℗ 2016 Leadclass Limited, under exclusive licence to BMG Rights Management (UK) Limited
 

Welcome Back My Friends to the Show That Never Ends - Ladies and Gentlemen (Live)

Emerson, Lake & Palmer

Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats

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1.1
Hoedown (Taken from Rodeo; Live 1974; 2016 - Remaster)
Emerson, Lake & Palmer
4:27
1.2
Jerusalem (Live 1974; 2016 - Remaster)
Emerson, Lake & Palmer
3:18
1.3
Toccata (An Adaption of Ginastera's '1st Piano Concerto, 4th Movement; Live 1974; 2016 - Remaster)
Emerson, Lake & Palmer
7:24
1.4
Tarkus: i. Eruption, ii. Stones of Years' iii. Iconoclast, iv. Mass, v. Manticore, vi. Battlefield (including Epitaph), vii. Aquatarkus (Live 1974; 2016 - Remaster)
Emerson, Lake & Palmer
27:24
1.5
Take a Pebble (Including Still You Turn Me On and Lucky Man; Live 1974; 2016 - Remaster)
Emerson, Lake & Palmer
11:05
1.6
Piano Improvisations (Including Friedrich Gulda's Fugue and Joe Sullivan's Little Rock Getaway; Live 1974; 2016 - Remaster)
Emerson, Lake & Palmer
11:52
1.7
Take a Pebble (Conclusion / Live 1974; 2016 - Remaster)
Emerson, Lake & Palmer
3:14
1.8
Jeremy Bender / The Sheriff (Live 1974; 2016 - Remaster)
Emerson, Lake & Palmer
5:24
1.9
Karn Evil 9: i. 1st Impression, ii. 2nd Impression, iii. 3rd Impression (Live 1974; 2016 - Remaster)
Emerson, Lake & Palmer
35:16
Total Playing Time    1:49:24
Welcome Back, My Friends, to the Show That Never Ends ~ Ladies and Gentlemen is the second live album by the English progressive rock band Emerson, Lake & Palmer, released as a triple album in August 1974 on Manticore Records. It was recorded in February 1974 at the Anaheim Convention Center in Anaheim, California during the group's 1973–74 world tour in support of their fourth studio album, Brain Salad Surgery (1973).

To record the album, staff and equipment were brought in from Wally Heider Studios in Los Angeles, including a 24-track mobile recording unit and a 40-input console. Peter Granet, one of the engineers, called it "the finest recording experience I've ever had."

This edition features the 2016 remaster.
96 kHz / 24-bit PCM – BMG Rights Management (UK) Ltd Studio Masters

Tracks 1-9 – contains high-resolution digital transfers of material originating from an analogue master source

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