℗ 2019 Winter and Winter
Released | June 21, 2019 |
Duration | 1h 06m 48s |
Record Label | Winter and Winter |
Catalogue No. | 910254-2 |
Genre | Classical (Solo Instrumental) |
Suite in E Minor, RCT 2
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1.1
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VI. Rigaudon I - Rigaudon II et double
Jean-Philippe Rameau; Teodoro Anzellotti |
1:08 | |||
1.2
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VII. Musette en rondeau. Tendrement
Jean-Philippe Rameau; Teodoro Anzellotti |
2:13 | |||
1.3
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Cantus VI (After Rameau's RCT 2)
Xavier Dayer; Teodoro Anzellotti |
3:03 | |||
1.4
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V. Le rappel des oiseaux (Arr. for Accordion)
Jean-Philippe Rameau; Teodoro Anzellotti |
2:24 | |||
1.5
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Palinsesto nero
Nadir Vassena; Teodoro Anzellotti |
3:23 | |||
1.6
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IX. La villageoise. Rondeau (Arr. for Accordion)
Jean-Philippe Rameau; Teodoro Anzellotti |
2:13 | |||
Suite in D Major, RCT 3
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1.7
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VI. L'entretien des muses (Arr. for Accordion)
Jean-Philippe Rameau; Teodoro Anzellotti |
6:07 | |||
1.8
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Narration hégémonique
Brice Pauset; Teodoro Anzellotti |
3:13 | |||
1.9
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I. Les tendres plaintes (Arr. for Accordion)
Jean-Philippe Rameau; Teodoro Anzellotti |
2:49 | |||
1.10
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Les soupirs (After Rameau's RCT 3)
Eun-Hwa Cho; Teodoro Anzellotti |
3:23 | |||
1.11
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III. Les soupirs
Jean-Philippe Rameau; Teodoro Anzellotti |
3:54 | |||
1.12
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VII. Les tourbillons
Jean-Philippe Rameau; Teodoro Anzellotti |
2:11 | |||
1.13
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IX. Le lardon
Jean-Philippe Rameau; Teodoro Anzellotti |
0:49 | |||
1.14
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X. La boiteuse
Jean-Philippe Rameau; Teodoro Anzellotti |
0:28 | |||
1.15
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VIII. Les cyclopes
Jean-Philippe Rameau; Teodoro Anzellotti |
2:58 | |||
1.16
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Superposition d‘apres Rameau
Fabio Nieder; Teodoro Anzellotti |
1:50 | |||
Nouvelles suites de pièces de clavecin, Suite in G Major, RCT 6
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1.17
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VIII. Les tricotets
Jean-Philippe Rameau; Teodoro Anzellotti |
1:44 | |||
1.18
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IX. L'indifférente
Jean-Philippe Rameau; Teodoro Anzellotti |
1:10 | |||
1.19
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X. Menuet I
Jean-Philippe Rameau; Teodoro Anzellotti |
0:47 | |||
1.20
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XI. Menuet II
Jean-Philippe Rameau; Teodoro Anzellotti |
1:20 | |||
1.21
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XII. La poule
Jean-Philippe Rameau; Teodoro Anzellotti |
3:55 | |||
1.22
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XIII. Les triolets
Jean-Philippe Rameau; Teodoro Anzellotti |
3:28 | |||
1.23
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XIV. Les sauvages
Jean-Philippe Rameau; Teodoro Anzellotti |
2:04 | |||
1.24
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Reprise
Johannes Schöllhorn; Teodoro Anzellotti |
2:22 | |||
1.25
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XV. L'enharmonique
