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Florian Wielgosik

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1
Capriccio
Krzysztof Penderecki; Florian Wielgosik
4:23
L'histoire du tango  
2
I. Bordel 1900
Astor Piazzolla; Florian Wielgosik; Mathieu Draux
4:27
3
II. Café 1930
Astor Piazzolla; Florian Wielgosik; Mathieu Draux
6:44
4
III. Nightclub 1960
Astor Piazzolla; Florian Wielgosik; Mathieu Draux
5:48
Fantasia II, Op. 29  
5
I. Nocturne
Jörg Duda; Florian Wielgosik; Coline Jaget
1:48
6
II. Rondeau
Jörg Duda; Florian Wielgosik; Coline Jaget
2:25
7
III. Valse berceuse
Jörg Duda; Florian Wielgosik; Coline Jaget
4:50
8
IV. Finale
Jörg Duda; Florian Wielgosik; Coline Jaget
2:55
Concerto pour tuba  
9
I.
Stéphane Kregar; Florian Wielgosik; Maki Belkin; Patrick Mendez
5:48
10
II.
Stéphane Kregar; Florian Wielgosik; Maki Belkin; Patrick Mendez
7:28
11
III.
Stéphane Kregar; Florian Wielgosik; Patrick Mendez; Maki Belkin
8:49
Digital Booklet
Total Playing Time    55:25
The birth of this album is due to the desire of Florian Wielgosik, solo tuba of the Monte-Carlo Philharmonic Orchestra, to make the tuba better known. Indeed, in most people's minds, this instrument occupies a role reduced either to the brass band or to limited interventions within the framework of a symphony orchestra. Florian Wielgosik therefore wanted to give an impression, through a choice of very diverse composers and works (German, Polish, Argentinean, French), of some of the music in which the tuba can express itself differently from that of the Solo tuba, the one in front, but more as a participant in chamber music, more intimate and mixed with the others in a humble and fertile exchange. All this is found in this testimony he offers us.
48 kHz / 24-bit PCM – Klarthe Studio Masters

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