Nights Of Ballads & Blues
McCoy Tyner
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Satin Doll
McCoy Tyner |
5:39 | ||
1.2
|
We'll Be Together Again
McCoy Tyner |
3:38 | ||
1.3
|
'Round Midnight
McCoy Tyner |
6:22 | ||
1.4
|
For Heaven's Sake
McCoy Tyner |
3:47 | ||
1.5
|
Star Eyes
McCoy Tyner |
5:03 | ||
1.6
|
Blue Monk
McCoy Tyner |
5:21 | ||
1.7
|
Groove Waltz
McCoy Tyner |
5:30 | ||
1.8
|
Days Of Wine And Roses
McCoy Tyner |
3:26 | ||
Total Playing Time 38:46
|
"... a viable leader and important musical voice ..."
- All About Jazz
"... enabled him to feature his densely rich piano sound to great effect."
- Jazz Resource Center
Pianist McCoy Tyner's 1963 sideline project was recorded while still a member of John Coltrane's quartet. As the title implies, this collection concentrates on both ballads and blues. Tyner is accompanied by rhythm section Steve Davis on bass and Lex Humphries on drums.
"Tyner’s style cannot be termed by a single classification or jazz style. Many artists refer to his style simply as the McCoy Tyner Style. Tyner introduced an entirely new touch to the post-bop genre of music with his exemplary bop chording style and tendency to induce African heritage in American Jazz."
- Jazz-piano.org
- All About Jazz
"... enabled him to feature his densely rich piano sound to great effect."
- Jazz Resource Center
Pianist McCoy Tyner's 1963 sideline project was recorded while still a member of John Coltrane's quartet. As the title implies, this collection concentrates on both ballads and blues. Tyner is accompanied by rhythm section Steve Davis on bass and Lex Humphries on drums.
"Tyner’s style cannot be termed by a single classification or jazz style. Many artists refer to his style simply as the McCoy Tyner Style. Tyner introduced an entirely new touch to the post-bop genre of music with his exemplary bop chording style and tendency to induce African heritage in American Jazz."
- Jazz-piano.org
96 kHz / 24-bit PCM – Universal Music Group Studio Masters