℗ 2013 Genuin
| Released | February 26, 2013 |
| Duration | 1h 08m 09s |
| Record Label | Genuin |
| Catalogue No. | GEN13265 |
| Genre | Classical (Instrumental) |
Works for Viola Solo by Paul Hindemith and Günter Raphael
Jürgen Weber
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Sonata, Op. 25, No. 1
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1.1
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I. Breite Viertel
Paul Hindemith; Jürgen Weber |
2:23 | |||
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1.2
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II. Sehr frisch und straff (Viertel)
Paul Hindemith; Jürgen Weber |
2:19 | |||
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1.3
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III. Sehr langsam
Paul Hindemith; Jürgen Weber |
5:26 | |||
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1.4
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IV. Rasendes Zeitmaß. Wild. Tonschönheit ist Nebensache
Paul Hindemith; Jürgen Weber |
1:51 | |||
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1.5
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V. Langsam, mit viel Ausdruck
Paul Hindemith; Jürgen Weber |
4:37 | |||
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Sonata, Op. 46, No. 3
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1.6
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I. In sanfter Bewegung
Günter Raphael; Jürgen Weber |
5:55 | |||
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1.7
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II. Menuett
Günter Raphael; Jürgen Weber |
6:38 | |||
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1.8
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III. Frisch und lebendig
Günter Raphael; Jürgen Weber |
4:08 | |||
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Sonata, Op. 46, No. 4
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1.9
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I. Sehr beseelt und bewegt
Günter Raphael; Jürgen Weber |
3:48 | |||
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1.10
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II. Äußerst lebhaft, rauschend
Günter Raphael; Jürgen Weber |
1:56 | |||
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1.11
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III. Schlicht und einfach - attacca Da Capo 2. Satz
Günter Raphael; Jürgen Weber |
3:17 | |||
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1.12
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IV. Lebendig
Günter Raphael; Jürgen Weber |
3:12 | |||
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Sonata, Op. 11, No. 5
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1.13
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I. Lebhaft, aber nicht geeilt
Paul Hindemith; Jürgen Weber |
3:48 | |||
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1.14
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II. Mäßig schnell, mit viel Wärme vortragen
Paul Hindemith; Jürgen Weber |
4:16 | |||
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1.15
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III. Scherzo. Schnell
Paul Hindemith; Jürgen Weber |
3:49 | |||
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1.16
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IV. In Form und Zeitmaß einer Passacaglia
Paul Hindemith; Jürgen Weber |
10:46 | |||
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Digital Booklet
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"The two sonatas are attractive works written in Raphael’s blend of late Romanticism and Hindemithian neo-classicism. The Third is likewise smoothly lyrical, very nicely rendered here by Jürgen Weber ... can safely be recommended."
- Gramophone
German violist Jürgen Weber presents two solo sonatas each by Paul Hindemith and Günther Raphael on this acclaimed 2012 recording. Weber's playing showcases resilient tempos, a large tone and lightning virtuosic passages on this demanding, sensuous music of the 20th century, compellingly interpreted and delivered in lush, sonorous sound.
44.1 kHz / 24-bit PCM – Genuin Studio Masters
Recorded at Studio 2, Bayerischer Rundfunk, München, Germany January 9 - 12, 2012 Recording producer/Tonmeister: Jörg Moser Executive producer: Helmut Rohm Balance Engineer: Peter Urban Editing: Jörg Moser English translation: Matthew Harris, Ibiza Booklet editing: Johanna Brause, Leipzig Publisher Hindemith: Willy Müller, Süddeutscher Musikverlag Photography: Irène Zandel, Hannover; Günter Raphael (p. 2): With permission from Fredrik Pachla, Christine Raphael Stiftung Layout: Sabine Kahlke-Rosenthal, Leipzig Graphic design: Thorsten Stapel, Münster
Recorded at Studio 2, Bayerischer Rundfunk, München, Germany January 9 - 12, 2012 Recording producer/Tonmeister: Jörg Moser Executive producer: Helmut Rohm Balance Engineer: Peter Urban Editing: Jörg Moser English translation: Matthew Harris, Ibiza Booklet editing: Johanna Brause, Leipzig Publisher Hindemith: Willy Müller, Süddeutscher Musikverlag Photography: Irène Zandel, Hannover; Günter Raphael (p. 2): With permission from Fredrik Pachla, Christine Raphael Stiftung Layout: Sabine Kahlke-Rosenthal, Leipzig Graphic design: Thorsten Stapel, Münster
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.99 -6.44 to -0.03 | -23.14 -26.82 to -17.17 | -19.78 -22.90 to -14.30 | 12 11 to 15 | |
| 1 | I. Breite Viertel | -3.49 | -21.99 | -18.9 | 12 |
| 2 | II. Sehr frisch und straff (Viertel) | -0.03 | -20.20 | -16.7 | 12 |
| 3 | III. Sehr langsam | -4.23 | -25.25 | -21.0 | 12 |
| 4 | IV. Rasendes Zeitmaß. Wild. Tonschönheit ist Nebensache | -0.32 | -17.17 | -14.3 | 11 |
| 5 | V. Langsam, mit viel Ausdruck | -6.44 | -25.42 | -22.0 | 11 |
| 6 | I. In sanfter Bewegung | -2.22 | -24.36 | -20.7 | 12 |
| 7 | II. Menuett | -2.31 | -24.64 | -21.4 | 15 |
| 8 | III. Frisch und lebendig | -2.47 | -22.77 | -19.6 | 13 |
| 9 | I. Sehr beseelt und bewegt | -6.43 | -26.82 | -22.9 | 12 |
| 10 | II. Äußerst lebhaft, rauschend | -2.73 | -22.38 | -19.5 | 11 |
| 11 | III. Schlicht und einfach - attacca Da Capo 2. Satz | -2.60 | -23.97 | -20.7 | 12 |
| 12 | IV. Lebendig | -4.99 | -24.00 | -20.8 | 13 |
| 13 | I. Lebhaft, aber nicht geeilt | -0.95 | -20.79 | -17.4 | 13 |
| 14 | II. Mäßig schnell, mit viel Wärme vortragen | -4.42 | -24.81 | -21.4 | 13 |
| 15 | III. Scherzo. Schnell | -1.56 | -23.07 | -19.6 | 14 |
| 16 | IV. In Form und Zeitmaß einer Passacaglia | -2.60 | -22.52 | -19.5 | 13 |