℗ 2019 PENTATONE
Released | July 5, 2019 |
Duration | 1h 22m 22s |
Record Label | PENTATONE |
Catalogue No. | PTC5186770 |
Genre | Classical (Art Song) |
An American Song Album
Melody Moore, Bradley Moore
Available in 96 kHz / 24-bit AIFF, FLAC and 2.8224 MHz DSD high resolution audio formats
Hermit Songs, Op. 29
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1.1
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No. 1, At Saint Patrick's Purgatory
Samuel Barber; Melody Moore; Bradley Moore |
1:33 | |||
1.2
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No. 2, Church Bell at Night
Samuel Barber; Melody Moore; Bradley Moore |
0:45 | |||
1.3
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No. 3, St. Ita's Vision
Samuel Barber; Melody Moore; Bradley Moore |
3:13 | |||
1.4
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No. 4, The Heavenly Banquet
Samuel Barber; Melody Moore; Bradley Moore |
1:14 | |||
1.5
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No. 5, The Crucifixion
Samuel Barber; Melody Moore; Bradley Moore |
2:05 | |||
1.6
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No. 6, Sea-Snatch
Samuel Barber; Melody Moore; Bradley Moore |
0:38 | |||
1.7
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No. 7, Promiscuity
Samuel Barber; Melody Moore; Bradley Moore |
1:01 | |||
1.8
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No. 8, The Monk and His Cat
Samuel Barber; Melody Moore; Bradley Moore |
2:17 | |||
1.9
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No. 9, The Praises of God
Samuel Barber; Melody Moore; Bradley Moore |
0:55 | |||
1.10
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No. 10, The Desire for Hermitage
Samuel Barber; Melody Moore; Bradley Moore |
3:40 | |||
These Strangers
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1.11
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No. 1, in a Foreign World
Jake Heggie; Melody Moore; Bradley Moore |
1:22 | |||
1.12
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No. 2, In the Midst of Thousands
Jake Heggie; Melody Moore; Bradley Moore |
1:55 | |||
1.13
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No. 3, I Did Not Speak Out
Jake Heggie; Melody Moore; Bradley Moore |
3:34 | |||
1.14
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No. 4, To a Stranger
Jake Heggie; Melody Moore; Bradley Moore |
4:06 | |||
How Well I Knew The Light
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1.15
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No. 1, Ample Make This Bed
Jake Heggie; Melody Moore; Bradley Moore |
1:37 | |||
1.16
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No. 2, The Sun Kept Setting
Jake Heggie; Melody Moore; Bradley Moore |
3:01 | |||
The Mystery (Arr. for Voice & Piano)
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1.17
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No. 1, He Has Kissed Me
Carlisle Floyd; Melody Moore; Bradley Moore |
3:13 | |||
1.18
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No. 2, Gentleness
Carlisle Floyd; Melody Moore; Bradley Moore |
4:12 | |||
1.19
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No. 3, To My Husband
Carlisle Floyd; Melody Moore; Bradley Moore |
4:48 | |||
1.20
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No. 4, At Dawn
Carlisle Floyd; Melody Moore; Bradley Moore |
2:55 | |||
1.21
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No. 5, Rocking
Carlisle Floyd; Melody Moore; Bradley Moore |
3:04 | |||
4 Early Songs
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1.22
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No. 1, Night
Aaron Copland; Melody Moore; Bradley Moore |
3:30 | |||
1.23
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No. 2, A Summer Vacation
Aaron Copland; Melody Moore; Bradley Moore |
2:20 | |||
1.24
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No. 3, My Heart Is in the East
Aaron Copland; Melody Moore; Bradley Moore |
2:25 | |||
1.25
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No. 4, Alone
Aaron Copland; Melody Moore; Bradley Moore |
2:08 | |||
Goodbye, Mr. Chips
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1.26
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Chips, Darling, It's Started (Arr. for Voice & Piano)
Gordon Getty; Melody Moore; Bradley Moore |
4:22 | |||
3 Welsh Songs (Version for Voice & Piano)
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1.27
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No. 1, Welcome Robin
Gordon Getty; Melody Moore; Bradley Moore |
1:59 | |||
1.28
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No. 2, Kind Old Man
Gordon Getty; Melody Moore; Bradley Moore |
3:59 | |||
1.29
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No. 3, All Through the Night
Gordon Getty; Melody Moore; Bradley Moore |
3:45 | |||
1.30
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Deep River (Arr. G. Getty for Voice & Piano)
Gordon Getty; Gordon Getty; Melody Moore; Bradley Moore |
2:37 | |||
1.31
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Danny Boy (Arr. G. Getty for Voice & Piano)
Gordon Getty; Gordon Getty; Melody Moore; Bradley Moore |
4:09 | |||
Digital Booklet
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An American Song Album is a fine collection of songs by American composers, presented by soprano Melody Moore. The repertoire includes Samuel Barber’s introspective Hermit Songs, Jake Heggie’s engaged cycles These Strangers and How Well I Knew the Light, Carlisle Floyd’s exploration of motherhood in The Mystery, Copland’s impressionist and oriental Four Early Songs, as well as a varied selection from Gordon Getty’s vocal works. Set to Irish, Welsh, Chilean, German, Arabic and Afro-American poetry, these pieces constitute a panorama of the US as a melting pot of cultures, while simultaneously being bound together by an unmistakably American sound. Melody Moore manages to lift out the poetry of these works with her warm, lyrical voice and impeccable vocal technique. She is accompanied on the piano by Bradley Moore, one of the most eminent conductors and song accompanists of today’s American musical scene.
