℗ 2014 Atlantic Recording Corporation, a Warner Music Group Company
| Released | October 27, 2014 |
| Duration | 40m 49s |
| Record Label | Atlantic Records |
| Genre | Rock (Classic Rock) |
Houses of the Holy (2014 Remaster)
Led Zeppelin
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
|
The Song Remains the Same (2012 Remaster)
Led Zeppelin |
5:30 | |||
|
1.2
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The Rain Song (2012 Remaster)
Led Zeppelin |
7:38 | |||
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1.3
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Over the Hills and Far Away (2012 Remaster)
Led Zeppelin |
4:49 | |||
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1.4
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The Crunge (2012 Remaster)
Led Zeppelin |
3:16 | |||
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1.5
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Dancing Days (2012 Remaster)
Led Zeppelin |
3:43 | |||
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1.6
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D'yer Mak'er (2012 Remaster)
Led Zeppelin |
4:22 | |||
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1.7
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No Quarter (2012 Remaster)
Led Zeppelin |
7:00 | |||
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1.8
|
The Ocean (2012 Remaster)
Led Zeppelin |
4:31 |
Houses of the Holy is the fifth studio album by the English rock band Led Zeppelin. It was released on 28 March 1973 by Atlantic Records.
The album benefited from several band members installing studios at home, which allowed them to develop more sophisticated songs and arrangements, and expand their musical style. Several songs subsequently became fixtures in the group's live set, including "The Song Remains the Same", "The Rain Song" and "No Quarter". Other material recorded at the sessions, including the title track, was shelved and released on the later albums Physical Graffiti and Coda. All instruments and vocals were provided by the band members Robert Plant (vocals), Jimmy Page (guitar), John Paul Jones (musician) (bass, keyboards), and John Bonham (drums). The album was produced by Jimmy Page, and it was mixed by Eddie Kramer.
The cover was the first by the band to be designed by Hipgnosis and was based on a photograph taken at Giant's Causeway in Northern Ireland.
96 kHz / 24-bit PCM – Atlantic Records Studio Masters
Tracks 1-8 – contains high-resolution digital transfers of material originating from an analogue master source; 88.2 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-8 – contains high-resolution digital transfers of material originating from an analogue master source; 88.2 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.11 -0.46 to -0.01 | -15.83 -18.08 to -13.81 | -11.98 -14.60 to -10.20 | 10 10 to 11 | |
| 1 | The Song Remains the Same (2012 Remaster) | -0.46 | -14.63 | -10.5 | 10 |
| 2 | The Rain Song (2012 Remaster) | -0.01 | -18.08 | -14.6 | 11 |
| 3 | Over the Hills and Far Away (2012 Remaster) | -0.01 | -17.02 | -12.7 | 10 |
| 4 | The Crunge (2012 Remaster) | -0.38 | -15.28 | -11.8 | 10 |
| 5 | Dancing Days (2012 Remaster) | -0.01 | -13.81 | -10.2 | 10 |
| 6 | D'yer Mak'er (2012 Remaster) | -0.01 | -15.12 | -11.7 | 11 |
| 7 | No Quarter (2012 Remaster) | -0.01 | -17.40 | -13.5 | 10 |
| 8 | The Ocean (2012 Remaster) | -0.01 | -15.26 | -10.8 | 10 |