℗ 2014 Atlantic Recording Corporation, A Warner Music Group Company
 

Led Zeppelin III (2014 Remaster)

Led Zeppelin

Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats

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1
Immigrant Song (2012 Remaster)
Led Zeppelin
2:26
2
Friends (2012 Remaster)
Led Zeppelin
3:54
3
Celebration Day (2012 Remaster)
Led Zeppelin
3:29
4
Since I've Been Loving You (2012 Remaster)
Led Zeppelin
7:23
5
Out on the Tiles (2012 Remaster)
Led Zeppelin
4:05
6
Gallows Pole (2012 Remaster)
Led Zeppelin
4:58
7
Tangerine (2012 Remaster)
Led Zeppelin
3:10
8
That's the Way (2012 Remaster)
Led Zeppelin
5:37
9
Bron-Y-Aur Stomp (2012 Remaster)
Led Zeppelin
4:16
10
Hats off To (Roy) Harper (2012 Remaster)
Led Zeppelin
3:42
Total Playing Time    43:00
Led Zeppelin III is the third studio album by the English rock band Led Zeppelin, released in October 1970. It had a more eclectic style than prior albums, adding folk-style songs to their standard hard rock and blues rock repertoire.

While hard rock influences were still present, such as on "Immigrant Song", acoustic-based songs such as "Gallows Pole" and "That's the Way" showed Led Zeppelin were capable of playing different styles successfully. The band wrote most of the material themselves, but as with prior records, included two songs that were re-interpretations of earlier works, "Gallows Pole" based on a traditional English folk song, by way of American singer Fred Gerlach, and "Hat's off to (Roy) Harper", a reworking of a blues song by Bukka White.

The acoustic material developed from a songwriting session between band members Jimmy Page and Robert Plant at Bron-Yr-Aur cottage in Wales, which influenced the musical direction. The songs were recorded using the Rolling Stones Mobile Studio, Headley Grange, Island Studios, and Olympic Studios in London. As with the prior album, the band eschewed the use of guest musicians, with all music played by band members Page (guitars), Plant (vocals), John Paul Jones (bass, keyboards), and John Bonham (drums). The range of instruments played by the band was greatly enhanced in this album, with Jones especially emerging as a talented multi-instrumentalist, playing a wide range of keyboard and stringed instruments including various synthesizers, mandolin and double bass in addition to his usual bass guitar. As with prior albums, Page served as producer on the album, with mixing done by Andy Johns and Terry Manning.
96 kHz / 24-bit PCM – Atlantic Records Studio Masters

Tracks 1-10 – contains high-resolution digital transfers of material originating from an analogue master source; 88.2 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit

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