96 kHz / 24-bit PCM and 2.8224 MHz DSD – PENTATONE Studio Masters
Tracks 1-31 – 88.2 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-31 – 88.2 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.97 -9.03 to -0.13 | -24.86 -30.94 to -18.91 | -20.47 -25.80 to -15.40 | 13 10 to 15 | |
1 | No. 1, At Saint Patrick's Purgatory | -1.82 | -23.01 | -19.4 | 13 |
2 | No. 2, Church Bell at Night | -9.03 | -29.49 | -25.8 | 13 |
3 | No. 3, St. Ita's Vision | -2.55 | -24.43 | -20.3 | 14 |
4 | No. 4, The Heavenly Banquet | -1.77 | -22.74 | -19.3 | 14 |
5 | No. 5, The Crucifixion | -3.48 | -26.86 | -21.5 | 13 |
6 | No. 6, Sea-Snatch | -1.64 | -19.79 | -16.4 | 12 |
7 | No. 7, Promiscuity | -8.68 | -30.94 | -25.4 | 12 |
8 | No. 8, The Monk and His Cat | -3.42 | -27.39 | -24.1 | 15 |
9 | No. 9, The Praises of God | -1.58 | -23.49 | -19.4 | 12 |
10 | No. 10, The Desire for Hermitage | -0.29 | -25.24 | -20.8 | 14 |
11 | No. 1, in a Foreign World | -4.98 | -24.12 | -19.8 | 10 |
12 | No. 2, In the Midst of Thousands | -1.15 | -23.98 | -19.8 | 13 |
13 | No. 3, I Did Not Speak Out | -2.77 | -25.11 | -19.9 | 13 |
14 | No. 4, To a Stranger | -2.64 | -23.13 | -19.2 | 11 |
15 | No. 1, Ample Make This Bed | -5.45 | -27.08 | -22.1 | 11 |
16 | No. 2, The Sun Kept Setting | -4.06 | -26.51 | -21.3 | 13 |
17 | No. 1, He Has Kissed Me | -0.84 | -23.94 | -18.8 | 13 |
18 | No. 2, Gentleness | -2.29 | -24.44 | -19.4 | 13 |
19 | No. 3, To My Husband | -0.29 | -22.13 | -17.9 | 13 |
20 | No. 4, At Dawn | -0.13 | -18.91 | -15.4 | 12 |
21 | No. 5, Rocking | -0.73 | -22.74 | -18.3 | 12 |
22 | No. 1, Night | -4.69 | -26.44 | -22.2 | 13 |
23 | No. 2, A Summer Vacation | -0.55 | -23.86 | -19.6 | 12 |
24 | No. 3, My Heart Is in the East | -2.21 | -23.63 | -19.4 | 11 |
25 | No. 4, Alone | -4.36 | -26.08 | -21.3 | 12 |
26 | Chips, Darling, It's Started (Arr. for Voice & Piano) | -2.30 | -24.23 | -20.3 | 13 |
27 | No. 1, Welcome Robin | -5.30 | -26.70 | -22.0 | 13 |
28 | No. 2, Kind Old Man | -0.30 | -23.87 | -19.3 | 15 |
29 | No. 3, All Through the Night | -5.52 | -26.77 | -23.3 | 13 |
30 | Deep River (Arr. G. Getty for Voice & Piano) | -4.00 | -27.00 | -21.8 | 12 |
31 | Danny Boy (Arr. G. Getty for Voice & Piano) | -3.10 | -26.50 | -21.2 | 13 |