Jean-Philippe Rameau; Teodoro Anzellotti |
4:36 | |||
1.26
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XVI. L'egyptienne
Jean-Philippe Rameau; Teodoro Anzellotti |
2:16 | |||
Les Petits Marteaux
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1.27
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RCT 12bis (Arr. for Accordion)
Jean-Philippe Rameau; Teodoro Anzellotti |
1:00 | |||
Digital Booklet
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On this release, accordion virtuoso Teodoro Anzellotti dedicates himself to harpsichord pieces that he selected personally. Born in Apulia in southern Italy, Teodoro Anzellotti grew up near Baden-Baden. He pursued his accordion studies at the Hochschulen in Karlsruhe and Trossingen and quickly achieved victories at various international competitions. Since the 1980s he has been a regular guest at the major festivals and with leading orchestras. Teodoro Anzellotti has successfully contributed to integrating the accordion into the sphere of classical music. This has occurred principally through his service to New Music: through his development of performing techniques he has enlarged the tone-color capabilities and sonic profile of his instrument. More than 300 new works have been written for Teodoro Anzellotti, by composers such as George Aperghis, Brice Pauset, Heinz Holliger, Toshio Hosokawa, Mauricio Kagel, Michael Jarrell, Isabel Mundry, Gerard Pesson, Matthias Pintscher, Wolfgang Rihm, Salvatore Sciarrino, Marco Stroppa, Jörg Widmann und Hans Zender. Luciano Berio created for him his Sequenza XIII, which Mr. Anzellotti premiered in Rotterdam in 1995 and subsequently performed at major festivals worldwide. Since 1987 he has taught at the Hochschule der Künste Bern, and since 2002 at the Musikhochschule Freiburg im Breisgau as well. His discography embraces a spectrum reaching from Bach and Scarlatti to Janácek and Satie to John Cage and Matthias Pintscher.
48 kHz / 24-bit PCM – Winter and Winter Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.43 -2.86 to -0.56 | -18.35 -22.31 to -16.55 | -14.66 -17.40 to -12.90 | 10 8 to 13 | |
1 | VI. Rigaudon I - Rigaudon II et double | -1.12 | -17.79 | -14.2 | 10 |
2 | VII. Musette en rondeau. Tendrement | -0.73 | -17.73 | -14.4 | 10 |
3 | Cantus VI (After Rameau's RCT 2) | -0.56 | -22.31 | -17.4 | 13 |
4 | V. Le rappel des oiseaux (Arr. for Accordion) | -2.07 | -17.55 | -14.3 | 10 |
5 | Palinsesto nero | -0.56 | -20.81 | -16.1 | 12 |
6 | IX. La villageoise. Rondeau (Arr. for Accordion) | -1.31 | -17.65 | -14.2 | 10 |
7 | VI. L'entretien des muses (Arr. for Accordion) | -1.62 | -17.37 | -14.2 | 9 |
8 | Narration hégémonique | -0.57 | -19.82 | -15.4 | 12 |
9 | I. Les tendres plaintes (Arr. for Accordion) | -2.63 | -16.92 | -13.9 | 9 |
10 | Les soupirs (After Rameau's RCT 3) | -0.58 | -20.84 | -16.1 | 11 |
11 | III. Les soupirs | -1.81 | -17.20 | -14.0 | 10 |
12 | VII. Les tourbillons | -1.21 | -17.25 | -14.0 | 10 |
13 | IX. Le lardon | -0.56 | -18.29 | -14.5 | 12 |
14 | X. La boiteuse | -2.73 | -18.20 | -14.1 | 9 |
15 | VIII. Les cyclopes | -0.78 | -17.99 | -14.5 | 11 |
16 | Superposition d‘apres Rameau | -2.17 | -20.63 | -16.6 | 10 |
17 | VIII. Les tricotets | -1.31 | -18.53 | -15.3 | 10 |
18 | IX. L'indifférente | -1.69 | -17.51 | -14.1 | 9 |
19 | X. Menuet I | -1.37 | -16.55 | -12.9 | 8 |
20 | XI. Menuet II | -1.53 | -18.69 | -15.2 | 10 |
21 | XII. La poule | -0.60 | -18.33 | -14.7 | 11 |
22 | XIII. Les triolets | -2.29 | -17.17 | -14.0 | 9 |
23 | XIV. Les sauvages | -0.75 | -17.46 | -14.1 | 11 |
24 | Reprise | -2.86 | -19.37 | -14.9 | 8 |
25 | XV. L'enharmonique | -2.02 | -17.18 | -13.9 | 9 |
26 | XVI. L'egyptienne | -1.28 | -17.69 | -14.4 | 9 |
27 | RCT 12bis (Arr. for Accordion) | -1.84 | -18.50 | -14.5 | 11 |