℗ 1970 Parlophone Records Limited
Beethoven: Triple Concerto
Mstislav Rostropovich, David Oistrakh, Sviatoslav Richter, Berliner Philharmoniker, Herbert von Karajan
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Triple Concerto for Violin, Cello and Piano in C Major, Op. 56 |
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1 |
I. Allegro Ludwig van Beethoven; Mstislav Rostropovich; Berliner Philharmoniker; Herbert von Karajan |
17:49 | |||
2 |
II. Largo Ludwig van Beethoven; Mstislav Rostropovich; Berliner Philharmoniker; Herbert von Karajan |
9:10 | |||
3 |
III. Rondo alla polacca Ludwig van Beethoven; Mstislav Rostropovich; Berliner Philharmoniker; Herbert von Karajan |
9:16 | |||
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Total Playing Time 36:15
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Ludwig van Beethoven's Concerto for Violin, Cello, and Piano in C major, Op. 56, more commonly known as the Triple Concerto, was composed in 1803 and later published in 1804 by Breitkopf & Härtel. The choice of the three solo instruments effectively makes this a concerto for piano trio, and it is the only concerto Beethoven ever completed for more than one solo instrument.
That the cello's repertoire has been so wonderfully enriched during the 20th century is due largely to Mstislav Rostropovich, the most influential cellist of his time, a champion of liberty, and also a noted conductor and pianist. Born In Baku on 27 March 1927 to a pianist mother and a cello-playing father who had studied with Pablo Casals, 'Slava' received early paternal grounding in his chosen instrument.
Rostropovich was closely associated with EMI Classics (now Warner Classics) for more than 50 years, having made 100 recordings with the company between 1954 and his death in 2007, just a month after celebrations for his 80th birthday at the Kremlin.
That the cello's repertoire has been so wonderfully enriched during the 20th century is due largely to Mstislav Rostropovich, the most influential cellist of his time, a champion of liberty, and also a noted conductor and pianist. Born In Baku on 27 March 1927 to a pianist mother and a cello-playing father who had studied with Pablo Casals, 'Slava' received early paternal grounding in his chosen instrument.
Rostropovich was closely associated with EMI Classics (now Warner Classics) for more than 50 years, having made 100 recordings with the company between 1954 and his death in 2007, just a month after celebrations for his 80th birthday at the Kremlin.
96 kHz / 24-bit PCM – Warner Classics Studio Masters
Tracks 1-3 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-3 – contains high-resolution digital transfers of material originating from an analogue master source