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Stamitz: Symphonies, Op. 3 Nos. 1 & 3-6

Musica Viva, Alexander Rudin

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Symphony in G Major, Op. 3 No. 1, WolS G2  
1.1
I. Presto assai
Johann Stamitz; Musica Viva; Alexander Rudin
3:05
1.2
II. Andante non adagio
Johann Stamitz; Musica Viva; Alexander Rudin
4:14
1.3
III. Minuet
Johann Stamitz; Musica Viva; Alexander Rudin
2:16
1.4
IV. Presto
Johann Stamitz; Musica Viva; Alexander Rudin
2:58
Symphony in G Major, Op. 3 No. 3, WolS G3  
1.5
I. Allegro
Johann Stamitz; Musica Viva; Alexander Rudin
4:08
1.6
II. Andante
Johann Stamitz; Musica Viva; Alexander Rudin
3:32
1.7
III. Minuetto
Johann Stamitz; Musica Viva; Alexander Rudin
3:08
1.8
IV. Presto
Johann Stamitz; Musica Viva; Alexander Rudin
3:00
Symphony in E-Flat Major, Op. 3 No. 4, WolS Eb3  
1.9
I. Allegro
Johann Stamitz; Musica Viva; Alexander Rudin
2:53
1.10
II. Andante
Johann Stamitz; Musica Viva; Alexander Rudin
2:29
1.11
III. Prestissimo
Johann Stamitz; Musica Viva; Alexander Rudin
2:47
Symphony in A Major, Op. 3 No. 5, WolS A2  
1.12
I. Allegro
Johann Stamitz; Musica Viva; Alexander Rudin
3:58
1.13
II. Andante
Johann Stamitz; Musica Viva; Alexander Rudin
4:44
1.14
III. Presto
Johann Stamitz; Musica Viva; Alexander Rudin
3:26
Symphony in F Major, Op. 3 No. 6, WolS F2  
1.15
I. Allegro
Johann Stamitz; Musica Viva; Alexander Rudin
3:37
1.16
II. Andante
Johann Stamitz; Musica Viva; Alexander Rudin
4:52
1.17
III. Presto assai
Johann Stamitz; Musica Viva; Alexander Rudin
2:38
Digital Booklet
Total Playing Time    57:45
Blessed with a gift for musical invention and structural organization, Johann Stamitz was one of the pioneering figures in symphonic music before the emergence of Haydn. He drove the development of symphonic form via the assimilation of the new operatic overture style resulting in works of brilliance and skillful orchestration. His Op. 3 symphonies, though not composed as a set, showcase why Stamitz was held in such high regard and was so influential: outer movements fizz with energy, and contain virtuosic string writing with frequent dynamic contrasts, while slow movements are intricate and refined
96 kHz / 24-bit PCM – Naxos Studio Masters

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