℗ 2019 Solo Musica
Released June 21, 2019
Duration 1h 31m 21s
Record Label Solo Musica
Catalogue No. SM308
Genre Classical (Orchestral)
 

1939

Fabiola Kim, Münchner Symphoniker, Kevin John Edusei

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Violin Concerto in B Minor  
1.1
I. Andante tranquillo
Sir William Walton; Fabiola Kim; Münchner Symphoniker; Kevin John Edusei
11:37
1.2
II. Presto capriccioso alla napolitana
Sir William Walton; Fabiola Kim; Münchner Symphoniker; Kevin John Edusei
6:38
1.3
III. Vivace
Sir William Walton; Fabiola Kim; Münchner Symphoniker; Kevin John Edusei
13:44
Concerto funebre  
1.4
I. Introduktion. Largo
Karl Amadeus Hartmann; Fabiola Kim; Münchner Symphoniker; Kevin John Edusei
1:21
1.5
II. Adagio
Karl Amadeus Hartmann; Fabiola Kim; Münchner Symphoniker; Kevin John Edusei
7:20
1.6
III. Allegro di molto
Karl Amadeus Hartmann; Fabiola Kim; Münchner Symphoniker; Kevin John Edusei
8:12
1.7
IV. Choral. Langsamer Marsch
Karl Amadeus Hartmann; Fabiola Kim; Münchner Symphoniker; Kevin John Edusei
4:07
Violin Concerto No. 2 in B Major, Sz. 112  
2.1
I. Allegro non troppo
Béla Bartók; Fabiola Kim; Münchner Symphoniker; Kevin John Edusei
16:42
2.2
II. Andante tranquillo
Béla Bartók; Fabiola Kim; Münchner Symphoniker; Kevin John Edusei
9:39
2.3
III. Allegro molto
Béla Bartók; Fabiola Kim; Münchner Symphoniker; Kevin John Edusei
12:01
Digital Booklet
"1939" - Europe on the eve of Armageddon. Some still do not want to believe that it will happen, some guessed it and some are fatalistic or even euphoric. Nowadays, barely a little over 70 years later, hardly anybody in the younger generation can imagine that such a catastrophe is possible or could be possible again. On the basis of three violin concertos by Bartók, Hartmann and Walton, which were created that same year, these moods of the various composers should be audible on an album with the Munich Symphony Orchestra acting as a kind of time machine. Hailed by the New York Times as “a brilliant soloist,” with "extraordinary precision and luminosity,” violinist Fabiola Kim is one of the most dynamic players of her generation with a wide variety of repertoire from classical to contemporary music. Fabiola Kim is the winner of various awards and competitions, including the Seoul Philharmonic Orchestra’s Concerto Competition as the youngest competitor in the history of the competition to win. Since then, she has won the Aspen Music Festival Violin Concerto Competition, Livingston Symphony Orchestra Young Artists Concerto Competition, the Kumho Prodigy Music Award, an award given to the most promising young musicians in Korea, and she was a prize winner at Corpus Christi International Competition and the Irving M. Klein International Competition for Strings.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Solo Musica Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-4.72
-18.44 to -0.08
-30.40
-42.32 to -25.08
-26.43
-39.60 to -21.40
16
11 to 19
1.1
I. Andante tranquillo
-0.10-26.22-22.217
1.2
II. Presto capriccioso alla napolitana
-0.10-28.83-25.019
1.3
III. Vivace
-0.10-26.83-22.718
1.4
I. Introduktion. Largo
-18.44-42.32-39.611
1.5
II. Adagio
-5.07-31.14-26.716
1.6
III. Allegro di molto
-5.10-28.09-23.915
1.7
IV. Choral. Langsamer Marsch
-11.70-36.68-32.215
2.1
I. Allegro non troppo
-0.10-26.85-22.317
2.2
II. Andante tranquillo
-6.44-31.97-28.317
2.3
III. Allegro molto
-0.08-25.08-21.417

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