℗ 1984 Erato Disques
Released | March 24, 2017 |
Duration | 59m 36s |
Record Label | Warner Classics |
Genre | Classical |
Landowski: Un Enfant appelle, La Prison
Mstislav Rostropovich, Galina Vishnevskaya, Orchestre National de France, Marcel Landowski
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Un enfant appelle
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1.1
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I. loin, très loin (feat. Galina Vishnevskaya)
Marcel Landowski; Marie Noël; Mstislav Rostropovich; Galina Vishnevskaya; Orchestre National de France; Marcel Landowski |
8:39 | |||
1.2
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II. Je crois très bas (feat. Galina Vishnevskaya)
Marcel Landowski; Marie Noël; Mstislav Rostropovich; Galina Vishnevskaya; Orchestre National de France; Marcel Landowski |
6:11 | |||
1.3
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III. La nuit même où il faut livré (feat. Galina Vishnevskaya)
Marcel Landowski; Marie Noël; Mstislav Rostropovich; Galina Vishnevskaya; Orchestre National de France; Marcel Landowski |
8:48 | |||
La Prison
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1.4
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I. L'attente (feat. Galina Vishnevskaya, Pierre Dux)
Marcel Landowski; Mstislav Rostropovich; Galina Vishnevskaya; Pierre Dux; Orchestre National de Lille; Marcel Landowski |
9:04 | |||
1.5
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II. L'interrogatoire (feat. Galina Vishnevskaya, Pierre Dux)
Marcel Landowski; Mstislav Rostropovich; Galina Vishnevskaya; Pierre Dux; Orchestre National de Lille; Marcel Landowski |
12:39 | |||
1.6
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III. La prison (feat. Galina Vishnevskaya, Pierre Dux)
Marcel Landowski; Mstislav Rostropovich; Galina Vishnevskaya; Pierre Dux; Orchestre National de Lille; Marcel Landowski |
14:15 |
Landowski eschewed the avant-garde approaches to music of his contemporaries, preferring a more conservative style. His greatest musical influence was Arthur Honegger. His entire output includes five symphonies, several concertos (notably two for piano and one each for bassoon, for cello, for flute, for trumpet, for trombone, for violin), operas as well as a Mass and bears testimony to Honegger's impact. The two pieces on this programme come from the middle of the composer's career, as a mature master of his art.
That the cello's repertoire has been so wonderfully enriched during the 20th century is due largely to Mstislav Rostropovich, the most influential cellist of his time, a champion of liberty, and also a noted conductor and pianist. Born In Baku on 27 March 1927 to a pianist mother and a cello-playing father who had studied with Pablo Casals, 'Slava' received early paternal grounding in his chosen instrument.
Rostropovich was closely associated with EMI Classics (now Warner Classics) for more than 50 years, having made 100 recordings with the company between 1954 and his death in 2007, just a month after celebrations for his 80th birthday at the Kremlin.
96 kHz / 24-bit PCM – Warner Classics Studio Masters
Tracks 1-6 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-6 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.20 -8.52 to -1.05 | -29.90 -32.82 to -26.28 | -25.12 -28.80 to -21.50 | 15 13 to 17 | |
1 | I. loin, très loin (feat. Galina Vishnevskaya) | -7.70 | -32.82 | -27.2 | 15 |
2 | II. Je crois très bas (feat. Galina Vishnevskaya) | -8.52 | -32.65 | -28.8 | 13 |
3 | III. La nuit même où il faut livré (feat. Galina Vishnevskaya) | -1.35 | -28.74 | -24.1 | 15 |
4 | I. L'attente (feat. Galina Vishnevskaya, Pierre Dux) | -1.92 | -28.70 | -23.9 | 17 |
5 | II. L'interrogatoire (feat. Galina Vishnevskaya, Pierre Dux) | -1.05 | -26.28 | -21.5 | 15 |
6 | III. La prison (feat. Galina Vishnevskaya, Pierre Dux) | -4.66 | -30.24 | -25.2 | 17 |