conservatoire; Georges Prêtre
7:06
Gonoud  
1.7
Faust, Act 3: "Il était un Roi de Thulé...O Dieu!que de bijoux...Ah! je ris" (Marguerite - Jewel Song)
Charles Gounod; Maria Callas; Orchestre de la Société des Concerts du Conservatoire; Georges Prêtre
11:38
Digital Booklet
"Simply as an artist, in her sense of line, her feeling for a word, her command of colour and her mastery of the whole complex art of interpretation – [Callas] is so far ahead of all other contemporary singers, and of all but the greatest past singers, too, that she almost spoils us for the rest." - Gramophone As in her first Callas à Paris recital, recorded two years previously, the diva performs arias of diverse weight, colour and mood – from the darker tones of Berlioz’s Marguerite to the brilliant "Jewel Song" of Gounod’s Marguerite, and from the mezzo-ish melancholy of Massenet’s Charlotte to the soprano coquetry of the same composer’s Manon. This edition has been delivered from Callas Remastered: The Complete Studio Recordings. The epitome of the operatic diva, the American-born Greek soprano is recognised as a singer who defined, and even redefined opera in the 20th century and she has never lost her place among the world’s top-selling classical artists. With the release of Callas Remastered: The Complete Studio Recordings, opera lovers will now be able to hear her as never before.
96 kHz / 24-bit PCM – Warner Classics Studio Masters

Tracks 1-7 – contains high-resolution digital transfers of material originating from an analogue master source
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-0.67
-1.40 to -0.01
-19.95
-21.35 to -17.46
-15.16
-16.40 to -13.40
10
8 to 11
1
"O malheureuse Iphigénie!" (Iphigénie)
-0.98-17.46-13.48
2
"D'amour l'ardente flamme" (Marguerite)
-0.70-20.72-15.311
3
"Ma voila seule......Comme autrefois" (Leïla)
-1.40-20.41-16.310
4
"Je ne suis que faiblesse....Adieu, notre petite table" (Manon)
-0.01-21.35-16.011
5
"Suis-je gentille ainsi? ... Je marche sur tous les chemins" (Manon)
-0.54-18.27-13.810
6
"Werther! Qui m'aurait dit la place... Des cris joyeux" (Charlotte - Air des lettres)
-0.11-20.54-14.910
7
Faust, Act 3: "Il était un Roi de Thulé...O Dieu!que de bijoux...Ah! je ris" (Marguerite - Jewel Song)
-0.93-20.91-16.411

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